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#1 |
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diyAudio Member
Join Date: Oct 2004
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There is a thread below which talks about using "Partial feedback" and other shunt feedback schemes to lower amplifier output impedance (to improve damping factor) by reducing rp of the output tubes.
I've got my head around that - using shunt (voltage derived)feedback from the output tube anode will lower rp - great. My question relates to how the shunt feedback is applied. I've seen examples of it applied to the opposite grids in a diff amp driver (Parallel applied??) and I've seen it applied to the cathode of the driver on the same side when separate common cathode drivers are used (Series Applied??). Both consitute negative feedback (that is they subtract from the input signal). My (admittedly limited) knowledge of feedback theory says that this will affect the input impedance of the driver stage (the stage where feedback is applied) in opposite fashion. One way should raise it and the other way should lower it. This needs to be understood to determine the loading effect on earlier stage(s). Can anyone enlighten me? Thanks, Ian |
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#2 | ||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
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In ideal shunt feedback conditions the inverting input becomes a "virtual ground", or a current to voltage converter. Quote:
As said, my own circuit design uses in effect the inputs of the Driver stage as near zero impedance virtua; ground which in effect makes the Driver/Output stage combo a balanced current to voltage converter that takes any balanced or unbalanced input current and turns it into a balanced output voltage applied to the output transformer. As this is a real stage neither the input impedance nor the output impedance is infinitly low, but they are low compared to usual conditions. Thus the input stage operates in effect as voltage to current converter and operates similar in nature to the lower device in a cascode, thus with reduced miller input capacitance, better linearity etc. Sayonara
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Freedom is always the freedom of those who express ideas and views that YOU disagree with. |
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#3 |
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diyAudio Member
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Yes, virtual ground is the idea.
What happens is the Zo (Rp || Rl, etc.) of the preceeding stage, or an additional series resistor, acts as the top of a voltage divider. You know there's some voltage at the virtual ground, because the tube in question is outputting a signal. (You need infinite gain, as op-amps approach, to get a true virtual ground.) And you know the voltage across the second resistor, between output and virtual ground. I'll give you an example. Say you have a 12AX7 putting out 50V of swing. It has a gain of 100 (...rough example, you can find the exact values if you wish). Thus, the grid is swinging -0.5V (negative to indicate inverse phase). That puts 50.5V across the feedback resistor. Let's say it is 470kohms. Thus there is a signal current of 0.11mA flowing. This has to go somewhere, and that somewhere is the preceeding stage (or input in general). Let's say we want the stage to appear to have a gain of 25, or -12dB from open loop (i.e., 12dB local NFB). That means the input signal must be 1/4 the output, which is 50V; that's -12.5V input. Negative since I already made the odd convention of calling output positive... Thus, the resistor is [(-12.5) - (-0.5)] / 0.00011A = 109k. Since this is working into a virtual ground of reasonable accuracy (100 gain in the amplifier is 1% away from a true ground), that right there is your input impedance. Likewise, because the error is small, the feedback resistor itself appears to the plate as its face value. The essence of what I did above is this: the two resistors act as a voltage divider from signal source to output; the output is determined by the voltage at the middle node; and the ratio R1/R2 sets the NFB -- if gain is high. Tim
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See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#4 | |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
If we connect the Anode of the preceeding stage directly into this sub-ideal virtual ground things start getting interesting. Sayonara
__________________
Freedom is always the freedom of those who express ideas and views that YOU disagree with. |
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#5 |
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diyAudio Member
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In that case, the Zo of the preceeding stage becomes the R1. Then you have to analyze it based on the basic circuit elements, taking the driving stage as a perfect voltage source in series with Zo, and so forth.
I suppose you can vary R2 exclusively to get the results, but the virtual ground principle kind of breaks down without a physical R1 and you have to calculate R2 as multiplied by gain (as g-p C is multiplied by gain (miller effect), for exactly the same reason in fact). Tim
__________________
See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#6 | |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
First, if we take a given triode there are two quite linear operating conditions. One, if we load it with an "infinite" load, gives us a rather linear voltage amplifier, the other, if we load it with an infinitly low value and we have a pretty linear current amplifier. Only if our loadline has a significant slope will we run into larger nonlinearities. In my case we have a significant value unbypassed cathode resistor in the first stage, which acts as local degeneration which linearises the Voltage/Current curves of the Input Valve. At the current summing junction our input amplifier therefore generates a reasonably linear current for a given input voltage to the input stage. The differential "transimpedance" amplifier rather linearly converts that current modulation into a voltage modulation across the load (Speaker & Transformer). So, signal linearity is assured with short feedback loops. Any more advantages? Yup, bandwidth. Given that anodes of the input stage are basically shunted to a low impedance very little voltage develops there, so the miller amplification of the Input Capacitance is largely suppressed. As a final note, as commented before, the resulting Amplifier has a much simpler harmonic profile (fewer harmonics overall and higher order ones in a proportionatly low level) compared with more conventional structures. Usually such a behaviour "sound s better". Unfortunatly, despite being introduced in the HK Citation 2 Amplifier many years ahgo this circuit structure was probably fraught with too many complex interactions to be employed widely in an age before fast copmputers and P-Spice, so it fell into disuse and as in moderns everyone merely builds copies of Mullrad, Williamson or Dynaco Amplifiers as Push-Pull Amplifiers it reamins unknown. Sayonara
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Freedom is always the freedom of those who express ideas and views that YOU disagree with. |
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#7 | |||||||
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diyAudio Member
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Quote:
In triodes, distortion is lowest as RL --> CCS. In pentodes, distortion is highest at RL = 0 due to Gm variation and again at RL --> CCS due to the very high gain naturally having distortions. Inbetween, almost exactly at Po max, coincidentially, is minimum distortion. Quote:
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Tim
__________________
See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#8 | |||||||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
Quote:
Try thinking "current" for a while, treating voltages as the result of current flow. Quote:
Frequency response, well, in an Output transformer that allows sensible bandwidth when included in the feedback loop it will be just fine when outside.... Quote:
In some ways this may be seen as the "folded cascode" of solid state. The bahaviour of the input pair is similar to one that is cascoded in most ways. Quote:
Quote:
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If you need to, please refer again to the specific circuit I am referring to (in the post above). Sayonara
__________________
Freedom is always the freedom of those who express ideas and views that YOU disagree with. |
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#9 |
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diyAudio Member
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Well, I certainly have ample reason to give up this argument if you deny even the existence of electrons.
Say, you got a better subatomic theory? Oops... Tim
__________________
See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#10 | |||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
Surely you do not suggest that our current science has come even close to penetrating ultimate reality? Quote:
We have already observed that the various theories which include the particular electron as key building blocks fail to explain reality sufficiently, they leave holes in realms usually justly called esotheric, but if a theory is reliable only in general midfield but not under extreme conditions the theory is in my view worse than admitting ignorance, because it has you reacting to a fundamental misunderstanding of the facts. Quote:
Sayonara
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Freedom is always the freedom of those who express ideas and views that YOU disagree with. |
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