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#1 |
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diyAudio Member
Join Date: Oct 2004
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Here is something I drew yesterday.
http://ccedus.googlepages.com/full_b...687_preamp.png This is my first line stage preamp design and thus I need the help of the ones "who know" to tell me if there is a problem with my design before I start designing the PCB. My constraints for the project were the following. - Use the 5687 because I have lot of them - a fully balanced line stage which could be also used with SE sources. - use CCS (because I never used them on any of my previous tube amp or preamp). For info the PS is tube shunt regulated. The cascode CCS with LM317 and DN3545 comes from Walt Jung great article about CCS. Part 1 : http://waltjung.org/PDFs/Sources_101_P2.pdf Part 2 : http://waltjung.org/PDFs/Sources_101_P2.pdf Addendum: http://www.waltjung.org/PDFs/AX_Letters_0907.pdf Could someone help me to calculate the gain of the whole thing. I don't know how to handle the 500ohms degeneration resistors in my gain calculation as well as how a ccs can affect this gain. Thanks in advance for your help |
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#2 | |
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diyAudio Member
Join Date: Jun 2007
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Quote:
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#3 |
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diyAudio Member
Join Date: Oct 2004
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...especially when everything is drawn with gEDA
But what I was waiting for are the formulas so I can calculate it by myself next time. |
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#4 |
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diyAudio Member
Join Date: Oct 2004
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Here is a new updated schematic.
http://ccedus.googlepages.com/preampv2.png |
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#5 | |
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diyAudio Member
Join Date: Jan 2005
Location: Chicago
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Quote:
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#6 |
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diyAudio Member
Join Date: Sep 2008
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hello,
I think you can use common cathode formulas then half the gain for a differential stage. For 5687, considering Ri= 3,5 K and mu=17, that gives a gain near 14dB (5) for assymetrical in /out. |
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#7 |
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diyAudio Member
Join Date: Jul 2004
Location: Norway
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This spreadsheet will calculate common cathode gain and output resistance. --> http://www.veiset.net/tech/rk.xls
Jan E.
__________________
Life is hard - Then you die. |
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#8 |
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diyAudio Member
Join Date: Nov 2008
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I've been working with 5687s for a while and I think what you'll run into is a noticeable amount of distortion from the first (plate follower) stage. Even if the tube is run in a relatively straight part of the transfer curve, drawing at least 10 ma, it generates a measurable amount of second order harmonic distortion. I tried about 5% or about 4dB of local negative feedback to get it under control. Also, this tube is a real current hog making PS design expensive and it runs hotter'n hell. Other than that, great tube.
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#9 |
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diyAudio Member
Join Date: Apr 2003
Location: Vác, Hungary
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#10 |
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diyAudio Member
Join Date: Sep 2008
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Hello Sajti,
In my humble opinion , the second topology has no decisive advantage vs the first; it makes me think to a Audioresearch LS first 2 stages: http://www.arcdb.ws/LS22/ARC_LS22_schematic1.gif Unles you need a lot of gain, you might increase R1 and R4 for better linearity. cordialement jmb |
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