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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#1 |
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diyAudio Member
Join Date: Jul 2010
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About two months ago i just finishing my first amp. An el84 SET. A very nice amp, small, but because of this baby i'm now starting the build for the second one. 6c33 SET based on Borbely's design).
You can find the schematic and more in this article from Glass Audio Borbely 6c33 SE Yesterday i've recived my custom made OPT's. ![]() ![]() ![]() The dimensions of the problem ![]() I'm gonna post more photos once the build will advance |
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#2 |
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diyAudio Member
Join Date: Aug 2008
Location: Bulgaria
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Óñèëèòåëü íà 6ñ33ñ
This 2 stages schematic /I made SE ampl. 2 time/ sounds great and amazing! /Instead 6E5P, You can use 6P15P or 6P9/ Last edited by azazello; 29th April 2011 at 12:25 PM. |
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#3 |
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diyAudio Member
Join Date: Jul 2010
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hmmm. i might try this schematic this weekend. Borbely's schematic has a special feature callled "distortion cancelation". the distortion in the second stage will cancel with those in the final tube(180 phase shift).
I'm not convinced about mixing pentodes in the schematic. i will do some research and maybe i'll change my mind. |
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#4 |
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diyAudio Member
Join Date: Nov 2006
Location: Munich, Bavaria
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Hi,
I wouldn't go for the Borbely design. Always use a cathode resistor when dealing with 6C33C or at least a mixed topology with fixed and auto bias (At leat more than 1R as in the schematic !!). 6C33C drifts nicely if no bias compensation is used. Furthermore I prefer a better driver. Why SRPP as first stage ? SRPP gets you huge voltage swings (when connected to a suitable high Ub) to a unique fixed load impedance. Nothing of that is needed in the first stage. You will get best results with the 6Э5П, of course connected as Pentode. Use max Ub which the 6Э5П is designed for. Results are even better when you use an anode choke. Feedback in old fashioned way to the 6Э5П's cathode (parallel derived, series applied) Have fun ! Edit: Can you tell me where you got those OPT's ? Last edited by the_manta; 29th April 2011 at 05:41 PM. |
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#5 |
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diyAudio Member
Join Date: Jul 2010
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I have some reservation regarding the use of a pentode in the circuit. I'm gonna try something this weekend maybe. The ears will know better.
About the bias....I know the problems...but for the best results i'm go this way. In the bias supply i'm gonna use only mkp(motor caps). The amp will have an amp meter for each channel and the bias pot's will pe mounted on the case. Tube will be burned in for at least 24h(filaments only). This from what other people state will stabilise the tubes...i hope. I can provide you all the contact information if you need them. I recomand the source. Cheap and well build. Prost! |
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#6 | |
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diyAudio Member
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Quote:
And using OPT is just wasting in case of using 6C33C. You can get those 15 sine watts easily without OPT. The best 15W you can imagine. Every transformer in signal path is wrong. If this got your attention, I can add some experience to share. |
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#7 |
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diyAudio Member
Join Date: May 2009
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#8 | ||
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diyAudio Member
Join Date: Nov 2006
Location: Munich, Bavaria
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Quote:
Quote:
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#9 |
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diyAudio Member
Join Date: Jul 2010
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Well. I won't give up on the project now or change it to much...but if you have a nice schematic for an otl amp...bring it on!
Maybe the next one will be otl. |
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#10 | ||||
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diyAudio Member
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Quote:
There were some tubes bad as born, inner shorts mainly, one has air inside I suspect. But not a single good tube went in current drift. 6C33C has a slight current rise after switching on, you have to concearn about it, but the current stabilizes after 15 minutes warmup. So called warmup-gap. For example, if you set anode current lets say 170 mA (after 2-3 min heating without anode supply), then after 15 minutes current will be 200-230 mA. Quote:
Quote:
Since I built a stable OTL amp with 6C33C tubes and did not experience serious difficulties, I can surely say it's not worth to bother with OPT, if you have some of those tubes. Result will amaze you as much as me. And yes, this schematic is rock stable (at least in my interpretation). Since then I built also several amps with OPT and I was also thinking it is the only way nowadays to get enough current to low ohm output. I was also in constant searching of better OPT. Then just for fun tried the schematic mentioned before and I was and still am amazed every time listening my amp, how good it sounds. It is a serious issue about amplifier you use. One bring out every detail and finesse, another is giving you just some sort of a mumbling. Speaking about tube amps only of course. Quote:
Hans Bejiner's 6C33C OTL amp I can really suggest. It has the sound I was searching. My construction is absolute linear inbetween 10Hz-40kHz (Hans said he got up to 200kHz, he uses different tubes and details). I'm using it with 90dB Audes Gloria 037 3,5 band speakers. 15W power per channel is suprisingly enough even with 90dB multi band speakers. The amp gives nice fast and precise basses, which OPT amp lacks of. And the basses are powerful and rich at same time. Very detailed but not tireing mids. I just discover my records again. The amp shows all mistakes of recording engineering, and in other hand it plays all the brilliance of sound engineer has put on record. Very crisp and clean high end. Very much air in whole sound, all instruments/interpreters locate very precicely on stereo panorame. The amp needs a warm up time 15-20 minutes, because of the 6C33C tubes nature I described earlier. After this it opens it's capabilities fully and sounds so good I quit about even thinking of OPT amps. Let those be for guitar players. You can see some images of my creation here. |
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