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#1 |
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diyAudio Member
Join Date: Jul 2002
Location: New Zealand
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I am building the circuit below (Angela easy 2A3), and it sounds quite good, certainly better than SRPP or simply 1/2 a 6SL7. Sounds very neutral and not too euphonic. Nice to listen to however. Bass is tight and power is up.
However there seems to be a prejudice against cathode followers, people really don't like them. Anyone tell me why? In the below circuit, I would also like to try a 6SN7 as the driver tube (i.e. half 6SN7 per channel), how would I do this? Is it as easy as changing the 100K cathode R to a 47K? |
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#2 |
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diyAudio Member
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Sure, or even 22k. I'd remove the cathode bias from the 2A3, run the CF ground return to a negative (-100V or better) supply, move the coupling cap to before the CF and apply fixed bias to its grid. That way you can run a smidge of grid current, making for more graceful clipping when at full power, important with only 5W to spend.
As for people hating CF's, well, people are stupid. Tim
__________________
See my Electronics webpage -- the home of Vacuum Tube Drag Racing. The key to being a successful Audiophile: "I reject your reality and substitute my own!" |
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#3 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
![]() It's a bit ironic really. Those who don't care for the CF because of negative feedback tend to prefer triodes over pentodes, even though pentodes have less inherent negative feedback than triodes. Go figure. se |
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#4 | |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
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The more advanced argument should be: Some CFs are bad sounding, the one in the schem in post #1 being a typical example, not because of the local NFB but because it's just a lousy circuit. See Tubecad for a more indepth explanation. Overuse of global NFB loops is also a no-no in good audio design, local FB loops as used in well designed CFs and triodes is generally preferred. Penthodes: well, isn't that a thermionic device with a local feedback inhibiting grid? And what is used to linearise that entire circuit? You guessed it, overall NFB, the more the merrier. That's just scratching the surface though, suffice it to say that believing that any amount of feedback is a cure all is a sad case of selfdelusion... First of all try to understand how a circuit works, than see what FB can do and can't do to help it along if it can at all... Cheers,
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Frank |
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#5 | ||
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
![]() Quote:
se |
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#6 | |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
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Fortunately there other ways than FB to reduce distortion if that's the holy grail. Unfortunately, to achieve low Zo from a tube circuit the means are rather limited; other than a good old buffer I see...Ah, xformers. The good news is that at least those are getting better as years go by.... Not something I can wholeheartedly say about tubes even though the situation isn't all doom either. Just another thought, some of the best tube amps I've ever heard, with the exception of OTLs, often used CF windings on the OPT and very low amounts of global FB. This could well be a coincidence although somehow I doubt it. Cheers, P.S. Steve, I finally got a hold of Dr. WDC. I'll try to summarise what he told me in an e-mail to you asap.
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Frank |
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#7 | ||||||
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
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Though it would be interesting to discover how much of the anti-feedback sentiment out there is driven purely by prejudice which has a nasty habit of coloring our subjective experiences. Quote:
se |
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#8 | |
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diyAudio Member
Join Date: Mar 2004
Location: Tucson AZ / Saugatuck MI
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Frank said:
Quote:
![]() Care to share any specific examples, especially schematics? ![]() Something with 50+WPC? ![]() Best, George Ferguson |
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#9 | |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
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McIntosh (maybe not everyones' cupper but alot of tweek potential), same goes for the Quad II, more recently: Jadis, Audiomat.... None of the diagrams however reveal the exact amount / percentage of FB to the cathodes,~ 20% is my guess. As for schematics, the Quad II is on the net, as is most of Frank McIntosh's work. Audiomats' older amps I know by heart but I shouldn't divulge the schematics, same goes for the Jadis.Sorry. Let's not forget either that the ferryman needs to be paid; what you gain in linearity has to be paid in drive voltage and gain in the preceding stage(s). So, unless you have a competent winder as your best friend, you're still stuck... Come to think of it, I can't think of any DIYer having such an amp on the net... On the bright side, I vaguely recall at least one source for replacement Mac iron... So, if you don't mind using the 6L6 family, KT88 and relatives, you should at least have one source of suitable iron for a project. Cheers,
__________________
Frank |
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#10 | |
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diyAudio Member
Join Date: Sep 2002
Location: Silicon Valley
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Quote:
I recently picked up a pair of MC30 amps and have been thinking about digging into them and tweaking a bit. Care to share any of your thoughts on tweaking MACs? Thanks, ---Gary |
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