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#1 |
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diyAudio Member
Join Date: Oct 2006
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Wondering about the practical pros/cons between the two approaches. Assuming all other devices being equivalent, is there any benefit of a center-tapped secondary over matched resistors?
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#2 |
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diyAudio Moderator
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One way, the CMR is dependent strictly on the balance between halves of the secondary. the other way, it's dependent on that balance plus the balance of two resistors.
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#3 |
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diyAudio Member
Join Date: Feb 2010
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The resistors forming the centre tap cause additional load to the signal source,
but if this stage has low output impedance, then this matter has no meaning. With adjustable resistor(s) optimum balance can be adjusted. With center tap it is fixed. |
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#4 |
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diyAudio Member
Join Date: Sep 2004
Location: Illinois
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I can't add to this discussion of the technical merits of the two approaches, but I've built and listened to both schemes in a power amp with an input transformer. Sound-wise, I think I prefer grounding the ct of the secondary.
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#5 |
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diyAudio Member
Join Date: Oct 2006
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So even without a center tap I still need to maintain balance from primary to secondary, if I understand you correctly. I guess that makes sense; any common mode noise able to couple into one end of the secondary more than the other end will be transferred to normal mode noise on the secondary, whereby I will amplify it.
I think I lose you with the resistors: if the secondary load is unbalanced, how does common mode on the primary get through? I'm thinking in superposition terms. I am trying to pick an input transformer, but some of them do not come with center taps. Jensen JT-11P-1 for example. The Cinemag CMOL-2X600T2 is an option, but the Jensen on paper looks a scoche better. Others are 4:1, which drop my signal a little too much. What is the degradation in performance with say, 0.1% resistors? Is there a simple quantification? |
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#6 | |
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diyAudio Member
Join Date: Feb 2010
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Quote:
When a transformer has CT, then the balance is "factory made". Usually perfect. When there is no CT, then it must be created with two resistors. It is obvious that good CMRR will be achieved with two similar size resistor, but I would test this by fine-tuning one of the resistors and measuring CMRR at the same time. Maybe this procedure is not necessary, but then it is ensured. |
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#7 | |
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diyAudio Member
Join Date: Jan 2005
Location: Chicago
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From Audio Transformers - Bill Whitlock Chapter 11 (3MB PDF) From the "Handbook for Sound Engineers" Third Edition.
Quote:
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http://www.ecpaudio.com |
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#8 |
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diyAudio Member
Join Date: Oct 2006
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I got that; what I'm trying to understand now is how secondary load resistors affect CMR.
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#9 |
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diyAudio Moderator
Join Date: Nov 2005
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#10 |
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diyAudio Moderator
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Yeah, that was a bit confusing. It won't affect primary CMR, but will affect the CMR of the active stage (i.e., noise pickup between secondary and grids) as well as balance.
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