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#1 | ||
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diyAudio Member
Join Date: Feb 2003
Location: ..
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On another thread I posted an aside as a addendum to a otherwise on topic technical contribution:
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another poster has gone off topic and is pursuing the throwaway comment about Triodes so the title is the topic of This thread – is there “negative feedback” built in to triodes – is limited voltage gain, plate resistance a consequence? I don’t remember where I 1st encountered the idea – is it just a feedback engineer’s “urban legend”? Many circuits predating the wide-spread adoption of feedback analysis are still usefully analyzed with the more recent intellectual tools - followers, degeneration are taught today as feedback circuit techniques Anyone interested enough to follow up with references? – if I cared enough I would look at 50’s electronic textbooks as Bode’s work, Blackman’s theorem only became widely distributed after WWII maybe a start: Quote:
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#2 |
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diyAudio Member
Join Date: Apr 2006
Location: Minnesota
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A triode can be modeled as a voltage controlled current source (gm*Vgc) in parallel with the plate resistance (Rp). If the cathode resistance is zero or it is bypasses, then there is no feebdack through Rp. Rp will be in parallel with the anode resistor. If there is a cathode resistor, then Rp could be thought of as providing negative feedback. However, Rp varies with operating point so the feedback in nonlinear for large variation in plate voltage.
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#3 | |
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diyAudio Member
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Quote:
Please try once more... How come that feedback inside of pentode that makes triode eliminates higher order distortions? And, how it may justify application of feedback to other devices where it increases order of distortions?
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#4 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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Uh, the plate produces feedback even if there is no cathode resistor. The figure called Mu gives the ratio of the grid's voltage affect on cathode emission current versus the effect of plate voltage on the cathode current. Individually the plate effect is called Rp (1/Rp = Gm(p) for the plate) and the grid effect is called Gm (1/Gm equiv. to Rg). They both vary non-linearly with current due to the Childs 3/2 power emission law approx.
In practical devices, the grid does not follow the 3/2 power law so well due to grid wire proximity effects at the cathode, square law emission (grid1 effected) might be a better approx. for some high gm tubes and power tubes.
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Ohms Law V = I R Last edited by smoking-amp; 7th December 2010 at 08:47 PM. |
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#5 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Schade Fig 35, go figure...
Conversely, a triode with internal feedback sabotaged: a Pentode. Most obvious example of the reversed principal at work is Cascode... Last edited by kenpeter; 7th December 2010 at 09:41 PM. |
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#6 | ||
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diyAudio Member
Join Date: Feb 2003
Location: ..
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hoping debate can continue in this thread I'm copying this to here
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#7 | |
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diyAudio Member
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Quote:
If the signal is moving Vgk positive, the plate current increases, and the Vpk falls, as a consequence of increased voltage drop across the plate load. The decreased Vpk will therefore try to reduce the plate current. It works the opposite if the signal voltage is taking Vgk more negative: less plate current, and a rising Vpk that will try to increase plate current. Vgk and Vpk are pulling in opposite directions, trying to prevent Ip from changing at all, and that is the definition of negative feedback. The effect is largely absent from every other active device, solid state or hollow state. As for the effectiveness of Vpk in controlling the plate current, that's given by dynamic plate resistance (r(p)). The greatly reduced effectiveness of this sort of plate feedback in the high r(p), low current, low Gm triodes (e.g. 12AX7, 6SF5, to a lesser extent, 6SL7) with their high r(p)'s, tends to make these sound like pentodes, which is why some consider them sonically inferior to the lower-u small signal triodes like the 6SN7 or 6FQ7 (nine-pin mini version of the 6SN7). It's not that you can't make the high gain triodes (or pentodes or transistors) sound good, it's just that it doesn't come quite so easily. You'll have to pay more attention to loadline selection, and, with pents, probably have to do some empirical breadboard tweaking of screen voltages and bias points to find out where the low distortion point really is. Also, pents will probably require added attention to stiffening screen voltages and screen bypassing. You may also have to resort to fully or partially active plate loading. |
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#8 |
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diyAudio Member
Join Date: Jun 2004
Location: Oregon
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Hi Jcx,
Sure a triode has internal feedback. The input is not protected from the output. Here's a reprint from 1953: stockman Shows it in terms of classic feedback theory. As far as no feedback goes, internally the input needs to get protected from the output. Hence the term no feedback. A pentode tries to do this, as well as two cascode connected triodes. Mike p.s. I don't understand why some say cathode/emitter degeneration is not feedback. Just ask the question: Can the output influence the input? Then its feedback!! I know I'm preaching to the choir here. Last edited by mfc; 5th March 2011 at 08:09 AM. |
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#9 |
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diyAudio Member
Join Date: May 2007
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Yes, of course a triode has internal feedback. However, as it says in post #4, this is not linear feedback but shaped in a similar way to the grid response. Hence an ideal triode in an ideal circuit can have zero distortion with non-zero voltage gain. There are no ideal triodes or ideal circuits, but it is nice to know that at least in theory it works.
Pentodes (and tetrodes) have very little internal feedback. This is because the whole point of introducing g2 was to prevent this feedback from happening. An ideal pentode would have a 3/2 grid law, and infinite output impedance. External negative feedback, such as the anode follower circuit, can reduce distortion (and add higher order components) but it will only get near zero when the gain gets near zero too. This is because the external feedback is linear, so it can only suppress distortion not cancel it as the triode does. If you define negative feedback as being linear and sampling voltage only then the triode does not use feedback and cathode degeneration is not feedback. This, however, would be a perverse definition of feedback intended to artificially bolster a weak argument. On any normal definition of feedback (sample the output, to affect the input) then triodes and cathode degeneration use feedback. This means that many "zero feedback" circuits work only by adopting a perverse definition of feedback, because some people have an irrational fear of feedback - I suppose we are all afraid of things we don't understand! |
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#10 |
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diyAudio Member
Join Date: Jun 2007
Location: Holt, Norfolk
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I remember this being debated ad nausem on rec.audio.tubes some years ago.
I suggested the following experiment. Wire up a pentode as a triode and measure its stage gain and distortion harmonics at a given frequency and output level. Next wire up the same pentode as a pentode with NFB so that it has the same stage gain. Again measure the distortion harmonics at the same frequency and output level. If a triode truly is a pentode with NFB then the results should be at least very similar i.e. the relative levels of the harmonics should be very similar. In practice they are not. Cheers Ian
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Ian |
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