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#1 |
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diyAudio Member
Join Date: Feb 2010
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Hi guys, I m new to tubes
i ll have loads of questions, and I m still reading a lot. But basically I plan to do a stereo tube amp in a single chassis based on the Class A Ultra Linear (UL) 12SL7 SRPP / KT88 SIPP Tube Amp in diyaudio projects. with KT88 and 5751 tubes. I have questions about the transfos, I think the 1605P from hammond should be ok for each channel but what about the output transfo? Is it some kind of 1650PP at 210 euros?!? Now, and i know this is not the main question, anyway it s another necessary condition for me to go on with it, i plan to do a couple of mods, but i don t know if they are possible: i ll do one chassis, for a single stereo (two of those blocks) system. if i do 2 mono amps, and join their signals in an operational amp in addition mode, i would be able to have stereo, mono, left or right sound, am i stupid? I plan to use an old amp chassis. Big, cute, nice pots and switches. Can I easily connect its headphone jack to the circuitry? How can I add inputs to the schematics? (i don t think this is that hard) How can I add 4 and 8 ohms for the speakers? (i have def no clue here) My old amp is 2x60W and has nice vu meters. Can I plug them easily to the schematics? Where? I know I need to learn basics, but as I d like to do that greatly I must ask if these things are at one's reach. Is it just plugging? The Power switch has a LED on it. Is that complicated to make it work? There s also a function "switch" (tuner, phono, tape): can I integrate it in those schematics? Would anyone have some example of such a union? I won t need any of the other wheels, so I ll just let them there without connecting them. If you have nice schematics it could be cool. Many thanks and sorry for the messy character of this post! Regards, I. |
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#2 | ||||||
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diyAudio Member
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I'm currently putting the finishing touches on my UL PP KT88 Amp and have to tell you: By now I would already do a great many things differently. If I were you, I would try building this. Interstage transformers may seem expensive, but you save coupling caps, tubes and other parts + there is less to do wrong + I think they are excellent phase splitters. Quote:
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If you need 4 and 8 Ohm outputs, you have to choose an OPT with those outputs. After that it's as simple as connecting them to jacks. Quote:
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Getting LED to run is not that hard, just look under "LED" in wikipedia, the basics are all there. If you have a source selector, thats a good thing. Just figure out where the output is and you can use it as-is. |
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#3 |
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diyAudio Member
Join Date: Feb 2010
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Thanks!!
I m in Barcelona, Spain I ll hav a closer look at what you suggest; right now i m concerned of the reusable or not chassis: i can just unplug the function switch and provided i plug where it should be plugged, i can just use it as it is? that s good news isn t it? As for the security concerns, i ve read so far the 11 first pages of the sticky post and i m still reading! wow i know it is dangerous A friend of mine, experienced with such devices (he built a couple, that s enough for me), and both having read the warnings list, I think it could be the minimum necessary things to do... You suggested me another scheme, why? Why is there a concern with SRPP? Can t i just get rid of it then? Thanks again! |
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#4 |
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diyAudio Member
Join Date: Feb 2010
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The scheme you suggested, did you try it?
Actually, i d like a PP UL class A with KT88 tube amp. Then for the extras, i d like 4 inputs, 0-4-8 ohms, headphone jack, power led and vu meters usable, and the Mono left, Mono Right, Stereophonic modes available too. (N.B.: The speaker i m planning to get are the supravox 215 RTF 64 BIC or 215 signature Bic, in TQWT boxes, respectively 96 or 93 dB.) Cause I listened to such an amp, and enjoyed a lot. So if I keep the scheme similar (no access to the scheme, sadly), i would have same sound... If possible, i read that nowadays we can do SE benefits in PP operation mode, without having SE disadantages. I don t know how one can perform this. I d be glad I had such schematics in my hand for the amp i d like to have. Does anyone have such a scheme? When you refer to transfos as the bottleneck, .. i ve seen a lot of designs identical, so... are you saying this way is not good? btw, what OPT stands for? (operational amp?)? |
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#5 | ||
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diyAudio Member
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Spain is Europe, that's good. We have some very good transformer makers here.
You might want to look at AE Europe, Tribute, Lundahl (e.g. here), Amplimo and IG Präzisions-Wickeltechnik. Regarding SRPP, I just quote from frihu.com (translation included): Quote:
I would tell you to stick with a working schematic without bells and whistles. And since it seems to be your first project, you might want to look for simplicity. Not always is 'more complicated = more better', sometimes you find the best results in pure, simple things. The schematics always look far more easy then the wires in real life Quote:
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#6 |
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diyAudio Member
Join Date: Feb 2010
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i ve been reading a bit more.
it s been SO helpful The howtos in this web are really cool. I hae a doubt on the layout of the 2 mono layouts in a single stereo chassis: how can i join them together in terms of power supply (2 plugs?). Will I have the space in a 42x35x15 chassis? What I asked was for the input selector pot: the old amp already has one. But only 3 inputs. I plan 4 inputs. Maybe 5. I figured out roughly where those inputs ought to be, as well as the 0 4 8 ohms speakers imped. The thing I am concerned also is about the physical position of inputs: must be far away from power. In a dual monoblocks config, I m afraid that distance won t be that big. Isn t it easier to have one main power input? How can I do this? OPT = output transformer. The 5751 are the rectifier ones from the driver stage? Am I wrong? |
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#7 | |||
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diyAudio Member
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2. If the input selector works - take it. If it has to few positions - dont take it. I would rather settle for one input less than to fit a new input selector in it. It is expensive and takes time and metal work skill. 3. Yes, you should always try to keep away the signal path from the power supply, more acuratly electromagnetic fields produced by the power transformer and every wire that carries AC. This 'keeping away' can be done by isolating the two things with a sheet of iron connected to ground or by distance, since the intensity of an electromagnetic wave decreases with r². Quote:
If you have help building the amp, you'll propably be fine. But you might realy want to learn a little more. Try reading the pages of Boozhound and Valve Wizard. You should know how the basic stuff works and most importantly get your grounding right. Otherwise you'll end up with an expensive hum generator. I want to strongly advise you once again not to build that OddWatt Project. You are better of not using an SRPP and not trying to build something too complicated. |
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#8 |
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diyAudio Member
Join Date: Feb 2010
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great!
TFYH! I understood the mono blocks had 2 separate PSU and what i thought was that a stereo one is basically 2 monoblocks in the same chassis sharing the same power unit. If I ask it is because my aim is just to try to insert a Mono / stereo / mono left / mono right switch and i don t know exactly how to do this. As for reading: you re absolutely right. Yes I do need to read more, and I m on it. And yes I want to learn more. I read those pages, they re on my computer now, it s really pedagogic. I am still at the beginning... About the rectifier: ok. It s not properly exxplained how it rectifies, that s hy. Sin wave -> abs(sin) is done by the rectifier. Ok; these can be tube or solide devices. Then the CRC or CLC (Pi thing) is there to make the signal as flat as possible (i don t have the terms): the camel back done by the rectifier is not good enough, we d like something DC perfect. So CLC. Well, i still have NO schematics. The one you suggested me, did you try it? Or is it just the one you think would be perfect? I m still studying a lot the way things work. I have to read a lot. About the chassis: the input selector switch has 3 positions. It s supposed to work. Is it THAT hard to put another switch? I mean: the hole is done, the knob is there, shouldn t it be fine to put another switch whose diameter is compatible with the knob? Too hard? (Then I would follo your advice) The pics: i have something in my mind, but that is not mine yet. I d rather keep discrete until it is, so please forgive me not putting right no the pics. You would go for a tube rectifier? And for the transfos? I need one output transfo (hammond or another) per channel, and I also need the "main" one, the one that gives the power. This one is not clear in its characteristics, cause i haven t found yet any schematics of a ultra linear class A stereo kt88 push pull. Night and thanks! I began this. When my mind is set, full and ready, I ll gather parts. Then I ll see my friend. This is going to be long... Please be patient... |
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#9 |
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diyAudio Member
Join Date: Feb 2010
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sorry you must become crazy:
I meant Yes i d like to share the power supply between the 2 "blocks", but with 1/ possibility to choose the stereophonic /mono mode, and 2/ i have no idea of which transformer use here (and i knew monoblock meant 2 chassis; but i used that term even if then i was thinking on stereo= 2 mono blocks on same chassis) Again, sorry: the tube is not the rectifier, the tube is the DRIVER. (what does rectification then? this absolute value? it s not said in the how to page) Night! |
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#10 | |||||||
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diyAudio Member
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So I drew up the basic way to do this with a 2-position 3-way switch: ![]() In position 1 of the switch you get standard stereo operation, in position 2 only the upper input is used and the outputs are bridged together on the upper speaker. Quote:
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![]() The upper circuit is only the amplification unit. Power is only inserted at two points: The center tap of the OPT and the primary of the interstage transformer. This inserted voltage is generated and filtered in the lower circuit, the PSU. In this case, the power transformer generates 230V which are then rectified by a bridge rectifier consisting of four diodes. What that does is basicly inverting one of the half waves into positive, so that you have a pulsed DC. To smooth that out, you have a LCL filter for the output stage and another RC-filter for the input. In the end you have a more or less smoothe DC to run your amp with. Yes, I definitly would. This is a matter of disagreement though within the tube fan community. Personaly I like tube rectifiers and will always use them. Quote:
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![]() I can't account for the PSU to be perfect though. Quote:
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Last edited by Herr Grau; 28th February 2010 at 11:42 AM. |
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