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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#1 |
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diyAudio Member
Join Date: Apr 2003
Location: MA
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Anybody have any good ideas for building a good 30-50 watt tube integrated amp. Something with fast transparent midrange, great soundstage and fairly tight bass. Simple design too.
Hoping to find something which will sound as good as the best current commercial offerings? After doing a lot of reading I don't feel confident that there is. Some of the projects may be neat to build, But do we end up with a great amp when we are finished or just a fair sounding amp? |
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#2 |
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diyAudio Moderator Emeritus
Join Date: Jan 2004
Location: Jakarta
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I can't recommend any particular design from my own experience. I'm messing about with EL34 triode-connected PP, which gives only 15 watts or so.
However, I assure you that a home-built amp can be every bit as good as any commercial amp and probably better. Commercial amps are usually either compromised by cost considerations or are horrendously expensive (sometimes both!). Don't get taken in by the commercial hype. |
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#3 |
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diyAudio Moderator
Join Date: Jan 2003
Location: Near London. UK
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If you want a genuine 30W - 50W amplifier of superlative quality, it's not going to be all that simple and it will certainly be big and heavy. The quality will be largely determined by the output transformers (LF distortion due to core saturation and HF ringing due to leakage inductance and stray capacitance). HF distortion will be down to the driver. A simple driver will be more likely to cause slewing distortion because of inadequate current to charge the output stage's input capacitance. Too many coupling capacitors will cause blocking and prolong distortion when (not, if) the amplifier is overloaded. Reducing the number of coupling capacitors implies DC coupling and almost always requires extra power supplies.
The difference with the commercial designs is that the cost of development is amortized over hundreds of production amplifiers, so they can justify spending the time to fettle the amplifier and screw the very best performance out of the cheapest parts. Or, at least, that should be the case.
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The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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#4 |
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diyAudio Member
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what about a kit?
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...still looking for the holy grail. |
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#5 |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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PP 7591s in pentode mode will yield the low end of your power range. 7591s are easy to drive, which makes a 2 stage amp feasible. The volume control is right at the I/P.
GOOD "iron" is a must, as was previously pointed out. Weight will be a factor, as choke I/P filtration should be considered for the B+ PSU. 7591 idle current will be low (Class "AB" operation). For max. linearity, pentode mode "finals" require regulated screen grid B+. A rough "sketch". 12AT7 differential splitter/driver drives the "finals". Loop NFB is applied to non-inverting I/P of splitter driver. Inside the NFB loop, the only caps. are those that couple the splitter to the finals. CCS in the splitter's tail optimizes performance. Overall PSU requirements are 3 rails: B+, B-, and C-. Jim McShane points out that the combo of a 12AT7 and PP finals yields a GOOD sounding "waterfall" distortion spectrum.
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Eli D. |
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#6 | |
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diyAudio Member
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Quote:
The ST-70 was sold as a commercial amp until the early 90s. There's even a Stereophile review of it, including measurements, on their site. It's still a very popular amp today because it sounds so good. There are at least six companies (Curcio, DiyTube, Welborne, Triode Electronics, VTV, Van Alstine) who sell PCBs with upgraded driver circuits, so you have a lot of choice, and so many people have built these that the support is there. You can also buy PCBs for the stock circuit, but the tube it uses is getting rare and most of the upgraded designs have better performance. If you can find an old ST-70 locally to reuse the transformers, which are still comparable to the best commercial iron, this is also one of the more inexpensive amp projects you can build. If you can't, Ned at Triode Electronics sells replica ST-70 transformers for a reasonable price. |
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#7 |
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diyAudio Moderator Emeritus
Join Date: Jun 2002
Location: U.K.
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Eli,
Your concept sounds very attractive. Would you care to elaborate or link? |
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#8 |
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diyAudio Member
Join Date: Apr 2003
Location: MA
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I checked out the Stereophile review of the ST-70 II . Not the greatest review.
Most of the kits seem like they are just alright sounding. I wonder about the new designs coming out of china. Like the new Prima Luna EL34 integrated. That is getting some great reviews and the circuit seems pretty simple. Or the Cayin stuff. Or does anyone have a circuit for any of the Quicksilver amps. I want to build something I know will be every bit as good as the best commercially available amps. |
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#9 |
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diyAudio Member
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what about something like this...
http://www.everestaudio.com/price-pa...-amplifier.htm mated to a preamp like this or even a simpler preamp http://www.everestaudio.com/price-pa...-amplifier.htm
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...still looking for the holy grail. |
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#10 | |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Quote:
I'm point man on a LOW budget project. Another of this site's moderators, Planet10, is involved. El Cheapo Project My concept for the 7591 integrated is to take "El Cheapo" and feed it a TON of steroids. Since we are talking about adjustable fixed bias for the "finals", the 7591 grid leak resistors need to be on the small side, say 47 KOhms. Maintaining the gain of the splitter/driver leads to a large load resistor, say 470 KOhms. That, in turn, leads to a high B+ rail voltage for the 'T7s. Pete Millett's "trick" of getting 2 B+ rails out of a single CT winding looks good. Take a Hammond 715 power trafo or something similar. Bridge rectify the entire winding with series connected pairs of UF4007s forming the ground connection and 6AX4 damper diodes forming the B+ connection. Filter as you see fit. This rail is high voltage/low current (12 mA. draw) that overcomes the drop in the large 'T7 load resistors. The CT of the rectifier winding gets connected to both plates of a 5AR4. The cathode of the 5AR4 gets connected to a LC section and bleeder resistor. Follow with paired LC sections (1/channel). This yields somewhat in excess of 400 V. for driving the 7591s. Stacked VR150 and VR105 gas diodes provide the tightly controlled screen grid B+. Use a separate regulator stack in each channel. This is not a bargain basement project. Use 100 KOhm DACT stepped attenuators at the I/P. The high pass cap. should be larger than that in El Cheapo; a turnover freq. of about 17 Hz. seems right. Better "iron" will not saturate as fast as the T/E stuff in El Cheapo, but some protection is still indicated. On the O/P "iron" front, custom stuff with 10% cathode feedback tertiary windings would be nice. Not having to rely totally on loop NFB to obtain an adequate damping factor can't hurt. "Regular" inductive wirewound resistors will be used as 'T7 loads. Given the significant number of turns, enough HF peaking might be present to eliminate the need for RF chokes to complete phase compensation requirements. Use TO220 case FETs in the CCSes. This project is not about pinching pennies. Maximizing sonic potential is the goal here.
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Eli D. |
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