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#1 |
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diyAudio Member
Join Date: May 2004
Location: Jutland
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Hi,
I'm in the process of building a Stereo EL34PP amp. Actually the very first tube-amp I'm putting together and if it sounds well enough, it will also be the last ![]() That's why I try to do 'do everything right' which of course won't be possible. There seems to be as many 'right' solutions as there are constructors ![]() Anyway, I've started on firm ground buying Lundahl Transformers and Winged =C= EL34's. That should set me off in the right direction I suppose. I've also invested in a couple of Tungsol EF806SG which may turn-out more dubious. At least they SHOULD be less noisy that regular EF86's and of course especially run as triodes but I really can't say yet. What I'm here to ask is more your opinions on the Long-Tailed Pair. I've come across a few NOS ECC808's that I'll try to use here. Since I understand a high AC-impedance of the Tail-resistor is required to balance the output reasonably I've decided to go for a Constant-Current-Source, see the attached pdf. BUT, IF it's such a great idea to use a CCS, why isn't it done more widely? Theoretically the AC-impedance of the CCS will be something close to: R-Emitter x hFE x 2 -> 1000 x 160 x 2 = 320K-Ohm. First of all; is this equation correct? If it is is running the ECC808's at 1.5mA CCS reasonable? What's your opinion on the construction in general? Thanks in advance, rgds, /tri-comp Last edited by tricomp; 20th December 2010 at 06:55 PM. Reason: Error in Transistor-type |
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#2 | |
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diyAudio Moderator
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Quote:
Noise is generally not an issue for power amp input tubes.
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If there's a sucker born every minute, where do the rest of them come from? |
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#3 |
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diyAudio Member
Join Date: May 2004
Location: Jutland
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Thanks, it's what I feared
![]() Don't rock the boat, stay on the straight and narrow... etc. I really couldn't see any reason why NOT to use the CCS. Probably there are more views on the matter. What about 'musicality', 'fidelity', 'tube-sound' and the rest of the boss-words? /tri-comp |
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#4 |
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diyAudio Member
Join Date: Apr 2003
Location: Southern Tier NY
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OPUS 5.0 A Modern Mullard
Would not change the LTP/CCS for anything in that design. It is a very musical/dynamic amp (Are those the words you are looking for?)
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Living Life Doing the Waltz in 4/4 meter. |
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#5 |
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diyAudio Moderator
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As an uber-conservative, I think "musicality" is the job of the musicians, the producer, and the recording engineer. The job of an amplifier is to make a small electrical signal bigger.
From that viewpoint, the CCS load reduces distortion and noise compared to a resistor.
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If there's a sucker born every minute, where do the rest of them come from? |
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#6 | |
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diyAudio Member
Join Date: Jul 2008
Location: Belfast
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Quote:
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#7 |
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diyAudio Member
Join Date: Jan 2002
Location: nowhere
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My opinion on LTP biasing is ccs usually is the best solution. On some circuits you don't want fully symmetric output, and in those cases it may be better with a simple resistor. For instance on totempole output following a PI you want one phase a little smaller than the other, and a resistor will be better than a CCS.
As it turns out, when the resistance of the tail goes over a certain value, a CCS really doesn't provide much benefit. I aint smart enough to figure it out in my head right now without looking up in the books first, but with a 6922 LTP a tail over 10kohm, or for petimeters say 20kohms, a CCS won't do much other than complicating your effort. Of course, if you have limited voltage for the tail, a CCS is always the best way. Just wanted to put my pennies in because it's not always lazyness or incompetence that lays behind the reasons for not using CCS. |
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#8 | |
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diyAudio Member
Join Date: May 2004
Location: Jutland
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Quote:
WoW , it took a while to read through all those postings.VERY nice work. It shows how new parts enhance the vintage ones nicely. Perhaps the EL34PP won't be my last amp after all... ![]() Another aspect of building a nice amplifier is of course the mechanical details. In your case they're superb! Nice and classy! My EL will go on a laser cut steel-chassis painted into very deep hi-gloss red, almost black with hi-gloss black wooden side panels. Cover-shield for the transformers in steel painted into the same hi-gloss black. Tubes standing free. Well, at least it's my INTENTION to have it like that and I know a lot of people in the right places to make it happen ![]() It will also be nice to be able to document the working of the amplifier, but I just have basic tools like a scope, a generator and a dummy-load. So far no distortion-analyzer as they don't come cheap around here; working or not. Rgds, /tri-comp |
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#9 |
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diyAudio Member
Join Date: Apr 2009
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Not to offend LTP fans but, sound quality wise how does it compare to another popular splitter the (concertina, cathodyne, split phase)? Sometimes called a Simplified Williamson. One member said he prefered it for more it's detailed sound. Maybe there are disadvantages that could be fixed with some sort of CCS?
A third type that seems to be liked is the Floating Paraphase. How too does it compare? Both seem to be popular on low power amps. Randy |
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#10 |
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diyAudio Member
Join Date: May 2007
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A CCS is ideal, but no real CCS is actually ideal. A resistor is simpler and cheaper. Whether it is good enough depends on its value, and which valve you use. The aim is to get the common-mode gain as low as possible, when compared with the differential-mode gain. Diff-mode gain is a bit less than mu. Common-mode gain is about RL/(2Rk), and is likely to be somewhere in the region of 1 if a tail resistor is used, or 0.1(?) with a CCS. If you are happy with a few percent error (should be good enough - some people seem to deliberately design-in up to 10% error using other phase splitters), then you need mu bigger than around 30-40 for a resistor or 3-4 for CCS.
So if you want to use a resistor, use 12AT7 or 12AX7 as LTP. If you want to use 6SN7 or other low-mu triodes then you need a CCS, unless you like second-order distortion. 6DJ8 is right on the boundary: resistor OK, CCS slightly better. |
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