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#31 |
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diyAudio Moderator
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Clearly the Supertex regulator as a current source is not going to work, it is not stable without the capacitor and with it the CCS implementation has an AC impedance of <600 ohms over most of the audio band. You'd be better off with a cascode CCS using a pair of DN2540 - here is an article written by a close friend that I think many of you might find of interest: The Audio Signal Path; Minimising Power Supply Interaction Richard Sears, Vacuum Tube Audio
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"Extraordinary claims require extraordinary evidence." - Carl Sagan |
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#32 |
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diyAudio Moderator
Join Date: May 2003
Location: Palatiw, Pasig City
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TBH i am still shy about using CCS, but i read somewhere that for currents less than 10mA a cascoded bjt's are better than the cascoded mosfets, mosfets are better at currents 10mA or more.....
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http://www.elab.ph/forum/index.php?topic=32688.0 |
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#33 | ||||||
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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Now, using a LTP with a CCS in the tail fed from one end gives you ideally balanced differential outputs, with exactly equal and oposing 2nd harmonic distortion, referred to the input. There are two consequences: 1) Some of this will cancel out the 2nd harmonic distortion from the first stage. However, it will also produce uncancelled 4th harmonic components. In your case the inoput stage is more linear so there will be 'overcancellation' i.e. some 2nd harmonic distortion will be left. The reason for this is you are driving the LTP from only one end, the resulting distortion is a combination of the nonlinearity of the swing combine with the differences of the 6N1P halves. This however would largely be mittigated by having very tightly matched 6L6s. 2) Because 6L6 are not ideally mtched, one will operate on one portion fo the nonlinear swing, but the other will operate on a (hopefully slightly) different portion, so the nonlinearity will not cancel completely. If your swing is limited you may end up operating one output tube close to one end and the other to the other end of the usable swing, which will cancel out the major component but not ideally (that being the 2nd harmonic) but may well not cancel or even increase higher order even harmonics. The need to take account of potential output tube tolerances is precisely why you need extra swing, so that no matter what combination of tubes you end up with, you still are far enough from the end of available swing so that you do not get into extremes such as I mentioned above. It is common practice to provide at least 30% more swing, given that output tubes will easily vary by 10% even when declared a matched pair, and as Murphy's law will have it, tolerances always tend to add up the wrong way, in this case that being 'they tend to not cancel'. One important point hre is that you should not forget you will potentially be running this amp without global NFB, so there is no way to correct distorsions from the two stages of the front end after the fact. This is whay it's so important to introduce the least possible amount to begin with. This also brings me to another matter I forgot to mention in the previous mail, and that's the requirement for AC balance setting. I will leave this for the end of this post though. Quote:
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One thing to remember is that 'an 8 ohm secondary' is really a notional thing. It means that if you put an 8 ohm load there, then you will get the specified Raa on the other side. From that standpoint you could put it across the 16 ohm taps, and then because it's 2x smaller than nominal, the Raa on the other end will also appear 2x smaller. However, other aspects of the transformer, such as maximum power, frequency band, and the interleaving required to get it, are designed based on the expetation that an 8 ohm load will indeed be connected to the 8 ohm taps. Doing otherwise also changes these parameters, even if Raa is only determined from which tap you use and the winding ratio. In fact, even though 0-4ohm taps should provide the exact same winding ratio as the 4-16 ohm portion of the winding, it is NOT advisable to connect a 4 ohm load between the 4 and 16 ohm taps precisely because that portion of the winding may be quite differently made compared to the one between the 0 and 4 ohm taps. I still owe you something on AC balance. Whereas it is fairly easy to get the PP halves precisely balanced for DC, i.e. have equal standing current for both tubes, simply by properly adjusting bias, amps mostly do not have an AC balance preset. Mostly they rely on pure chance and the output transformer cancelling out even harmonics as best it can, BUT this approach has a flaw in form of a net DC current through the transformer, which is not what you really want in a gapless PP transformer. Adjusting precise bias current for each of the output tubes usually shows a difference between the required negative bias voltage between the tubes, to make it so. This means that one tube may well always be conducting a bit more than the other, since at the very least one will run into positive grid earlyer - the one with less negative bias voltage. At that point you get one-sided clipping which somewhat limits your maximum output power. However, what you get ALL the time is one side conducting more current than the other, which means that you also get a net DC magnetisation proportional to the output current. At some point this may start running the transformer core close to saturation, reducing apparent inductance and resulting in loss of power especially in the bass, and distortion. Designs with a LTP splitter are very easily augumented with an AC balance control that deliberately unbalances the output of the LTP phase splitter in such a way to counter the disbalance in conduction of the outout tubes. The way it's achieved is really simple - you make one of the plate oads of the LTP slightly variable compared to the calculated value. There are a number of ways to do this, mostly that side uses one reisitor value down on the standard set, and adds a trimmer pot in series to make it about equally adjustable around the fixed value of the other side. For instance, if the fixed resistor is 15k, they on the other side you put 12k in series with a 5k trimmer. This gives you a -3 +2k variance to play with, that introduces proportional disbalance in order to correct for the disbalance in the output stage. Other more complex schemes can be used that reciprocally vary both sides around a nominal value, usually by connecting the wiper of the trimmer to the power supply, and the left and right ends of the trimmer resistive elements in series with the left and right fixed plate load resistors of the LTP. Although sound in principle, this approach may suffer from trimmer wiper losing contact, which is usually guarded from by adding still 2 more extra resistors. In any case, a balance control is a great bonus to have, since it gives you the option to finely trim out all imbalances of the output stage, so much so that in ost cases you can get the same performance from unmatched output tubes by adjusting balance, that you would have with matched tubes and no balance - and then, you can still fine tune it and get the most out of your output transformer. I have never seen anything but improvement (even if slight) by including it, so I recomend it, especially where it's easy to implement such as in a LTP PI. Last edited by ilimzn; 16th August 2012 at 01:28 AM. |
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#34 | |
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diyAudio Member
Join Date: May 2011
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If, on the other hand, it was intended to use the LR8 as a CCS, then that's a different story. |
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#35 |
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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Yes, using the LR8 as a CCS was the intention. The circuit was copied from the LR8 datasheet. The chip itself looks like a high voltage cousin of the venerable LM317, so a CCS can be had by simply connecting a resistor R in series with the chip output and the ADJ pin to the other end of this resistor, making the chip maintain a fixed reference voltage across the resistor, hence passing constant current of Vref/R. However, there is a capacitor to ground from the chip output in the datasheet drawing, necessary to insure stability, in which case it makes it a current source only at DC, the impedance will drop to the value of R as frequency goes up since the output of the chip is not capable of following any output voltage change because of C. This would make it suitable for something like a battery charger but not a real CCS. Kevinkr pointed this out a few posts up.
Last edited by ilimzn; 16th August 2012 at 10:51 AM. |
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#36 | |
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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If one can look up what value they should measure one should really not have a problem moving that one test clip to the actual resistor pin, which is actually the correct way to do it regardless of where it's connected. And never mind the assumption that the 0 to 4 and 4 to 16 ohm taps almost as a rule do not have the same DC resistance. I'm all for 'alternative' but not when it has inferior results at same or added cost and especially not when it reinforces bad practice and sloppy standards. |
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#37 |
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diyAudio Member
Join Date: May 2006
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I've just had a crisis of conscience and am thinking I'm going to go the 700V LTP supply route after all. It just makes more sense and should make for a much cleaner amp. I have a spare 10H choke I can use, and stacking capacitors is probably worth it. I can also give the 6AG5 a nicer amount of current. ]
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#38 |
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diyAudio Member
Join Date: May 2011
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#39 |
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diyAudio Member
Join Date: May 2006
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Explanation: I'm using a choke-input power supply off a 500-0-500V PT, netting around 460V B+. However I can use another rectifier with a CLC supply to net around 700V and give this to the LTP, which will help a lot with getting clean swing. I'll post both signal and PSU schematics this time.
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#40 |
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diyAudio Member
Join Date: May 2006
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Thanks to everyone for all their input. I finally got a new schematic up. Have yet to figure out exact resistor values, and a proper CCS implementation, but the bare bones are there. For the bias supply I was thinking 150K from the wipers to ground, a 25K trimmer, and 33K for the other four.
There should be ample swing from the LTP this time, on the order of +/- 200V. The 700V D+ is derived from a separate CLC supply from the Hammond 282X, 500-0-500V. Turns out a CCS is hardly necessary on the first stage, which is operating at 4v g-k by the way. SIGNAL ![]() 6AG5 Input ![]() 6N1P LTP
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