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#1 |
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diyAudio Member
Join Date: Mar 2010
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Hi to All
As my new amplifier is at the stage of quotes and pricing , I decided to give it another go and "mix" a little with the old one. Amp is based on Jolida schematic as below: 302b.pdf PSU has been slightly improved :CLC filter ,bridge diodes paralled with caps, higher values of electrolytics , electrolytics paralled with PP caps , I used stepped lader attenuator and also added switchable PSE configuration. I wonder if there is room for an improvement in pre- stage , phase splitter ( use different tubes , circuit , etc.) or output stage . Any advice would be very welcome Cheers |
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#2 |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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The topology used by Jolida is a variation on the "classic" Mullard 5-20 theme. That's very well proven. The selection of a 12AT7 as the LTP phase splitter is excellent. I have reservations about a "totem pole" 12AX7 serving as the voltage amplifier. I'd like to see something with higher gm there. Also, put a 10M45S constant current sink (CCS) in the LTP's tail, instead of a resistor. Forced symmetry is SWEET.
BTW, watch out for excessive gain. "Gobs" of gain are not needed, when the 2 VRMS of a CD player are the driving signal.
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Eli D. |
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#3 |
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diyAudio Member
Join Date: Oct 2004
Location: Adelaide South Oz
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Fairly standard circuit arrangement.
EDIT: Ah!! I see Eli reponded while I was still typing - seems we both agree about a current source for the driver. If I were building it I would make the 12AT7 driver anode loads R7 and R8 the same value = 22K and replace the R6 resistor with a current source. A simple "Ring of 2" current source would be fine. Set current source for approx. 3mA. C1, C3, C4 need to be good quality caps, I suggest Wima Polypropylene Film/Foil. Cheers, Ian |
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#4 |
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diyAudio Member
Join Date: Mar 2010
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Would it be wrong to use just one CCS set at 6mA and -90V ?
Where can I find schematic for one? Best Regards |
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#5 |
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diyAudio Member
Join Date: May 2007
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There is an interesting cascade of knock-on effects in that amp. Adopting fixed bias means lower value grid leaks for the output. This means a lower impedance phase splitter is needed, hence 12AT7 instead of 12AX7. This reduces gain a little, so choosing a triode input (presumably for reduced noise) means a totem pole/SRPP can restore some of the lost gain. You can just about get away without a CCS tail for a 12AX7 PS, but 12AT7 needs one because of the lower mu.
One thing to watch when making changes to the 5-20 circuit, or derivations of it: the original had only marginal LF stability, with a subsonic peak. Changes can push you further down this road. The forward path through the amp has three LF roll-offs: R4/C1, R9/C3 (+ R21/C4), and the OPT. The original circuit had an LF shelf in the output stage cathodes, which might have helped or hindered a little, but fixed bias gets rid of this. |
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#6 |
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diyAudio Member
Join Date: Mar 2010
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Hi
Thanks for reply , excuse me ignorant question but I am not very familiar with CCS. As I understand one of the advanteges would be close to perfecr DC balance , what else . What does wait for me on the dark side? |
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#7 |
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diyAudio Member
Join Date: May 2007
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A CCS tail gives perfect AC balance, so you should get cancellation of even-order distortion. It does not affect DC balance, which is set by the grid voltages and the triode matching. You may get a little DC imbalance due to the grid current for the second PS triode causing a voltage drop across R10 (in the original 5-20 circuit).
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#8 |
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diyAudio Member
Join Date: Mar 2010
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Any specific CCS circuit worth to look at?
Do I need to make couple 3mA CCS's per triode or one 6mA? Cheers |
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#9 |
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diyAudio Member
Join Date: May 2007
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One CCS, replacing R6 the tail resistor.
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#10 |
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diyAudio Member
Join Date: Mar 2010
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How to built(calculate) CCS , where should I start ?
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