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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#1 |
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diyAudio Member
Join Date: Jul 2008
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Hello to all
I would have to choose between some valves for a phase splitter (For directly drive a couple of EL84 or EL34) In Long Tail Pair it is better a hi mu or a low mu triode ? 12AT7 (Plate 250 V, 10mA) u = 60 Ri = 10k Ω gm = 5.5 mMho 12AU7 (Plate 250 V, 10.5mA) u = 17 Ri = 7.7K Ω gm = 2.2 µMho 12AX7 (Plate 250 V, 1.2mA) u = 100 Ri = 62.5K Ω gm = 1.6 µMho Perhaps it would be better a low mu and low plate resistance as 12AU7 ? Thanks. |
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#2 |
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diyAudio Member
Join Date: Mar 2004
Location: Shilton
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Simple answer, none of the above.
The challenge of phase splitting is the variation of output impedance between anode and cathode produces all sorts of drive/slew related harmonics, pushing distortion up. Much better (Imo) to have a unity gain splitter (any of the above), feeding a pair of either anode followers, so that the impedances match up. This is but one reason why a Transformer phase splitter is very handy Have fun Owen |
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#3 | |
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diyAudio Moderator
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Quote:
Another very interesting type to consider for this application, particularly with EL34 where the drive requirements are greater is the 5687, rp would be much lower as well - useful in particular if you are contemplating PPP triode connected EL34.. For a very interesting discussion of the problems you can encounter using IT in PP amplifiers see this thread: A pair of Visaton RHT 12S Ribbon tweeters for sale Note also that even with a single IT if you intend to use negative feedback in this amplifier design getting good stability with meaningful levels of feedback and a "bogey" load is going to be difficult. ("bogey" in this case = any typically random speaker load)
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#4 |
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diyAudio Moderator
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12AU7 has terrible linearity, so I wouldn't use it outside of guitar amp service. If you want a medium mu LTP, 6SN7 or 6CG7 are much better choices.
12AX7 has issues with any loading heavier than a CCS, and the high mu means high Miller capacitance. But if you can use very high plate resistors and a high supply voltage (say, 300k and 400V), buffer the output and drive the input from a low source impedance, it is surprisingly linear. 12AT7 tends to be less linear than a 12AX7 run optimally, but... running the 12AX7 optimally is a challenge. For most practical circuits, the 12AT7 will show better linearity. Using a good CCS in the tail is a must. That will take care of any balance issues.
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#5 | |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Quote:
Agreed! IMO, the 'U7 triode is suitable only for cathode follower and "concertina" phase splitter duty, in HIFI service. Add JJ's ECC99 to the list of suitable medium mu candidates.
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Eli D. |
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#6 |
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diyAudio Member
Join Date: Jul 2003
Location: Ann Arbor, MI
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hey-Hey!!!,
Type 12A4 is another single triode with good gain/gm combination. Also has good anode dissipation and voltage tolerance...extremely linear too. Also consider 6H30, perhaps also 6S45( a single triode so you'll need a pair just like 12A4 ). And then there's pentode LTP too... cheers, Douglas
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the Tnuctipun will return |
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#7 |
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diyAudio Member
Join Date: May 2005
Location: Pretoria, South Africa
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Kevinkr,
Wrong thread reference in your post; that comes up as for the sale of a tweeter. |
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#8 | |
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diyAudio Moderator
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Quote:
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#9 |
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diyAudio Moderator Emeritus
Join Date: Jan 2004
Location: Jakarta
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I feel sure the 12AT7 is the right choice here; second would be 6SN7/6CG7/6FQ7. I agree the 12AU7 is unfit for audio purposes (yet people still use it!), and the 12AX7 is too lightweight for driving EL34s, especially if you use fixed bias because that will mean a low-ish value for the grid resistors.
I am conscious of Morgan Jones's warning in his Valve Amplifiers against using an LTP splitter to drive OP tubes in Class AB, but I'm unsure what problems it is likely to cause. |
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#10 |
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diyAudio Member
Join Date: Jul 2007
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In retrospect, it's a true shame that many of you weren't around decades ago to guide and mentor all of the successful designers who unleashed hundreds of inferior audio products that used this horrible tube to the general public, who in turn, had no idea what horrible sounding equipment they were getting stuck with. The list of these shameless manufacturers is long and includes names like Altec, Bogen, Eico, Fisher, Harmon-Kardon, Heathkit, Jadis, Leslie, McIntosh, Pederson, Pilot, RCA, Scott, Sherwood, Stromberg-Carlson and untold others. What they hell were they thinking?? Oh, the "audio crimes" you could have prevented! For those of you who were unfortunate to have fallen victim and purchased any of these products based on sound quality or marketing hype, do yourself a favor... dump it quick!
Regards, KM
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