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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#11 |
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diyAudio Member
Join Date: Jul 2002
Location: slovenija
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guy`s
we are talking about the basicly same aproach to design here. Basic circuit is the same, whatever you chouse - one paralel or two twin triodes in paralel chain (less noise but maybe litle les informations?), biger or smaler cap, with or without output louding resistor. Heating - well, I decided to use 317 in TO-3 pack. (reason - realibility mostly) but the original version with 7812 and 7806 should do the job just fine. Basic diference in aproach is betwin original (see zipp file), or modified (see picture) version of regulation for plate +V and curent and the version you are talking about. 84 against 24V+. Can you present me the arguments against original Hampton PS driving a tube on 84V and arguments in favuore of 24V aproach. I allready ordered the parts for priginal version (mje340 instade of bd340, tl071 op.amp., tip122, mkp wima polipropilens...), but I would like to know the benefit`s of lower plate woltage regarding such a design. Without the loading resistor? Well the lowest is 12ohm, what would 0 do - we should try, I have no expirience (never heard phono cube - 47laboratory) BTW i have one Red label Valvo e88cc (gold pins), I`d like to have one more. If someone from Europa can suply me, please let me know. rgds Marijan |
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#12 |
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diyAudio Member
Join Date: Jan 2002
Location: Munich, Bavaria
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Klaus,
did you consider to use the ECC88 as a choke-loaded common-cathode stage? Provided the signal level is not too high (the tube usually had -1.3 V bias only) this could work well, but then you have gain 33. For a juicy linestage, i would rather choose a 5687 and an step-down output transformator. Like the pa102 from Simon Shilton. Or a 12B4A .... marjan, dunno whetrher the ECC88 is the best choice as MC input tube. You need low noise, so use a tube with super-high transconductance, 5842 is probably very good, G_m twice of ECC88. And it is more linear, this being not so important in an MC headamp. Or you try what i try: EC8010. µ=60, G_m=28mA/V, even higher than the 5842. OKok, there is this EC8020 with µ=55 and G_m=60, it is sonically gorgeous but completely unobtainable and unaffordable.... And Thomas Mayer who uses EC8020 still uses an MC input trannie for noise reasons. HE uses the same as i do: the Jensen JT-346-AX. Nothing else for me please. I know the Lundahl trannie, it is very nice but not as good as the Jensen. All, i did not adress the option to use ECC88 with that low B+. Nice idea! If this works fine, i stand corrected Guess i have to try that out one day.
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Greets, Bernhard |
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#13 |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hello Bernard,Marjan,et all,
Regarding the MC headamp using the paralled 6dj8: -the tube was chosen since it is suited for use at vg = 0. Since we're talking microvolts here overload is no problem.In reality it is actually amazing how much inputswing this tube can take. I actually tried it as a line stage and it still refused to overload,I'm not saying the circuit is usable in that application,just to give you some idea. -The important factor in the design is the high transconductance of the 6dj8 here.If you want lower noise try 7308/E188cc if you can find four decent ones.Personnally I can't be bothered,we choose the tube since it's readily available which allows careful selection. **The major difference with the Hampton circuit is the use of a constant current source BF244A wich provides the plate with a constant 2mA current (IDss).Other seniconductors are available but this one is around in abundance.I stress it must be the A version B and C version won't work. The output resistor is usually set to 100k since in normal use the user will have a MM stage following the headamp. Since the headamp sits in front of any RIAA corrected stage one can use a relatively small coupling cap to the next stage say 0.68 micro F. Smaller values usually sound better then big ones. Other tubes are available from Russia now wich are even better candidates for this appication,but I would need to trace their curves for that.Anyone ? Actually the cartridge loading resistor on a mc cartridge serves as a break on the coils.You should try the effect of doing away with it in your system.I'm aware that results will vary. My design philosophy is of the Zen approach , meaning less is more.Less components.less gain stages and so on. Since we're talking DIY here it is easy enough to design a phono + line stage in a mere three stages,four if you use passive RIAA correction (high insertion loss ) At the end of the day it all depends on the efficiency of your speakers and other lay out requirements such as cable lengths etc. Greetz,
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Frank |
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#14 |
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diyAudio Member
Join Date: Aug 2001
Location: pasay city
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Audio Research is using GOLD AERO ECC-88 or 6DJ8... and Sonic Frontier Too. The best and the most quietest ECC-88 available!!!
I also am using them in my X-10D MUSICAL FIDELITY buffer for linestage... Gud luck, And happy listening!!! John
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#15 |
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diyAudio Member
Join Date: Jul 2002
Location: Slovenija
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John, Bernhard
thank`s for your advices regarding the tubes choice. Today I picked up a pair of NOS Tesla ecc88`s I`ll try them first. Frank for your view I`d be glad if you can send a schematic of your version of MC modul or at least PS. Since you are using MC step up based on a similar design but with the diff. voltage I`d like to see changes comparing to the Hampton. rgds Marijan |
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#16 |
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diyAudio Member
Join Date: Feb 2002
Location: Denmark
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Hi there
This might be sligtly off topic, but when speaking about MC headamps using 6dj8 I think the Music Reference RM4 is worth mentioning. Schematic can be found here: http://hjem.get2net.dk/herrmann/preamps I have never heard the unit Regards, Torben |
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#17 |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hello Torben,
Thank you for pointing us to your site.Plenty of intersting circuit schematics. Greetings.
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Frank |
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#18 |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Marjan,
Unfortunately I don't have the schematics of this circuit at hand. Still the beauty of it lies in its simplicity. All you require for it to work is a handful components: 1/ 1 x Tr with 2*30 VAC sec 100 mA/ea is more than enough. 8 x 1N4003 diodes or their Schottky equivalent arranged in a full wave bridge. 2 x 50 Vdc caps for ac ripple filtering.I used 4700 micro F. 2 x 7824 IC with their housing/ground srewed down to the metal housing for cooling (use heat conducting paste ) 2 x coupling caps of good quality and at least 50 V insulation. ( generally higher voltage caps sound better) .Anything starting from 0.47 miro F will do. 2 x loading resistor (Vishay bulkfoils are excellent but expensive) for the cartridge you use. 2 x output resistors 100 K Holco 1/4 W **you can shunt the 7824 with a small polyprop cap but look at the datasheet for max. value and put it just before the FET current source. 2 x BF244A Fet : source connected to B+ and Gate and Drain connected to V1-2 anode.Remember Idss no more than 2 mA. 2/ 1 x Tr with 2*15 VAC 800mA/ea see 1/ for filtering and use 7812 IC. 3/ Use star grounding throughout and route heater and B+ voltages carefully as to not pick up interference. 4/ Connect internal shield of the 6DJ8's to the common grounding point. ** Anything more fancy I let to your imagination but will be on the expense of complexity. I use hardwiring with soldertags and solid core hookup wire throughout. Greetz and keep us posted,
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Frank |
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#19 |
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diyAudio Member
Join Date: Jan 2002
Location: Munich, Bavaria
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Frank,
thank you very much for your input. I need differential input but the stage you describe is feasible as long-tailed pair. zero V_g and low B+: great idea, didn't muse about that. I will try it out and compare it to my Jensens. In one respect i am stubborn: i do not parallel tubes. Moreover i have no use for gain 33 (ECC88 with CCS as load), gain 18 or 10 sounds more to my taste. I already have an idea how to integrate this thing DC-coupled into my preamp: long-tailed pair, plate resistors say about 2k (one fix, one adjustable), Grids floating at about -25V, long-tailed pair CCS tied to minus 50V supply. Plates tied to ground. I did not calculate this so far, so please do not nail me down on the voltages and values.... For a short descripition of my preamp, see 12B4 thread Marjan, i may have some NOS-looking Tesla E88CC surplus. Email me privatly.
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Greets, Bernhard |
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#20 |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hello Bernhard,
As I read both your threads and also the one on your MM cartridge mods,here are some thoughts: -Keeping all else equal CCS and B+ I think there is a good chance you may be bugged by residual tube/shot noise in the first stage. Also in my opinion: cascading same topologies amplifies its shortcomings along with it.Try it anyway. -The first stage can be used as a diff amp as well without going for the long tailed pair topology.This goes for other circuits as well.I keep on noticing everybody adopting the long tailed pair as the only way to go to make a differential stage,it is not. -Since you intend to lower the gain of the first stage (and I don't know the gain of the next) you risk to amplify noise if your second stage has higher gain. -Re MM :most manufacturers had the habit of tying one of the outputs to ground internally rendering its inherently balanced output single ended. (This was mainly done to avoid ground loops and hum pick-up.) Greetz,
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Frank |
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