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#1 |
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diyAudio Member
Join Date: Jun 2008
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Hello,
since i finished my pass F5 Monos, i need something to drive them properly, i decided to go with the Conrad Johnsons PV-5, since it has enough gain and a phono stage. It will be my first tube project, but i have an oldtimer at hand who will support me, he is building tube amps for over twenty years so i guess I can try a Preamp with Phono Stage. I have some minor questions on this circuit: 1. What are the transformer secondary voltages / Ampere Ratings? 2. Which of the powersupply transistors (Q1, Q2, Q3) should be heatsinked? 3. What voltage should the regulated power supply have? 4. Where to get 1% Caps for the RIAA Network? Digikey seems to have none left and my Fluke 29 isnt the most accurate in measuring capacity. I have attached the schematic at the end. Thanks for your help
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No lady likes to dish or dine with an unshaved porcupine |
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#2 | ||
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Quote:
Quote:
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Eli D. |
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#3 | |
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diyAudio Member
Join Date: Jun 2008
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Quote:
2 problems solved, two remain : The Transformer voltages, I guess one secondary is 12.6V and the current needed can be calculated quick and easy by summing up the heater currents, but i am searching for 3 days now to get the other secondary and voltage for the plate. I even searched old triad transformer catalogues since the part number is given in the parts list but with no success. Can anyone else help me out? Thanks for your help
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#4 |
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diyAudio Member
Join Date: Jun 2008
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Well i tried to model the power supply in Microcap to see whats the output voltage of the PSU but i failed, i dont know how to connect the sinus voltage source to the rectifier diodes, and implementing a trafo instead of a sinus source ... no way that i get this done right
I also simulated the phono section of the PV-5 just to see that its like 1db off minimun. Either the tube models are not right or the whole parts list for the preamp is screwed up. Its nearly 2 o clock in the morning, i spent the last 3 days and nights simulating and researching on this circuit and things just get worse and worse. I think i reached the point where DIY is not fun anymore ![]() But i came up with a better schematic for the phono section, since the original copy is nearly unreadable.
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No lady likes to dish or dine with an unshaved porcupine Last edited by Razorblade; 6th February 2010 at 11:45 PM. |
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#5 | |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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RB, IMO, CJ's design is overly complicated. Also, it uses the out of favor active equalization method. For overload handling and other good reasons, passive EQ is in vogue. I've uploaded a schematic for a tweaked version of the "classic" RCA design that works very well with many MM level cartridges. An important point you have yet to cover is the sensitivity of your power amps. What sort of drive voltage at the I/P causes full power O/P to be produced? It's quite possible that you don't need any gain whatsoever in the line stage.
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Eli D. |
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#6 |
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diyAudio Member
Join Date: Jun 2008
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Thanks for cheering me up
The F5s need about 6V-7V input for full output swing, so i need a total gain of roughly 65dB from the preamp including , 40dB from the phono stage, another 25db from the line stage, I just listen to vinyl so the line stage is only needed to amplify the phono section, no high level sources here. I know passive EQ is hip at the moment... but ... well there are many good sounding active EQ circuits out there too. I just obtained the schematics of the premier 3, including all node voltages, might give it a try, but it think ill have to get some sleep first and think this over again. I might just get a pearl two and use a single opamp as linestage... naaah, i dont want that, i'd really like to give tubes a chance for my next project, choices choices choices and i just dont know which way to go. I need : 65db-70db gain, MM compatibility, Riaa Accuracy +/- 0.2dB, proven design with easy to source parts, pre and linestage using the same power supply and a knob to control the volume and low distorsion (below 0.1 or better) since my speakers are not really effective (89dB) and output should be phase correct and contain absolutely no DC since F5s are direct coupled. But for now, its bedtime
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No lady likes to dish or dine with an unshaved porcupine Last edited by Razorblade; 7th February 2010 at 02:08 AM. |
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#7 |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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RB,
The tweaked RCA circuit yields approx. 45 dB. of gain. You can easily get the remaining 20 dB. from a resistively loaded common cathode ECC99 section. What's the I/P impedance of a F5?
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Eli D. |
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#8 | ||
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diyAudio Member
Join Date: Jun 2008
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Quote:
Do you have a link to some example schematics for the ECC99, this could mean i can get a fully functional preamp with just 3-4 tubes, if the output phase is correct and not inverted, i am in. BTW, is it neccesary to keep the Phono tubes shielded or can they be put on top of the case to shine in all their beauty (PS will be in an external shielded case)? Sorry for all these simple questions, i am still learning a lot and am happy that i finally understood the basic principles of amplification and just recently got my first scope and function generator. Quote:
P.S: Just found this simple linestage with the ECC99, but no gain is mentioned
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No lady likes to dish or dine with an unshaved porcupine Last edited by Razorblade; 7th February 2010 at 03:15 AM. |
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#9 | ||
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Eli D. |
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#10 |
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diyAudio Member
Join Date: Jun 2008
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But isnt the Mosfet of the MM Pre a source follower and inverts the signal, this is fed to the first half of the ECC99 which is non inverting and the last ECC99 is a cathode follower which inverts the already inverted signal and in the end i have a nice noninverted signal.
I dont mind to have inverting and noninverting stages mixed as long as its noninverted in the end. Thanks for your help Eli. Things are slowly clearing up.
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