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#1 |
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diyAudio Member
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What I mean to ask is - assume a SE input stage, which lends a SE harmonic signature to the signal. And assume a PP output stage (transformer phase splitter) based on DHT. Since DHT is very linear and low distortion it will not dominate the harmonic signature of the amp. You get higher power from use of PP but sonic signature is still SE (from input stage).
Pipedream ?
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"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed." Robert M Pirsig. |
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#2 |
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diyAudio Member
Join Date: Mar 2007
Location: Auckland, NZ
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less pipedream than a catalog of sweeping generalisations... Care to get more specific?
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Yes, conservatism thrives on low intelligence and poor information. But the liberals in politics... continue to back off, yielding to the supremacy of the stupid. It's turkeys all the way down. - George Monbiot, guardian.co.uk, 6 Feb 2012 |
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#3 |
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diyAudio Member
Join Date: Jul 2010
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try a SRPP output stage
(pp without pp harmonic structure) |
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#4 | |
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diyAudio Member
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Quote:
I have always thought that a tube amp should be SE throughout, for the best 'sound' but it has the disadvantage of less power efficiency compared with PP and an inability for hum cancellation that exists between two DHT output tubes with heaters in opposite directions. So I'm just wondering if I can get the best of both worlds, an amp with the benefits of PP operation at the output but the sound of a SE amp. However, just found this link, which says it may not be possible... http://homepage.mac.com/tlinespeaker...v-PP-Part2.pdf some 'people' say SRRP doesn't sound good. Broskie says SRPP is best used where it drives a load of known/constant impedance which a speaker is not. So I'm not confident in using an SRPP output.
__________________
"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed." Robert M Pirsig. |
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#5 |
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diyAudio Member
Join Date: Sep 2006
Location: Mar del Plata, a BIG seasonal getaway city, can see the Ocean from our residence.
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What was that about the hysteristis kink in the SE iron, makes the perfect transfer of + = - in an AC signal................
__________________________________________________ _____Rick.............. |
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#6 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
If you want that tube sound but need 10,000W to fill a sports stadium do what the big guys do. They use a small tube amp and put a dummy load on the speaker terminal then tap off that load and run it it a huge stack of class D amps. So if yuo want the sound of an SET but 10X more power, build an SET, the smallest one you can then atenuate the output and feed it t a solid state amp Or do what many others do, build speakers that are easy to drive with 5W |
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#7 | |
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diyAudio Member
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Quote:
another interesting link. SE sounds better here; but it's hardly an apples to apples ! http://www.youtube.com/watch?v=fKq8_aw4thw
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"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed." Robert M Pirsig. Last edited by Bigun; 18th November 2011 at 12:32 AM. |
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#8 |
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diyAudio Member
Join Date: Oct 2003
Location: Sydney
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Sounds like you want a second harmonic distortion generator. You should be able to build a simple line stage to attach to the front end of your system with a pot to increase/decrease the distortion to give you the effect you want.
If you specifically want a single ended front end, there are plenty out there, you could just use a different operating point of the input triode to increase the second order distortion to suit your taste. Here is just the firs random schematic I found with a single ended front end to PP finals: |
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#10 |
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diyAudio Member
Join Date: May 2007
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The signal level in the first stage will be much smaller than an output stage, so distortion will be small unless the circuit is poorly designed. If you want 'SE sound' then you need to either design it for the wrong bias, or use a bigger signal and then attenuate it.
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