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Old 22nd August 2010, 04:09 PM   #1
Arnulf is offline Arnulf  Europe
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Default Push-pull PCL84 schematic and a question

There, a PCL84 PP monoblock schematic I've been wanting to try for quite some time now, the schematic somebody posted short while ago utilizing 100V line transformer as OPT reminded me of these plans. This shoud provide up to 3W (without driving tubes above suggested maximum dissipation line) with fairly conservative supply of 160V AC and 200 mV peak to peak input (70 mV RMS). It's supposed to serve as a guitar practice amplifier.

Now my question is: is the input sensitive enough for electric guitar pickups ? I've seen references stating that pickup coils will output anything from 100 mV upwards (I take this is meant as peak to peak value ), however since I don't own a guitar I cannot verify this claim.

I'm going to use a 10W 100V OPT for output in class AB. PCL84/ECL84 tubes are just as cheap to buy as the OPT was so I designed this whole amplifier to be built only with easily affordable parts - aside from power transformer (I recycled it from another project) this thing shouldn't cost me more than 20 EUR ($30 USD) to build, and not more than 40 EUR ($50) with mains transformer(s) included. I also have some salvaged large diameter speakers which will fit perfectly into the box for series 8R load.

I haven't decided on whether I really want to incorporate the UL/pentode switch (I might just pick one option after initial testing and dump the switch).

If supply voltage was increased to 300V, more power (up to 4.5W) could be extracted without grossly violating those pentode sections.

Comments welcome !
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Old 22nd August 2010, 05:39 PM   #2
Cassiel is offline Cassiel  Greenland
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Quote:
Originally Posted by Arnulf View Post

Now my question is: is the input sensitive enough for electric guitar pickups ? I've seen references stating that pickup coils will output anything from 100 mV upwards (I take this is meant as peak to peak value ), however since I don't own a guitar I cannot verify this claim.
No, it isn't. You need another gain stage and if your friend likes to play metal/hard rock it won't be enough either. Maybe a good idea would be to use a pentode.
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Old 22nd August 2010, 06:04 PM   #3
Arnulf is offline Arnulf  Europe
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I see. What kind of input sensitivity should I be aiming for (for maximum output swing) ? Noise will become an issue with insanely high amplification levels

Yes, je plays hard rock (Metallica and the like). He has two guitars (and a bass guitar), but I won't have access to either until this is finished.
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Old 22nd August 2010, 06:22 PM   #4
Cassiel is offline Cassiel  Greenland
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Quote:
Originally Posted by Arnulf View Post
I see. What kind of input sensitivity should I be aiming for (for maximum output swing) ?
Depends on his pickups, whether he uses humbuckers or single coils. 100 mV to stay on the safe side but remember that preamp distortion may be desirable. Guitarists also love tone controls. You better check some schematics out.

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Old 22nd August 2010, 08:38 PM   #5
Arnulf is offline Arnulf  Europe
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Both are humbuckers (double coils), I'm not sure about the bass guitar though.

Am I correct in assuming that humbuckers give twice the output swing of a single coil (due to series connection of both coils) with the additional benefit of common mode noise cancellation that they are mainly used for ?

Hm, short by a factor of 3-4x for plenty of overdrive, this is dissapointing to say the least PCL84 consists of rather high mu triode (65) and a very sensitive pentode so I was hoping to get away with the two tube setup to the max. of their capability. I could cheat up 1.5x more voltage amplification with CCS load on the triode but I really wanted to keep away from sandy devices (except with diodes, of course) and at the same time get away with the ~15V parallel heating since I have the transformer handy from another project (16V, hence the dropping resistor in series with the filaments).

I'll have to think it over once more, I might just add another PCL84 for two additional cascaded gain stages and revert to LTP phase splitter to offset extra gain. Perhaps one section could be used as some sort of effect (tremolo oscillator) instead ?
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Old 22nd August 2010, 08:56 PM   #6
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Hi Arnulf

Is there any special reason to implement D1 and D2? I have never seen diodes in that position before.

erik
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Old 22nd August 2010, 09:10 PM   #7
Arnulf is offline Arnulf  Europe
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Oh, it's just for power-up, diodes are still cheaper than ruined output tubes At power-up voltage at grids of pentodes will rise abruptly, then it will decline when triode cathodes start with emission and triodes begin conducting. Diodes clamp this voltage to 0.7V (in place of almost full B+ on g1), but are reverse biased during normal operating (g1 never gets more positive than -1V in normal operating this this design so there's 1.7V of headroom before diodes would clip) so they are out of circuit and its tiny capacitance is irrelevant in audio band.

You can leave them out as far as circuit is concerned, it will work just as well once everything heats up.
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Old 23rd August 2010, 12:19 PM   #8
Cassiel is offline Cassiel  Greenland
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Quote:
Originally Posted by Arnulf View Post
.

Am I correct in assuming that humbuckers give twice the output swing of a single coil (due to series connection of both coils) with the additional benefit of common mode noise cancellation that they are mainly used for ?
No, the kind of magnet used and number of turns (DC resistance) is what really matters. A hot pickup has a DC resistance of 10K or more. 100 mV pickups have around 6K. Having said that, humbuckers are generally louder but not always. You're right about the common mode noise cancellation.

I've just checked a 2010 Fender schematic and the input sensitivity is 25mV. Two inputs, one using a voltage divider for hot pickups.
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Old 23rd August 2010, 12:26 PM   #9
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Quote:
Originally Posted by Arnulf View Post
Oh, it's just for power-up, diodes are still cheaper than ruined output tubes At power-up voltage at grids of pentodes will rise abruptly, then it will decline when triode cathodes start with emission and triodes begin conducting. Diodes clamp this voltage to 0.7V (in place of almost full B+ on g1), but are reverse biased during normal operating (g1 never gets more positive than -1V in normal operating this this design so there's 1.7V of headroom before diodes would clip) so they are out of circuit and its tiny capacitance is irrelevant in audio band.

You can leave them out as far as circuit is concerned, it will work just as well once everything heats up.
Hi Arnulf

Thanks for the explanation!

Erik
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Old 23rd August 2010, 01:16 PM   #10
Arnulf is offline Arnulf  Europe
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Quote:
Originally Posted by stalker View Post
I've just checked a 2010 Fender schematic and the input sensitivity is 25mV. Two inputs, one using a voltage divider for hot pickups.
Uh-huh, another tube it is then. This throws a big monkey wrench into my neatly planned PCB but there's no other way around it. I'm considering either another PCL84 or PCC88.
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