Go Back   Home > Forums > Amplifiers > Tubes / Valves
Home Forums Rules Articles Store Gallery Blogs Register Donations FAQ Calendar Search Today's Posts Mark Forums Read

Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum

diyAudio Sponsor

Search for a tube at thetubestore.com                            Product reviews and more

Audio tubes for any amplifier: from high end home audio to classic guitar amps.

Quick links by tube type: 12AX7, EL34, 6L6, KT66, 6550, KT88, EL84, 12AU7, 12AT7, 6922, 6H30, 300B, 6V6, 6SN7 

Reply
 
Thread Tools Search this Thread
Old 5th March 2010, 06:08 AM   #1
diyAudio Member
 
Join Date: Jun 2009
Location: Berlin
Default What makes the old McIntosh stuff so good?

I've never had the chance to listen to any vintage McIntosh stuff but everyone/everywhere seems to rave about them. I have heard some of their newer stuff and really loved it, but its just WAY out of my price range.

So what makes their old tube stuff so sought after? Other than the fact that I think their stuff is cool looking, is there something special/unique about their designs? Are their any clones/schematics available for the DIYer to recreate "the magic?"

Love to hear your thoughts.
  Reply With Quote
Old 5th March 2010, 06:57 AM   #2
diyAudio Member
 
Join Date: Apr 2003
Location: Portland,Oregon
Blog Entries: 4
Send a message via AIM to DigitalJunkie
I think it's mainly the iron,they used good quality output transformers,usually with Cathode feedback,or a unity gain setup.
  Reply With Quote
Old 5th March 2010, 08:33 AM   #3
SY is offline SY  United States
diyAudio Moderator
 
SY's Avatar
 
Join Date: Oct 2002
Location: Austin, TX
Blog Entries: 1
The circuitry is quite innovative, but the reputation is mostly based on the name and the appearance- sonically, they're nothing special. Norman Crowhurst wrote extensively about the designs; you can find much of this online.
__________________
“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache
  Reply With Quote
Old 5th March 2010, 04:08 PM   #4
diyAudio Member
 
Join Date: Oct 2004
Location: Maui, Hawai'i, USA
I'm with Stuart. It's a very idiosyncratic, very elaborate circuit, with a ton of feedback in two or three nested and partially nested loops. That's what it sounds like; a pentode amp with a lot of gain stages and feedback. 'Transistory' was the first impression I had.

Beautifully built, well engineered (except from an elegance standpoint) and have the very great advantage for a tube circuit of being self biasing, self adjusting, and pretty much immune to variances in the tubes. You can change from the finest Mullard EL34s to unmatched Soviet wafer-based 5881s, and the amp sounds the same.

That's my experience with two examples of the MC240 (EL34 stereo) that I repaired. They're good amps, but undeserving of their iconic status, IMNSHO.

Aloha,

Poinz
AudioTropic

Last edited by Poindexter; 5th March 2010 at 04:11 PM.
  Reply With Quote
Old 5th March 2010, 04:27 PM   #5
diyAudio Member
 
Wavebourn's Avatar
 
Join Date: Sep 2006
Location: Pleasant Hill, CA
Send a message via Skype™ to Wavebourn
They made a good name investing in solid design and good looking when the rest tried to cut costs.
__________________
The devil is not so terrible as his mathematical model!
Wavebourn: We Create Creativity!
  Reply With Quote
Old 5th March 2010, 05:22 PM   #6
diyAudio Member
 
indianajo's Avatar
 
Join Date: Jan 2010
Location: Jeffersonville, Indiana USA
Default mcintosh chrome

Best chrome plate in the industry. The tube amps had 3 lb (est.) output transformers, 3 times the size of a Dynaco ST70. In a world where bass sells iron, before transistors, McIntosh was the best I ever heard. In a world after transistors, I doubt if a tube Mac ever blew up a $500 speaker. It would take a vast lightening bolt to get through all that iron. I've always spent 3-5 times the amp cost on my speakers, and I'm a bit sensitive about blowing the speaker. I'm sitting here today, watching my transistor ST120 throw welding sparks from the ring the R27 resistor is soldered to, to the 6-32 nut clamping it down to the output transistor collector. (Infinity ohms). And most of the other transistor amps connect this point directly to the speaker?
__________________
Dynakit ST70, ST120, PAS2,Hammond H182(2 ea),H112,A100,10-82TC,Peavey CS800S,SP2-XT's, T-300 HF Projs, Steinway console, Herald RA88a mixer, Wurlitzer 4500

Last edited by indianajo; 5th March 2010 at 05:32 PM. Reason: condemn transistor outputs.
  Reply With Quote
Old 5th March 2010, 06:18 PM   #7
TheGimp is offline TheGimp  United States
diyAudio Member
 
TheGimp's Avatar
 
Join Date: Aug 2009
Location: Johnson City, TN
Klipsch specified to fuse the speaker wires at the speaker. I've always done so.
  Reply With Quote
Old 5th March 2010, 07:09 PM   #8
tvrgeek is offline tvrgeek  United States
diyAudio Member
 
Join Date: Dec 2009
Location: Md
Iron and reliability. I too have always considered Mac products to be average sonically.
I would not say you are just paying for status, as their quality and reliability is what you pay for. THere is actual value in that.
When looking for "tube sound" I liked CJ better.
  Reply With Quote
Old 5th March 2010, 07:44 PM   #9
diyAudio Member
 
indianajo's Avatar
 
Join Date: Jan 2010
Location: Jeffersonville, Indiana USA
Default fuse protection

Fuses have a voltage stop rating. 1/4x1-1/4" fuses are rated either 32 vdc, or 250 VAC. Above that rating the plasma of the fuse lets the arc continue across. Fuses will not stop a lightning bolt. A shorted heavy power transformer might. We get a lot of lightning here in the middle, a strike took out the bus on my Windows 98 computer from the phone line. One hit my ST120, something exploded the neon tube, but no other damage. I know about the MOS device you can install in your electrical box. If you don't check it every day, you don't know it is ruined and unable to stop the next one.
Factories here in the middle use a 10 lb. SOLA transformer on expensive computer controlled production equipment. Keeps the weighers running.
__________________
Dynakit ST70, ST120, PAS2,Hammond H182(2 ea),H112,A100,10-82TC,Peavey CS800S,SP2-XT's, T-300 HF Projs, Steinway console, Herald RA88a mixer, Wurlitzer 4500
  Reply With Quote
Old 5th March 2010, 08:04 PM   #10
diyAudio Member
 
cowboy99's Avatar
 
Join Date: Dec 2008
Location: Texas Hill Country, SSW of Austin
Picture is worth.........

Check out this wonder site for schematics etc
Berner's McIntosh Site
Charles
Attached Images
File Type: jpg MC60-Pair.jpg (45.4 KB, 1402 views)
__________________
I'm kinda curious about that myself........
  Reply With Quote

Reply


Hide this!Advertise here!

Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
What makes the good guitar pickup sound so good? darkfenriz Instruments and Amps 15 1st March 2009 11:46 PM
what makes a good 6by9 lilduff88 Car Audio 7 10th November 2004 02:38 AM
What makes a good driver pipo Multi-Way 1 15th September 2001 10:42 PM


New To Site? Need Help?

All times are GMT. The time now is 05:44 AM.

Page generated in 0.10576 seconds (79.67% PHP - 20.33% MySQL) with 11 queries

Copyright ©1999-2012 diyAudio