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#1 |
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diyAudio Member
Join Date: Apr 2004
Location: Philly
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OK. I have a thing for trying out Hi-fi concepts in guitar amps. What I'm trying to accomplish is a pentode input stage that is high gain and low noise, with a decent bandwidth, eg reasonably low lows (meh...30Hz or so) to about 15kHz-ish on the highs. For reference, the typical voltage from a guitar will range from 150mV to 1V at 15K to 40K ohms depending on the pickups. This pentode will be feeding a tone stack, which wants to see a fairly low impedance... not OTL headphone amp low, but under 4K to 5K-ish. Typical tone stack stage impedance to ground is about 1.2Meg.
So at first I thought, grounded plate triode cathode follower, but then I thought... why not wrap it up with a CCS and go with a mu stage instead. So I stacked a pentode on top of the pentode. I usually elevate my filaments anyway, so I didn't see too much of a problem. I have about 400v to work with on the B+... unregulated but fairly stable and clean, but I will knock that down to about 250v-300v so that I don't fry the plate of the EF184 on top. I guess I'll be running the bottom tube around 3-5mA, but that is a guestimate. I'll have to look at the curves before I decide, but that sounds about right. Anyway, if someone could take a peek at it for me, that'd be greeeeeat since I have never tried this before. Despite my desire for glowing glass, I am not opposed to using a single depletion mosfet up top, but I want to avoid cascoded ccs's, zeners and battery bias stuff if at all possible. I want the thing to stay fairly clean. If it amuses anyone to know, this input stage will be feeding a LTP 6SL7 splitter with a B+ of 400v, pushing a gain of about 40 at around 25Kohms (before NFB is applied) into an ultralinear KT88 output stage, running at about 60W with 560v on the plates. There is a bit of local feedback from the kt88 plates to the LTP, and a maybe bit of global running from the OT to the input stage cathode...haven't decided on that one yet. It'll also have a second channel running the input stage into a 6AL5 clipper/clamper and then to a 6AU6 gain stage and out to the LTP.
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#2 |
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diyAudio Member
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Looks okay, not sure what it's supposed to bias on though- I'd like to see, say, a voltage divider from +V to top grid.
Don't worry about melting plates, I doubt you can melt a nuvistor at 4mA. Tim
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See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#3 |
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diyAudio Member
Join Date: Nov 2002
Location: North Herts, UK
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Hi aletheian,
I've gone the high Gm pentode route as then the Zout is more or less set by the load resistor, So 12GN7 loaded by 5K will give you a gain of 150 (Gm*Rl) and an output impedance of 5K. run at 30mA gives 150V olts accross Rl so the 1V input will just start to distort. Run at 250V on the anode, 150 on sg, a little under 2volts on the grid. Of course you could use this as an output valve instead of an EL84/6V6 too. James |
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#4 | |
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diyAudio Member
Join Date: Apr 2004
Location: Philly
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Quote:
Hey Tim, Thanx for the reply. The Top tube should be getting about 1 volt or so of bias from the junction of the 150r and 39K resistors, through that 1Meg resistor. So I should be good there. Thanx
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#5 | |
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diyAudio Member
Join Date: Apr 2004
Location: Philly
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Quote:
The original plan was to run a cascoded 6922 with a mosfet current source up top, but I heard some great pentode input amps lately, so I thought I'd go that route. My last endevor was a 6922/2sk369 cascode input stage with a large plate resistor, which was waaaaaay too much gain... around 1000, and noise, and it clipped like mad, but it sounded nice and thick. I used a voltage regulator on that one, and it dropped the noise down a bit, but it didn't sound as nice regulated. I actually kept the circuit, ran a 6922/12sk170 with a smaller Rp and ran it as a solo boost instead of an input stage.
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#6 | |
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diyAudio Member
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Quote:
Something you learn when dealing with transistors, which vary by a factor of oh 5 to 10, and that's across different operating points of the same transistor! Circuits have to be very stable. Tim
__________________
See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#7 |
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diyAudio Member
Join Date: Nov 2002
Location: North Herts, UK
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Hi Aletheian,
PSRR can be an issue, I use two ways to minimise it, the first is to use a pentode Aikido stage (see www.tubecad.com) but is then more complex than the mu-stage - however it can give you a very low Zout, just work within the V/I limits of the output section. Or I use a VR tube on the screen grid returned to the cathode. This is sort of a halfway house as there is still the noise from the anode... Same PSRR issue with cascodes... usually not too much of an issue. I often use both input stages in my guitar amps as they sound different. I haven't used hybrid cascode in my guitar amps - I'll give it a go and see how they sound One way I found around too much noise from the pentode input was to use a FET active guitar lead with the FET in the guitar jack end phantom powered from the amp end of the lead. This has the double benefit of boosting the signal and greatly dropping the impedance of the guitar lead - both reduce noise pick up and improve front end s/n ratio. Actually it has a triple benefit as the passive pickups and tone pots work into a nice well defined very high impedance - typically of the order of 3-7Megs James |
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#8 | |
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diyAudio Member
Join Date: Apr 2004
Location: Philly
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Quote:
Good call, That was a back of an envelope calc that I decided to Spice. it seemed likethat bias point would give me what I needed current wire, but I may have to varu the ration of the voltage divider to get what I need in real life.
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#9 | |
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diyAudio Member
Join Date: Apr 2004
Location: Philly
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Quote:
That's not a bad idea. I hate the thought of silicone in the signal path, but maybe a Jfet input buffer would be an interesting way to go. I may just scrap the CCS mu stage idea and just use a highly filtered power supply, and then shunt regulate it to just the input stage. I like input stages to have a wide frequency response and low noise to lay a cleam pallate for tonal shaping down the line.
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