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#71 |
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diyAudio Member
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I did not finish it yet. But I don't think it will sound worse than 2A3 that has 2 paralleled triodes inside of the bulb.
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#72 |
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diyAudio Member
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I am seriously thinking about 10 x 6J52P per channel. It should be a killing amp, with no driver needed.
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#73 | |
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diyAudio Moderator
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Quote:
Can't wait to get the quartet I ordered from Russia a couple of weeks ago. Small SE amp coming soon...
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"Extraordinary claims require extraordinary evidence." - Carl Sagan |
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#74 |
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diyAudio Member
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By the way, one explanation why interstage transformer, or direct coupling, is good to drive directly heated tubes, and interstage capacitor is bad: the higher is cathode emission, the more is grid current non-linear even when voltage on grid is negative. I've found this curves in the net, when the author was searching for better cathode temperature for double diode in guitar stomp box:
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#75 |
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diyAudio Member
Join Date: Apr 2004
Location: Montevideo
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Conrad-Johnson ART Preamplifier
“…fabricating the equivalent of a single high-transconductance triode by linking five dual-triode 6922s in parallel” Conrad-Johnson ART Preamplifier | Stereophile.com Tim de Paravicini EAR V20 amplifier “With ten 12AX7s per channel, de Paravicini employs five tubes to cover each phase of the push-pull” EAR V20 integrated amplifier | Stereophile.com The new Tim de Paravicini EAR V12 amplifier “The V12 was designed by Tim de Paravicini and uses six EL84 tubes per channel. It puts our 50Wpc in triode mode”. E.A.R. V12 integrated amplifier | Stereophile.com At the end...... Anatoly, what happens to your 4P1L PSE?
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I write in English worse than Tarzan |
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#76 |
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diyAudio Member
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I will have results on Monday. Last Friday I soldered almost everything in output stages.
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#77 |
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diyAudio Member
Join Date: Sep 2009
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@wavebourn:
Cool!! I am waiting with great anticipation!!! Hope to start on this project maybe by end of the month.... Trying to decide whether to go PSE or SE.... Still planning process and obtaining parts. Just got my sockets, but seems too tight to insert the tubes into. |
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#78 | |
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diyAudio Member
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Quote:
Firstly thanks for continuously sharing your experience, I'm learning a lot from your posts! i'm working on a 45SET at the moment and was looking at improving the 6SL7 driver stage from a typical resistor loaded grounded cathode configuration to an active loaded setup. I'm simulating at the moment a CCS using PNPs, but was keen to see any potential improvements by using a gyrator instead. Do you have any doc or share any link where I can get my head around how to calculate the values of the circuit you used? thanks for your time Ale
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"A mistake is always forgivable, rarely excusable and always unacceptable. " (Robert Fripp) http://www.bartola.co.uk/valves/ |
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#79 | |
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diyAudio Member
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Quote:
we already discussed gyrator load on this forum many times. I already answered the question about why I prefer gyrator, in this particular thread. You can find a lot of answers searching for gyrator keyword. In short, gyrator in anode is CCS with servo. Servo works such a way so no matter how different are tubes, how old they are, how changed is their emission, servo keeps voltage on anode stable on DC adjusting idle current. This particular servo I used is referenced to B+, it is the minus: PSRR on frequencies below audio band is low, so B+ source have to be well stabilized to avoid unwanted feedback and caused by it non-stability on ultra-low frequencies. For better PSRR you may use version of Gyrator used by Michael Koster in his Meteor amp; also, the same MOSFET is used as a source follower, so it looks like SRPP stage with stable anode voltage.
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#80 | |
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diyAudio Member
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Quote:
Thanks for this. I have been searching the web and also the forum and couldnt get hold of any formula to compute the equivalent L and circuit components of the mosfet gyrator, albeit I found many posts explaining benefits, caveats, etc. Can you please explain how you calculated the gyrator in your circuit? Thanks Ale
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"A mistake is always forgivable, rarely excusable and always unacceptable. " (Robert Fripp) http://www.bartola.co.uk/valves/ |
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