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#1 |
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diyAudio Member
Join Date: Nov 2011
Location: Northampton, UK
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I am at last getting around to building a valve amp based on the original Tripletone Hi-Fi Major that I bought back in 1967 and used for many years until my audio system became transistorised. Oh for the benefit of hindsight!
The original amp was dismantled without any details being recorded. Fortunately however, I kept the transformers and valves. After assistance from a number of people I now have most of the circuitry sorted out, sufficient at least to make a start on the reconstruction. Unfortunately I am without any information on how I should set up the input to the grid of the first stage which is half an ECC83. I want to get the amp as close as possible to the original spec which was for a ceramic cartridge with an 80mV sensitivity at 2M ohm impedance. Has anyone any idea of the component values I will need? |
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#2 |
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diyAudio Member
Join Date: May 2007
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An ECC83 data sheet will help.
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#3 |
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diyAudio Member
Join Date: Nov 2011
Location: Northampton, UK
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Granted it would if I knew how to interpret the data. I'm afraid audio is a bit low frequency for me as I'm used to constructing valve RF projects. I think in this case I will need to experiment to get the values somewhere near to present the correct impedance to the cartridge and then I can work on the sensitivity aspect.
I posed the question in case anyone could provide an answer based on experience so I had a starting point to work from. |
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#4 |
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diyAudio Moderator
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Many of the datasheets give component values and resulting performance. It's worth poking through them.
__________________
If there's a sucker born every minute, where do the rest of them come from? |
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#5 |
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diyAudio Member
Join Date: May 2007
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If you understand valve RF then much (but not all) of valve audio should be easy. Going the other way is more difficult.
No need to experiment. For 2M input impedance you just need a 2M grid resistor - but check the data sheet to see if this satisfies the maximum value; I think it will be OK. For 80mV sensitivity you will need to do some gain calculations. I'm not sure why you want to match a ceramic cartridge, as very few people use them nowadays and the input will be too sensitive for any other flat source. As SY says, data sheets give suggested circuits. That is why I directed you to them. |
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#6 |
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diyAudio Member
Join Date: Nov 2011
Location: Northampton, UK
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Many thanks for the advice. I'll have a look and see what I can find out. :-)
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#7 | |||
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diyAudio Member
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Quote:
Cgk= 1.6pF Crt= 1.6pF Given that this is a high gain type, expect a gain of ~60V/V. (It will be even higher if you use an active plate load -- a really good idea for a type with rp= 90K (nom). ) Though the capacitance doesn't look like much, the Cmiller will be fierce: Cmiller= Crt(1 + Av) Cmiller= 1.6(1 + 60)= 97.6pF Ci= 1.6 + 97.6= 99.2pF (Call that 100pF) w= 1 / RC w= 1 / (2.0E6 X 1.0E-12)= 5000 rad/sec f= 5000 / 2pi= 795.77Hz Add in more capacitance from lead-in's and that drops even more. You simply will have no highs at all. The only way you're gonna get that 2MEG of Zi is to buffer the input to the ECC83. You could use a source follower/emitter follower with an active tail load, or an op-amp voltage follower. If you want to avoid the SS, then a 6J5 with an active tail load ahead of the ECC83 will get you your 2MEG of Zi, avoid the capacitance problem, and a 6J5 with an active tail load produces almost no THD, and is quite transparent sonically. If you don't want to do that, then you need to consider ditching the ECC83 altogether, and use either a small signal pentode like a 6AU6 (not exotic and "sexy" -- just a reliable old workhorse that does well for almost anything: AF, RF, CCS duty) or a cascode (6BQ7s work very nicely for this purpose) to avoid that Cmiller problem. Quote:
Quote:
. On top of that, the damn thing wasn't even stable! rewired the whole thing so's it could connect to the really decent VT amps. Sounds pretty good now, actually.
Last edited by Miles Prower; 3rd November 2011 at 07:55 PM. |
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#8 |
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diyAudio Member
Join Date: Nov 2011
Location: Northampton, UK
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An interesting conclusion and one that is at loggerheads with the original spec for the amp which claimed 80mV into 2M over the range 30 - 20000Hz +/- 3dB or something like that. I used it with an Acos GP94/1 cartridge and had no issues at all. It sounded okay and contrary to what some might expect, didn't trash my vinyl. I recall tracking around 2 to 2.5g if my memory serves me right and the turntable was a Garrard SP25 Mk 1.
My original aim was to rebuild the amp as close to the original spec as possible. I have established the majority of the circuit by exchanging information with several people, but no-one has the same version of the amp as the one that I owned, so certain elements such as the input circuitry are lacking. I guess I keep looking..... Last edited by newmiac; 3rd November 2011 at 08:35 PM. Reason: incorrect reference to Garrard turntable |
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#9 | ||
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diyAudio Member
Join Date: May 2007
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A ceramic cartridge behaves like a capacitor, so it can cope with a bit of Miller capacitance. Other high impedance sources might not cope, though.
Quote:
Quote:
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#10 |
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diyAudio Member
Join Date: Nov 2011
Location: Northampton, UK
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The spec was probably met when driven from a voltage source i.e. low impedance.[/QUOTE]
The amp had three inputs - ceramic, radio and tape. The radio and tape were typically 100k impedance if I recall correctly. I just wonder whether the 2M impedance was achieved by adding passive components in line to make the cartridge see 2M. There was definitely no difference in spec between the inputs. The amp line up was ECC83 - ECC83 - 2 x EL84. It was all packaged into a steel cabinet about 11 x 7 x 3.5 inch with mesh grilles top and bottom. It had a clear perspex fascia painted green and white on its back. Three tone controls of course. The EZ81 rectifier and output valves were mounted with the transformers on a steel plate that was mounted vertically and ran left to right across the middle of the amp. The 83's were on a PCB in the front section. The design was an evolution from a more conventionally designed series of amps that were standard chassis designs and initially ran 2 x 6V6 making the change to EL84s in the early 60's. I have only ever seen one of these amps for sale on an auction site and it went for mega-bucks. Unfortunately there was no way of contacting the purchaser and I had missed the auction by a couple of days.
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