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#1 |
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diyAudio Member
Join Date: Jan 2003
Location: Singapore
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attached is my schematic. im not good with my calculations. advice needed for my schematic designs and component values. Thank you!
B1+ = 280V B2+ = 800V interstage driving 1st GM70 = 3:1 interstage driving 2nd GM70 = 1:1
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#2 |
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diyAudio Member
Join Date: Oct 2004
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I can't speak to your scheem as I don't know that much, but are you looking for more wpc with the two GM70s? If so, why not PP?
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#3 |
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diyAudio Member
Join Date: Jan 2003
Location: Singapore
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cos i prefer A1 SET
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#4 |
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diyAudio Moderator
Join Date: Nov 2005
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being a 3 stage design, is there any sense in the GM70 driver
GM70 should be easy to drive, thus a 2stage design ought to be possible maybe first stage and its interstage trafo could easily be replaced by a line driver trafo with gain and being SE, the GM70 driver intertage could be coupled for gain as well |
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#5 |
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diyAudio Moderator
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Where people get the idea that the GM70 is particularly easy to drive I'll never know, it's not really - at least if done properly.. I'm not a big fan of the quasi-Sakuma approach and recommend ditching the driver GM70 - I'm not sure what it brings you other than some theoretical distortion canceling. Better I think to make things as linear as possible on a stage by stage basis.
You can use a single stage driver based on such tubes as the D3A (the choice I made in my GM70 project), 7788 or C3G.. Choke, transformer or CCS coupling are all options. The GM70 requires 3A @ 20V for filament heating, not to mention north of 100W plate dissipation in most cases, and I can't imagine using more than one of these per channel in an SE amp. Depending on operating conditions chosen, 20 - 25W is achievable with a single stage driver and the GM70 running in class A1.
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#6 |
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diyAudio Member
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Here you go: how GM-70 tubes were used in Russian amplifiers originally.
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The devil is not so terrible as his mathematical model! Wavebourn: We Create Creativity! |
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#7 | |
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diyAudio Moderator
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Quote:
Now that is what I call really complex.. What sort of power output? It seems designed to deliver very high power. I noticed a phase shift oscillator in there driving a small power amplifier, very odd. Is this a projector amplifier or something similar? Unfortunately not speaking any Russian and the considerable complexity of the schematic make it hard to decipher. There is both a lot of voltage gain, and the driver stages are robust to say the least.
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www.kta-hifi.net Last edited by kevinkr; 23rd August 2010 at 05:13 PM. |
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#8 | ||
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diyAudio Member
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Quote:
Can you imagine a bunch of aluminum bucket horns on poles driven by such an amp? How well would they sound? Output power was 600W. As you may see, GM-70 tubes were driven by 6L6 cathode followers that were driven by 6L6 push-pull stage. Quote:
Usually they were used in a reserve combination, when one was working, while other was fully serviced and ready for the duty.
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The devil is not so terrible as his mathematical model! Wavebourn: We Create Creativity! Last edited by Wavebourn; 23rd August 2010 at 05:13 PM. |
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#9 |
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diyAudio Member
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Here is the picture:
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The devil is not so terrible as his mathematical model! Wavebourn: We Create Creativity! |
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#10 |
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diyAudio Moderator
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Wow!
Certainly explains why the GM70 graphite plate version at least is so ubiquitous and inexpensive. I assume a lot of public venues and soccer stadiums had at least one of these back in the old USSR. Super cool.. I bet those pa horns sounded none to good, and the amplifier is a bit big for anyone other than Dick Burwin to fit into his listening room.. Guess we'll never know..
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www.kta-hifi.net Last edited by kevinkr; 23rd August 2010 at 05:21 PM. |
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