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#1 |
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diyAudio Member
Join Date: May 2009
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I'm working on the steve bench phono pre circuit and am trying to figure out sourcing for the riaa network caps. The values to go for according to salas are 6500pf (1800||4700) and 11400 pf (1000||2200||8200). What I'm wondering is, how tight do the tolerances need to be for these. I found them on mouser.com in silver mica 1% (except the 8200pf which is non-stocked - 2% is in stock). However, it would be over 50 bucks just for those caps, so I'm wondering if I can go wider on the tolerance and/or find a better deal elsewhere.
Ben |
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#2 |
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diyAudio Member
Join Date: Apr 2006
Location: Minnesota
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I'm not an expert on this, but I think it is OK to go with +/- 20% parts. They should be a lot less expensive.
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#3 |
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diyAudio Moderator
Join Date: Jan 2003
Location: Near London. UK
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For RIAA you need the closest tolerance parts you can get. RIAA is incredibly sensitive to errors because you are trying to cancel out one steep curve with another to get a flat response. 2% tolerance is not good enough. Try looking for polystyrene instead of silvered mica.
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The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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#4 |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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Might be cheaper to invest in a good LC/LCR meter and get a bunch of high-tolerance caps.
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Building a 2.1 system out of a 3/4"x4'x8' sheet |
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#5 |
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diyAudio Member
Join Date: Sep 2004
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IMO, 2% is just fine.
I have measured tubes drifting spec. over their lifetime more than that, making any cap tighter than 2%, moot. Now a SS RIAA, yeah, go with 0.5% or whatever you can afford. Cheers! |
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#6 | |
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diyAudio Member
Join Date: May 2009
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Quote:
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#7 | |
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diyAudio Member
Join Date: May 2009
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Quote:
Where do you suggest looking for these? Searching mouser, allied, and digikey failed to yield anything in 1% tolerance at the voltage spec I need. |
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#8 |
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diyAudio Member
Join Date: Sep 2002
Location: VA
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As someone else mentioned get a LC/LCR meter and hand pick your own. I feel its as if not more important for the caps and resistors in each channel to match each other so you don't notice a difference in tonal balance between channels. ie; if one cap is at one end of its 10% tolerance in one channel and the same cap in the other channel is at the other end of its 10% tolerance you will likely hear it..
Dave |
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#9 |
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diyAudio Moderator
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There's two schools of thought on RIAA accuracy. One is, "make each channel be as tight to RIAA as possible." The latter is, "absolutel conformance is nice but channel-to-channel matching is most important." My own views tilt toward the latter. I want each side matched to better than 0.1dB.
You can use an LCR meter, but a better way (considering tube and stray tolerances) is an inverse network (same network used in both channels' measurements) fed from a very flat generator or flat input and accurate AC voltmeter measurement of the output. Undersize the caps a bit, then trim to spec with smaller caps.
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"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
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#10 | |
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diyAudio Member
Join Date: Sep 2004
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Hi,
Quote:
Cheers! |
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