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#1 |
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diyAudio Member
Join Date: Nov 2003
Location: Split
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Hi, I came over this one, and I wander is it possible to change 6AU6 with noval base lamp (EF86, ECC8x) or similar. Is it possible to connect triode mode to ultralinear OPT.
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#2 |
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diyAudio Moderator
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The 6AU6 is triode connected, but in a funny way. The biasing of that tube is also... odd. Unless I'm reading the value of the feedback resistor wrong, which may be possible because the drawing is pretty fuzzy. You could sub a real triode, if you wish. A 12AX7 works well in that spot, but the plate resistor would need to be bumped to 100K and you'll have to redo the cathode circuit to bias it properly and introduce the feedback. If you search for a schematic for the old Eico HF87, how to do this will become clear. If you want to use an octal, I'd go with a 6SL7 or a 5691.
You can indeed go UL on the KT88s, but don't skimp on the feedback.
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If there's a sucker born every minute, where do the rest of them come from? |
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#3 | |
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diyAudio Member
Join Date: Jun 2004
Location: Cool end of a soldering iron NW of Toronto
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Quote:
Sy, Since the majority of pentodes, moreso the power ones, have G3 internally tied to the cathode there just isn't any option for the circuit designer when desiring triode mode to accept that G3 will operate at anything other than cathode potential giving one a triode with a suppressor grid. That ain't natural. When someone, in exercising a somewhat rare opportunity of freedom ties G3 to G2 you find this funny? Just for fun, what would have been the effect on you if the designer had tied all three 6AU6 grids together? Would you have been in a state of LOLARAOTF ? I mean no disrespect, I'm just good naturedly pulling you leg. I just thought your describing the hookup 'funny' was itself funny. OK, I don't get out enough. I find it funny that the designer didn't just use a triode. 6AU6's generally make better microphones anyhow than gain stages IME. If this is an existing chassis and the input tube socket already exists with 7 pins may I recommend a 6C4 (and rewiring as appropriate) if the loss of gain can be accomodated?
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I.Q.Test. Have you ever purchased a recreational snowmobile? |
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#4 | |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
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What's the purpose of the cap the bias resistor is standing on? Never seen it done like this before.... The rest of the diagram looks straightforward enough..it's just input I'm having trouble with. Cheers,
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Frank |
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#5 | |
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diyAudio Member
Join Date: Jun 2004
Location: Cool end of a soldering iron NW of Toronto
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Quote:
You are right, that is really odd. With my blurry schematic decoder glasses turned up full I see the cap bypass R is 4700 uF, the 6.8 ohm R in series with it allows some portion of the NFB to act on the tube cathode (developed across this R). Note that the DC cathode current flows in its entirety through the speaker winding of the output xfmer. Very odd circuit! This means that loudspeaker loading and back EMF will effect bias on the input stage. That huge 4700uF cap is there to try to smooth over this back EMF problem I guess. Maybe this amp is prone to motorboating and this was the cure? Play with this cap value and one could have a dynamic processor amplifier all in one! Now that's also funny!
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I.Q.Test. Have you ever purchased a recreational snowmobile? |
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#6 |
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diyAudio Moderator
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Thje 4700u cap lets the 6R8 set the feedback and overall gain at AC. It has to be that big because of the small size of the feedback resistor. Part of the "funny" may be my eyes- I thought the screen resistor was 330K not 330R. If the latter, this is a pretty normal triode connection. One can still do better with a higher mu "real" triode like the ones I mentioned. Better still is the 12BZ7, but it's a rarish bird.
One disadvantage to having the cathode current flow through the secondary is the effect on magnetization; that could be cured with a CT secondary. Another is that you'll inevitably get some offset. The back-EMF stuff is normal for any feedback amp. And finally, I have a prejudice against the 12AU7 used in the diff amp- I've never been able to use this tube without experiencing higher distortion. My own choice for that hole would be a 6SN7. But "check on a song oooh," as the French say.
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If there's a sucker born every minute, where do the rest of them come from? |
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#7 | ||
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
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Thanks for the explanation...I figured something like that but didn't think it funny, rather errrrrrr...not so smart given the alternatives. Quote:
Either the 6SN7 or if real estate is tight a 6CG7/6FQ7 would cure it for me. Cheers,
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Frank |
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#9 |
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diyAudio Member
Join Date: Jan 2002
Location: Europe
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I happen to be building this amp and couldn't be more happier with two gurus discussing mods on this circuit.
So, fdegrove and SY. Please go on! Thanks, Franco |
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#10 |
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diyAudio Moderator Emeritus
Join Date: Jan 2003
Location: Near London. UK
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You chaps are saying that the feedback is funny, but if it were a transistor amplifier, you'd say it was completely conventional! It's a better method because it degenerates the gain to unity at low frequencies instead of producing a sub-sonic bump.
There really isn't any problem with passing that little bit of DC through the output transformer. Suppose that first stage passed 3mA of cathode current, with a typical output transformer turns ratio of 30:1, that would be equivalent to an imbalance of 100uA in the output valves. Would you be worried about that? That feedback scheme is far better than the traditional method...
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The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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