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#1 |
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diyAudio Member
Join Date: Nov 2008
Location: Israel
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What are the benefits and/or drawbacks of cascoding tubes, versus conventional common cathode topology, like in the attached schematics?
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#2 |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Joshua,
You can view a cascode as a "synthetic" pentode. Like a pentode it offers greatly reduced Miller capacitance and large single stage gain. It too has a very high O/P impedance. Unlike a pentode, cascoded triodes don't introduce partition noise. The PSRR of cascodes is WRETCHED, which makes regulated B+ a must. Cascodes that function well employ triode's with high gm, at the bottom of the stack. Gain in cascodes is roughly = (gmLower Device) (net ZL). BTW, the example you provided is a SRPP, not a cascode. Both arrangements are examples of "Totem Poles".
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Eli D. Last edited by Eli Duttman; 21st November 2009 at 05:13 PM. Reason: Added SRPP comment. |
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#3 |
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diyAudio Moderator
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That is not a cascode... it is an SRPP variation.
![]() http://www.freewebs.com/valvewizard/index.html Cascode gives high gain, and wide bandwidth as the arrangement negates the Miller effect. Downside is very low PSRR. dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#4 | |
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diyAudio Moderator
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Quote:
If you take the output from the lower triode's plate it is analogous to a common cathode triode amplifier stage with a CCS plate load. Take the output from the upper tube cathode as shown and depending on load impedance it is arguably a PP output stage. SRPP offer their best distortion performance into a specific load resistance based on tube choice and operating current. Types realized with high mu triodes generally have rather high source impedances and do not realize either the gain or low output impedance of a common cathode triode amplifier stage driving a CF. Medium mu tubes like the 6SN7 seem to work well and provide good performance in SRPP configuration. (In some of my older designs I used them to drive 300B output tubes and on 400V rails they can swing more than 200Vpp with good linearity.) Cascode stages take their output from the upper plate and generally have a fixed (and well decoupled) bias voltage applied to the grid of the upper tube. Transfer function is pentode like, and gains are comparable. The cascode unlike a true pentode does not have partition noise and may have a significant advantage in noise performance. Note that the effective rp of the upper triode is quite high and large plate resistor values are required to get good gain. The noise advantage lead to their widespread application in the front ends of tube FM tuners. (Fisher Golden Cascode and the Scott front ends are fine examples of this.) See Planet10 post for cascode connection.
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www.kta-hifi.net Last edited by kevinkr; 21st November 2009 at 05:23 PM. |
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#5 |
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diyAudio Member
Join Date: Nov 2008
Location: Israel
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Thanks all.
So, what are the benefits and/or drawbacks of SRPP? |
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#6 |
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diyAudio Member
Join Date: Mar 2007
Location: Auckland, NZ
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go to the link that planet10 gave. Good quick explanations of all the standard topologies are there
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Yes, conservatism thrives on low intelligence and poor information. But the liberals in politics... continue to back off, yielding to the supremacy of the stupid. It's turkeys all the way down. - George Monbiot, guardian.co.uk, 6 Feb 2012 |
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#7 |
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diyAudio Member
Join Date: Nov 2008
Location: Israel
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Thanks.
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#8 |
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diyAudio Member
Join Date: Apr 2008
Location: Carlisle, England
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The SRPP gives a good clean signal and less distortion than a standard stage.
If your looking for valve type distortion such as for a guitar amp then I would steer clear of the SRPP.
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http://www.murtonpikesystems.co.uk PCBCAD40 pcb design software. |
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#9 |
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diyAudio Member
Join Date: Nov 2008
Location: Israel
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Thanks.
I'm looking for the most neutral and natural sound possible. It looks like SRPP is a good choice to experiment. |
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#10 | |
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diyAudio Moderator
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Quote:
Something else to note with the SRPP when implemented with tubes like the 12AX7A the source (output) impedance of the stage will be typically an order of magnitude higher than a simple common cathode resistively coupled to a CF. (Figure 10K vs 1K and you will be in the ball park for an Ip of 800uA - 1mA) This discovery came at my expense with an inexpensive, but nice sounding phono pre I designed that could not drive any boutique audio cables because of the excessive capacitance and high source Z - it was not picked up by a prospective distributor for this reason, and that may have contributed in a very small way to the eventual failure of my business. While I am no longer a major fan of the mu-follower, and actually prefer the SRPP - in terms of linearity the mu follower will usually outperform the SRPP by at least 6 - 10dB depending on tube chosen into an appropriate load and offers a gain that ~ = mu whereas the SRPP does not. This is important in places like the front end of a phono pre-amplifier where the higher gain often results in an improved noise floor for the entire pre-amp as less gain is required in the next stage and other downstream noise sources become less significant due to the higher signal levels.. I've used the SRPP a lot and prefer it to the common cathode driving a CF for reasons that I seriously doubt would bear close technical scrutiny. Something about simplified signal path, fewer parts, eh.. ![]() I.e. I admit to having an irrational prejudice in favoring SRPP over some other topologies..![]() Edit: Actually in the light of the above comments I will amend it to say I favor SRPP with low to moderate mu tubes with low rps and higher transconductances. IT drive is where I am headed at higher currents. Nigel is right though that there is no application in a guitar amplifier that would particularly suit an SRPP.
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www.kta-hifi.net Last edited by kevinkr; 21st November 2009 at 11:27 PM. |
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