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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#1 |
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diyAudio Member
Join Date: Apr 2011
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see page 4 of this service manual...
http://valvetronix.net/docs/AD120VT_...l_Complete.pdf I'm wanting to experiment with a similar idea... Namely a 'mini' tube push pull output stage that goes through a transformer and then gets some beef from a solid state power stage... Fotr anyone who's not familiar the valvetronix are largely DSP guitar amps that use a 12ax7 as a fake power amp in push-pull. I don't know if the tubes actually make much difference used like this... Hence my wish to experiment. Any idea where I can get a Xfmr that would work in this context? I confess I don't know much about Xfmrs and their uses, aside from in a straight forward power or o/p sense... |
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#2 |
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diyAudio Member
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For small signal and mids modemtransformers could do $2 !
They have nothing below 300hz and reach up to 5-7khz. Otherwise if you donīt need the lows any line transformer with right ratio will do. |
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#3 |
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diyAudio Member
Join Date: Apr 2011
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Thanks for your reply...
Sorry guys, I wasn't very clear... By mid-amp I meant not at the 'output end' or the power supply, rather than an amp for amplifying mid-range frequencies... I guess interstage might have been a better way of putting it? I'll edit the OP slightly... EDIT: I can't edit the OP... Oh well... Last edited by bassetrox; 4th October 2011 at 06:38 PM. Reason: Inability to edit! |
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#4 |
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diyAudio Member
Join Date: Nov 2010
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The whole idea is pointless.
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#5 |
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diyAudio Moderator
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Actually Fisher built hybrid tube solid-state power amps for one of the their mid 1960s high end stereo consoles. (Perpetuum Ebner changer, magnetic cart, and a very good FM stereo tuner, 3 way acoustic suspension speaker system per channel) Power was about 50Wrms per channel.
The driver interstage had a pushpull primary, and two separate secondaries driving a quasi-complementary output stage - the transformer did the phase splitting. The whole thing sounded quite good, but definitely was not your typical console either. The output stage would of course be unity gain in this topology so step down ratio of the transformer would have to be chosen such that the output voltage was sufficient to do the job given the driver tube chosen. Possibly that one of the smaller Lundahl PP/SE OPTs could be used in such an application with some careful thought and reconfiguration.. (Either SE or PP drive - most have 4 secondaries that can be wired in a variety of ways) You might also consider a PP plate to line transformer if you do not mind having to use a power stage with some gain.
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#6 | |
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diyAudio Member
Join Date: Apr 2011
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Quote:
Yeah, I'm thinking unity gain for the tubed section and then maybe a 20-30W solid stage after that, maybe just using a TDA 'power-amp-in-a-chip'. Like I say, I'm doing it for the sake of a proof (or denial!) of concept. Thanks for your help. |
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#7 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
OK you can do unity gain but only if you have again of 10 to 60 and then use a voltage divider to knock it back down. That kind of gain is not a true "unity gain amp". There are several transformers that would work but the Hammonmd 125A is perfect. Also it can re wired for many different inpedances ratios so it is a good experimenter's transformer. I would set it up at 25,000 ohms and drive it with a 12AU7. The 4 ohm output would be reasonable for driving a chip amp but certainly resistor network between the 125A and chip amp is required But for your experiment you can get the same reslt using any small guitar amp, then feeding a resistive attenuator and then a HiFi amp and then a guitar speaker, no need to build anything |
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#8 | |
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diyAudio Moderator
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Quote:
Might help if you explain the intended purpose. MI or HIFI?
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#9 |
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diyAudio Member
Join Date: Nov 2010
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Don't agree.
A classic valve guitar amp is normally run pentode mode with no feedback. This allows the characteristics of the amp to interact with the various characteristics of the speaker and it's cabinet, and this is where the 'magic' of guitar sound is created. If you put a solid state amp in between with all it's negative feedback and massive damping factor, then you lose everything. that's why I said it was pointless earlier. It may be Ok in a HiFi amp but not for guitar. Regards Henry |
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#10 |
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diyAudio Member
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Going the chipamp route you have no control over NFB.
Discrete and well design might work. A chipamp is designed for good "HI-FI" and guitar amps are real bad in hifi terms. |
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