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Please comment my F2a SE schematic

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Hi

I have been thinking about building a single ended triode amplifier with F2a output tubes, using ECC40 as the preamp tube and EL95 as a cathode follower as the driver. So, I'd ask what you think about the following schematic:

An externally hosted image should be here but it was not working when we last tested it.


I needed voltage amplification of about 60 to the grid of the F2a, so I needed to use both sections of the ECC40. F2a's input capacitance is quite high at 20kHz thanks to the Miller effect, about 150pF so I thought it would be better to use a cathode follower to drive the tube. To reduce the significance of the input capacitance of the second section of the ECC40, ECC40a's anode resistance is only 22k. I divided it to two parts, because otherwise I would have got around 160 voltage amplification which is a bit much. The output transformer will be a 10W Edcor GXSE 2.5k->6 ohms treansformer, which will appear as a 3.3k load to the tube when a 8 ohm speaker is used.

The current of ECC40a is around 3.8mA, and ECC40b around 1.4mA and EL95's current is about 10mA.

And here's the load line of the F2a, I0 and Vb is 80mA and 375V, max power should be about 5.1W at 2.7% second harmonic distortion:

An externally hosted image should be here but it was not working when we last tested it.
 
I wouldn't insist on using ecc40 because, as you illustrate, it forces you to insert three stages before the finals which is really a bad idea. I'ld start from scratch, look at the requirements a single stage should have to drive the f2a's, and proceed from there. As a side note, why use such high coupling cap values (even presuming you mean 0,47µ)?

Good luck,

Simon
 
Given the Euro theme, a single C3g (pentode or triode mode) would do the job admirably. Since Vk-g1 for the F2a is only around 14v, a C3m would also work well.

Also, you have shown a 22uF cap in series with a 220uF cap on the F2a cathode. I am not really sure what you are trying to achieve here: a single 220uF would probably be more appropriate.
 
Klimon said:
I wouldn't insist on using ecc40 because, as you illustrate, it forces you to insert three stages before the finals which is really a bad idea. I'ld start from scratch, look at the requirements a single stage should have to drive the f2a's, and proceed from there. As a side note, why use such high coupling cap values (even presuming you mean 0,47µ)?

Good luck,

Simon

Well, I would need amplification of about 60 and output impedance of no more than 20k. I'm not sure if there is such a tube, at least I haven't found one. Of course, I could use a 1:4 signal matching transformer at input to reduce the need for gain..

Oh, and the 47uF capacitors are probably a bit large, but it shouldn't cause any problems. 4.7uF should probably be fine (impedance @20Hz -j1.7k) but .47uF is probably too small (impedance @20Hz -j17k) On the other hand, it's true that the input impedance of a tube is very large at low frequencies, so 0.47uF should be fine, too.


mach1 said:
Given the Euro theme, a single C3g (pentode or triode mode) would do the job admirably. Since Vk-g1 for the F2a is only around 14v, a C3m would also work well.

Also, you have shown a 22uF cap in series with a 220uF cap on the F2a cathode. I am not really sure what you are trying to achieve here: a single 220uF would probably be more appropriate.

Well, line level audio signal is about 0.5Vpp, and F2a needs 28Vpp at its grid.. so I need about 60 amplification and C3g's aplification factor is only 40..

that 22uF 'cap' is a 22ohm resistor. :) Anyway, its point is to improve linearity without sacrificing too much gain..
 
it shouldn't cause any problems.

Depends whether you consider lousy sound a problem ;)

Well, line level audio signal is about 0.5Vpp, and F2a needs 28Vpp at its grid.. so I need about 60 amplification and C3g's aplification factor is only 40..

6GK5 for one has µ>60 and Rp<<20K http://www.mif.pg.gda.pl/homepages/frank/sheets/135/6/6GK5.pdf ; then there are the usual "high transconductance - low Rp" triodes or -strappeds like 5842, 6c45, d3a, e180f/e280f, 8233 etc. would comply with ccs or choke load. C3g as pentode (and amongst other pentodes) would work also, e.g. at screen at 100v / 8k load / bias 200v; 13mA; grid -0,75V. I think those f2a's will reward you if driven well.

Simon
 
Hello Joku,

I would use the C3m in pentode mode. Operating point as in the datasheet specified. With RL=12K and Av=gm x RL you would have a gain of about 72. Unfortunatley, you would need a higher B+ for the C3m. You could either use a second supply or why not use a anode choke parallel to the RL? At least that´s what I´ve planned until I decided to use the F2a in tetrode mode.

Kind regards,
Martin
 
Klimon said:


Depends whether you consider lousy sound a problem ;)


Why a big coupling capacitor would cause lousy sound? Isn't this a case of bigger is better? :)



Klimon said:
6GK5 for one has µ>60 and Rp<<20K http://www.mif.pg.gda.pl/homepages/frank/sheets/135/6/6GK5.pdf ; then there are the usual "high transconductance - low Rp" triodes or -strappeds like 5842, 6c45, d3a, e180f/e280f, 8233 etc. would comply with ccs or choke load. C3g as pentode (and amongst other pentodes) would work also, e.g. at screen at 100v / 8k load / bias 200v; 13mA; grid -0,75V. I think those f2a's will reward you if driven well.

Simon

I'll have to see if I have access to any of those tubes (I can use a rather large set of tubes for free for this project)..

MartinR said:
Hello Joku,

I would use the C3m in pentode mode. Operating point as in the datasheet specified. With RL=12K and Av=gm x RL you would have a gain of about 72. Unfortunatley, you would need a higher B+ for the C3m. You could either use a second supply or why not use a anode choke parallel to the RL? At least that´s what I´ve planned until I decided to use the F2a in tetrode mode.

Kind regards,
Martin

Btw, wouln't it be a bad idea to use a pentode in a tetrode amplifier? I mean, pentodes have more distortion and all..
:confused:
 
Anyway, I got the idea to use the ECC40 as it seems to be very linear, at least according to this page:

http://www.geocities.com/la1zka/hifi/distortion.html

But it would be still better to use a single pentode rather than ECC40s and a cathode follower?

On the other hand, I could use a 1:2 matching transformer at the input (I'll probably have to use a matching transformer at input anyway to ensure that there is no galvanic connection to the ground), and then a single ECC40 or CV2543 and a cathode follower?
 
Seems a little odd to me .

Indeed.

Isn't this a case of bigger is better?

Absolutely not. Use the formula and design for 1 to 10hz -3db. For a 470R grid leak resistor that translates into 0,1µF.

I got the idea to use the ECC40 as it seems to be very linear, at least according to this page:

Agreed, it IS a great sounding tube (I'm using it in front of the notoriously easy to drive el84), but would you use a Ferrari to take part in Paris-Dakar?

I mean, pentodes have more distortion and all..

Take a look at the RH-style amps http://www.tubeaudio.8m.com/; pentode operation with partial feedback should give you near triode distortion + higher output and damping factor. I'ld also be inclined to use the f2a in that mode.

Simon
 
Take a look at the RH-style amps http://www.tubeaudio.8m.com/; pentode operation with partial feedback should give you near triode distortion + higher output and damping factor. I'ld also be inclined to use the f2a in that mode.

The RH way of using feedback is not so clever as it introduces very high driver-distortion due to the output-tube gets a Zin of a one-two kohms. Stay away from that concept if wanting to build a highend SE.
If wanting to use inverse feedback it should be done according to what Schade suggested. This way it puts less stress on the driver that still needs to be potent. As said above F2a is a very good candidate for this due to its high sensitivity.
 
The RH way of using feedback is not so clever as it introduces very high driver-distortion due to the output-tube gets a Zin of a one-two kohms. Stay away from that concept if wanting to build a highend SE.

The flood of positive reviews strongly suggests the contrary - I have yet to finish my version to confirm this. I do hope it will be highend :eek:

Simon
 
The flood of positive reviews strongly suggests the contrary - I have yet to finish my version to confirm this. I do hope it will be highend

Hi Klimon,
I am sure the RH has a nice wooly coloring that makes it easy to like in a medium quality systems. And who wants to diss an amp they have built themselves? A RH built with a lowinductance OPT as recommended has resticted lowend response with a "loudness bump" in the area below 100Hz. Using the 12AT7 gives you a THD of ca 10% with lots of 3rd order harmonics that then is partly hidden in the distortion-cancellation that occurs in all two-stage amps. Still it is technically questionable and imperfecfect! The "partial feedback" technique works with a potent current source( ie pentode), but not at all well with a "wannabe currentsource" like an unlinear triode with unbypassed cathode resistor. Check out the Schade84-thread!

Hi Joku,

The soundcard in a laptop is normally not good enough for hifi. Still if you want to use it, why not build a simple buffer amp with a ECC40?

You can then build a twostage SE with your beutiful F2a to be used with sources having "normal" output levels. Go for something like 6C45, trioded E280F or some of the other good tubes recommended above. You can even get away with the nice 6DJ8/E88CC. But stay away from the, for some unknown reason hyped, 12AT7......
 
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