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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#31 | |
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diyAudio Member
Join Date: May 2005
Location: Dallas (but I am not a Texan!)
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Quote:
You could build the same amp that I will, but I think most people who use these boards will be doing their own thing with them. The values shown on the schematic are what I built as a breadboard / prototype - missing values = component that was not used. When I get the time, I will post some additional info on what I wind up actually building as a completed amp (I'm pretty sure it will be triode-connected KT88's as shown on the website now) including a detailed parts list. I'm also more than happy to post info on my website about designs that others come up with using this board. Pete
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When life hands you a jeffery, stroke the furry wall. |
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#32 |
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diyAudio Member
Join Date: May 2010
Location: Valencia
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Alright.
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#33 |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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I left work today with a list of things I needed to do.........but there were two shiney red things in my mail box. I put them aside and decided to do some of the stuff on my list......well that lasted about 5 minutes.
I have been stuffing parts into the boards. They are only about 1/3 done, and I really have other stuff to do tomorrow, but I found a small mistake in the documentation. R5 and R6 are switched on either the PC board or the schematic. The two don't match. On the PC board R6 is the stopper and R5 goes to ground. The schematic shows R5 as the stopper and R6 going to ground. Put the carbon comp stopper in the R6 holes, it connects directly to pin 2 of VT1. I haven't seen a parts list, so I don't know what it says. I am making mine up as I go along based on what parts I have here. I am also building mine "upside down" like my first red board. It makes it easier to work on when live, and easier to change parts without flipping the board over. I expect these things to go through lots of changes before they are no longer useful. My first red board still works, and my boss has the second one so that he can copy off of it to build his own. After determining that an SSE won't drive Maggies, there was only one real choice and it was red, and set up for 125 WPC.
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#34 |
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diyAudio Member
Join Date: Jan 2008
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I'm having a hard time figuring out how much current the LTP can deliver. I have more reading to do...
But my question of the day.. Can I set up this board for A2 operation? Positive bias. I'm thinking of trying some small transmitting triodes... I was just at the local electronics surplus store and they have some 35t's in their tube bins. I've finally gotten a pretty good grasp on simple single ended class A, but this is the first I've even thought of A2... and PP on top of that (pentode ltp on top of that). I guess I'm looking for a simple "yes" or "no"... Or "yes but you'd need to add another stage" (I'd do mosfet follower) to be sure i'm looking in the correct direction. Then I'll continue my research... thanks! |
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#35 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
The grid of an output tube in AB1 looks like an infinite resistance in parallel with a amall capacitance. There is a grid resistor to ground or the bias supply. The driver must only drive the parallel combination of the grid capacitance and the bias resistor. As soon as the boundary into AB2 is crossed the grid becomes a forward biased vacuum tube diode to the cathode. Like any forward biased diode it is a low impedance, the harder you push it into conduction, the lower the impedance goes. Lets assume that the driver can source and sink infinite current. As long as we stay in AB1 the outout tube's grid will follow the driver plate faithfully. When the grid enters AB2 it's impedance drops. This changes the time constant of the coupling cap / driver impedance network. When testing with a sine wave the charge / discharge cycle is symmetrical so nothing unusual is noticed. I have observed the old red board pushing the grids up to about +25 volts on sine waves. When you play music the charge / discharge cycle is not symmetrical. This and the shifting time constant will guarantee that the bias on the output tube will shift all over the place and the recovery time can be long (seconds) if the amp is overloaded. If AB2 is contemplated the grid of the output tube must be driven directly by a low impedance source. Traditionally there have been two ways of doing this. A driver transformer with a low DC resistance can be used to deliver the bias voltage to the grid, and some audio power can be applied to the transformer primary to overcome the low impedance grid. A cathode folllower can be used to deliver the grid current and its cathode resistor will deliver the bias voltage. This works but cathode followers are not perfect. The factor limiting a cathode follower is the Gm of the active device......That's why I use mosfets. There are some advanced vacuum tube circuits that work quite well at driving AB2 outputs. Search this forum for "Augmented Cathode Follower".
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#36 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
Well I decided to try something that Pete probably never dreamed of. I decided to drive........an output transformer. As I said above the coupling caps are the issue with drive power, so I wired an OPT right up to the plates of the pentodes, plugged in some healthy tubes, cranked the current up to the melting point of the 10M45 (R17 = 0 ohms), and cranked the signal generator up until the distortion meter read 5%. The results......7.5 watts with a 13K ohm load and 320 volts of B+. Yes, the little driver board can deliver 7+ watts, and this is limited by the CCS current. Plug in an LM317 and more watts will flow. The THD was 0.34% at 1 watt, maybe I'll hook some speakers to it. As time permits I will hook this thing up to some big power tubes but next up is a bunch of little guys that I need to make a decision on soon.
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#37 |
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diyAudio Member
Join Date: Jan 2008
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That's awesome!
I"m getting hooked on this little transmitting tube idea. I read everything I could find on A2 operation last night. I'm also thinking parallel tubes.. There will be a lot of off-pcb stuff going on (the mosfet followers and bias for each tube). It's completely illogical, but those bright little eimac tubes are pulling me down that path. Well, my goal for today is to order a bunch of components so I can start building the driver boards.. Hey, I'm wanting to play around w/ loadlines for these tubes.. The Tubecad/ampcad software doesn't have 35t's or 3c24's in it, does it? I'd definitely be willing to purchase it, if so. Since these tubes aren't really audio tubes, the info online about them from people who have built amps, is all over the map.. (200v to 1000v.... 2.5ktx to 12ktx, etc) |
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#38 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
If you look at the tube data sheets for the tubes you specify the required plate to plate load impedance gets pretty high as you increase the plate voltage. OPT's that are much above 10K ohms get real hard to make with a HiFi type frequency response. The usual solution is paralleled tubes at a lower voltage, but tube matching becomes an issue. If you go this route you need a way to set the bias individually for each tube. That means a seperate mosfet driver for each tube. I was tinkering with transmitting tubes for a while, and yes they light up the room quite well, but far more power for far less effort and expense can be had with sweep tubes. A pair of 833A's per channel would be cool though.
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#39 | |
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diyAudio Member
Join Date: Jan 2008
Location: Bridgeville, CA
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Quote:
The thing that makes local plate-plate feedback work well is a relatively high impedance driver and an output stage with fairly high voltage gain. |
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#40 | |
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diyAudio Member
Join Date: Jan 2008
Location: Bridgeville, CA
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Quote:
Idle plate dissipation should be 40 watts or so to keep the plate in the dull orange range. ![]() The 35tg gm is listed at 2850 but that's at 2000V. If it's even 2000, that gives a Schade plate resistance of something like 500 ohms with 100% feedback. A 5K OPT is a nice candidate as the end damping factor may be in the range of 5-6. Looking at the low-swing end of the curves with 5K in mind suggests somewhere in the region of 150mA peak plate current, 150V min Vp, which needs about 75mA grid current (third dotted line up). That's 225 mA cathode current. So I could use ~500V * 80mA as the quiescent point and swing +/- 70 mA into 5K, giving about 250VRMS for up to 12.5W output power. In reality it's about a 10 watt amp. Class A push-pull could also be interesting and get a little more ambitious to the 25-30 watt range for 2 tubes. Class AB push-pull with these is quite ambitious and usually ends up in the KV B+ space for an optimum design. Last edited by Michael Koster; 22nd March 2012 at 04:39 PM. |
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