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#1 |
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diyAudio Member
Join Date: Dec 2009
Location: Orange County, California.
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Is there a standard Input Signal value to use when designing the gain stage?
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The Myth: A hand full of Tubes, Caps, Resistors and Iron and you have an Amp. The Reality: You have self induced Dementia. Newbie. |
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#3 |
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diyAudio Member
Join Date: Dec 2009
Location: Orange County, California.
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Sorry, I quess that would help. In general any power amp that may be used with a CD Player, DAC, Reciever, Mp3 Player, PC, etc.
In detail I'm working on a SE 6BQ5 using a 6FQ7.
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The Myth: A hand full of Tubes, Caps, Resistors and Iron and you have an Amp. The Reality: You have self induced Dementia. Newbie. |
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#5 |
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diyAudio Member
Join Date: Dec 2009
Location: Orange County, California.
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Are you talking P-P or rms?
__________________
The Myth: A hand full of Tubes, Caps, Resistors and Iron and you have an Amp. The Reality: You have self induced Dementia. Newbie. |
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#7 |
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diyAudio Member
Join Date: Dec 2009
Location: Orange County, California.
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So it's normal to have an amp that with some souces you won't get full output. And with other sources you will over drive the grids and clip?
__________________
The Myth: A hand full of Tubes, Caps, Resistors and Iron and you have an Amp. The Reality: You have self induced Dementia. Newbie. |
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#8 |
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diyAudio Member
Join Date: Mar 2008
Location: Atlanta Ga. USA
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For microphones: -55dB (Although there is some variation in mics output level.
For consumer line: -10dB For professional line: +4db Personally I like 0 dB for line. And I would calibrate my VU meters to read 0dB to equal 0Vu. (Makes sense.) The old Bell telephone standard was +8dB. (They wrote the book on audio level measurements.) |
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#9 | |
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diyAudio Moderator
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Quote:
Generally you should design your power amplifier driver stage to provide sufficient gain to allow the lowest output source you use to achieve full output at something less than the highest setting on your volume control - this is to allow sufficient available gain such that you can achieve reasonable output levels with that source for any program material available. The volume control ahead of this stage will provide sufficient attenuation to deal with signals that would otherwise overdrive the stage. Note that providing more gain than is sufficient based on the above criteria usually results in some compromise of the signal to noise ratio so should be avoided if possible. I use sources in my system that have maximum signal output levels of ~700mVrms to >3Vrms without any difficulty.
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www.kta-hifi.net Last edited by kevinkr; 23rd December 2010 at 05:47 PM. |
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#10 | |
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diyAudio Member
Join Date: Feb 2010
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Quote:
To me pre-amplifier means such device that has several inputs with different kind of features. There should be phono amplifier with RIAA correction. The sensitivity of such stage is typically few millivolts. There should also be such inputs that drive the output stage full with, say 300 mV input signal. There must also be inputs having sensitivity of about 1 to 2 V to be used with CD-players and similar-level signal sources. Actually this input level ( 1 to 2 volts ) do not require any sort of pre-amplifier, only volume potentiometer between signal source and output amplifier. However, it seems to me that very many pre-amplifier projects introduced here are such that both input- and output levels are from 1 to 2 volts. I do not know what is the point to build such "amplifiers". |
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