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#1 |
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diyAudio Member
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I'm open this new thread to fine tune my Puresound P10 phono RIAA, also I would like to know output impedance of first stage? schematics & real unsoldered components values as follows:
Left channel R1 329K CADDOCK TF020R R19 998K CADDOCK TF020R C9+C8 .00270 paralleled .000106 = 2.806nF teflon film & aluminium foil R17 38K9 CADDOCK TF020R C7 .006 paralleled .0022 = 8,2nF teflon film & aluminium foil R18 99R9 SHINKOH Right channel R1 329K CADDOCK TF020R R19 999k CADDOCK TF020R C9+C8 .00270 paralleled .000106 = 2.806nF teflon film & aluminium foil R17 38K9 CADDOCK TF020R C7 .006 paralleled .0022 = 8,2nF teflon film & aluminium foil R18 99R9 SHINKOH ![]() ![]() Any help will welcome. |
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#2 |
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diyAudio Member
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Based on the info here: On 'RIAAEqualization Networks´ and following Lipshitz calc I devised a simple simulator. http://forums.melaudia.net/attachment.php?aid=1301
Excluding the effect of first stage output impedance and also the miller of the second stage, my initial test would be to use: R17 = 38K9 // 478K = 35973 r C9//C8 = 2.7nF // 106pF // 220pF = 3.026nF C7 = 6nF // 2.2nF // 640pF = 8.84nF Let me know what real values you can get so we can choose the best options. Of course, all must be recalculated if there is significant output impedance on the first stage and we should also consider miller effect of second stage (I do not know if there is any "forward" miller from the first stage also). I hope we can get enough input here to come to a consensual result. Regards Ricardo Last edited by RCruz; 10th June 2011 at 04:12 PM. |
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#3 |
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diyAudio Member
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My assumptions are based on the results of enumerous experiments with Salas Simplistic.
IMO, the 500,5Hz "zero" pole is of fundamental importance to the correct reproduction of the instruments timbre. > 500,5 Produces less attack < 500,5 Results in more nasal sound with more attack = 500,5 Provides perfect Instrument Timbre According to the simple formula f = 1 / 2pT 500.5Hz corresponds to 318uS time constant This 318uS is what I am aiming to. In this case we have R17 = 35973 ohm and C7 = 0.00884uF R17 x C7 = 318.0013 Very close to 318. The low frequency pole 50.05Hz and the high frequency 2122Hz are also corrected by my simulator but these depend on the impedance and miller effect on the amplifying stages. |
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#4 |
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diyAudio Member
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Similarly to the Simplistic, these SE no NGF designs are much more difficult to implement than the active riaa using feedback as is very well explained here : Audio Gadgets: RIAA Equalization
>>Quote: Active EqualizationThe advantage of the feedback approach is consistency. Each channel will track the other to a very great degree in spite of aging parts or circuit wiring dissimilarities, as the feedback tends to iron everything out. The disadvantage is that because it is active, it can suffer from voltage overload and instability. Additionally, the varying amount of frequency dependent feedback can result in looser bass reproduction because of smaller amount of feedback at low frequencies and possibly a pinched, compressed high frequency playback due to excessive feedback ratios. Passive EqualizationPassive RIAA equalization means brute force equalization: the frequency response is tailored to fit that of the RIAA curve by varying the amount of attenuation at different frequencies through a complex RC network. The advantages: no voltage overload, no feed-back, no instability problems. The disadvantages: no gain, insertion loss, impedance matching problems. End of quote<< IMO, opamp based Riaa preamps always sound compressed in the high frequencies (due to high feedback ratio) The simpler SE designs let the sound flow very naturally. Of course, due to the absence of global NFB, these are much more difficult to implement with the same low distortion levels. Anyway, in a jfet SE input, distortion is mainly 2nd, presenting much lower 3rd than an equivalent differential input. Also, as there is no global NFB, psrr is quite high so the psu is also very important here. These SE designs respond very well to psu output impedance tuning. Last edited by RCruz; 10th June 2011 at 04:51 PM. |
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#5 |
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diyAudio Member
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Wow Ricardo I'm enjoying with your RIAA knowledge.
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#6 |
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diyAudio Member
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I learned a lot because I wanted to understand the differences between the several EQ available (RIAA, IEQ, Columbia, EMI, etc...)
I followed some good threads in this Forum Parasound JC3 Phono Which DIY phono-stage gives great results? RIAA Equalization Standard... Last edited by RCruz; 10th June 2011 at 05:28 PM. |
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#7 |
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diyAudio Member
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"Excluding the effect of first stage output impedance and also the miller of the second stage
Of course, all must be recalculated if there is significant output impedance on the first stage and we should also consider miller effect of second stage (I do not know if there is any "forward" miller from the first stage also)." I asked all your questions to the Mr. Gay designer/manufacture Pure Sound P10. |
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#8 |
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diyAudio Member
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I posted this thread in Analogue Source but I want to post here because it's a tube phono preamp, link to thread:
http://www.diyaudio.com/forums/analo...-p10-riaa.html |
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#9 |
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diyAudio Member
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please help
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#10 |
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diyAudio Member
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bump
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