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#1 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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This final can't have a voltage gain any higher than 2, now can it?
The question here, is this considered negative feedback or not? Suppose the output tube had been selected for a Mu of exactly 2, would there be any negative feedback to the cathode??? 6AS7GA for an example. Would voltage gain still be two then, or unity??? |
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#2 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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The output stage is equivalent to a single ended circlotron. Voltage gain of two (across whole primary, for infinite Gm at V2 when loaded at secondary, or finite Gm at V2 when not loaded) due to the 50% CFB (cathode feedback) for V2. V. gain less than two for finite Gm on V2 when loaded. (This is all assuming that V1 is a small signal driver with a high value resistance between the cathodes, not a big honking power tube.)
For Mu of 2, and no loading, the V. gain would be two across the whole primary (with respect to grid1 drive). So cathodes of V1 and V2 would be V. tracking. For output loading, the second stage gain would drop though, so cathodes would not be tracking then. (hand waving calculations, perfect xfmr, perfect CCS's, constant Mu ...) The cathode to cathode resistor could be used to enforce the gain of two better by neg. feedback to V1, if V2 is not holding up the gain of two. Essentially puts more Gm in the loop than what just V2 has available. Don
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Ohms Law V = I R |
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#3 | |
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diyAudio Member
Join Date: May 2006
Location: York
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#4 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Nah, cathode resistors are only for back coupling anti-hum for
better PSRR.... Ask OldSpice why that path ain't NFB? I forget. Lofty Whitguy sez all three terminals of V2 float completely on common noise, and are therefore immune to it. Pretty sure I did nothing substantially evil to screw with that original magic. Just throwing a new curve at an old design. Another way to parafeed SE off a constant current... I tried not to have any NFB except that with was plausibly intrinsic. Or (like the CHB chain) not actually doing anything NFB'ish taken in the full context of other signals around it. |
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#5 | |
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diyAudio Member
Join Date: Mar 2008
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Quote:
It is not my fault that you don't understand the difference between the Loftin White topology and the single ended circlotron. Please don't write in slang and don't write honourable names in a condescending way. Darius |
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#6 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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I like Oldie. His "rules" require one to think inside such a very
small box, that you actully end up thinking outside the box. |
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#7 | |
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diyAudio Member
Join Date: Mar 2007
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Quote:
I refer you to your 'technical forum rules' edit: almost forgot the wink - |
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#8 | |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Quote:
But a Circlotron pulls opposing DC from through the entire tranny. I only pull DC from the center as would Push-Pull or SEPP. I think it is clear that the output stage of this circuit is SEPP, based upon a Concertina Splitter, with the cathode driving the opposing end of a PP OPT in Parafeed. It is also clearly floating with the PS noise exactly as does a Lofin White. Circlotron(ish) only in having the second CCS, which one might say was a 2nd power supply. But not independant floating power supplys, as both B+ ends are tied together at the top. ------------------------------------------------------------------------ Darius, Just cause I draw a clown nose on a copy of the MonaLisa, doesn't mean the result isn't art. Its not as if I somehow defaced the one and only priceless original. Get a grip! I am unable to determine just how seriously you are taking this whole Loftin White topology as a religeon? If we are not both having equal fun in these discussions, I'll ease up and go work on something else for a while. I still find your ideas challenging and worthwhile. |
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#9 | |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Quote:
both cathodes must do at least three things simultaneously: 1) Provide a DC bias for V1's cathode 2) Sum of positive and negative feedbacks = 0 at V1's cathode. 3) Inject a weak sample of power supply ripple, just enough to float the plate of V1 and grid of V2 in common to the B+ rail. |
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#10 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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re: Merlinb
"Positive feedback, between the cathodes that is. Which I wouldn't trust with a barge pole..." Yup. I missed the phase there. re: Kenpeter "I think it is clear that the output stage of this circuit is SEPP, based upon a Concertina Splitter, with the cathode driving the opposing end of a PP OPT in Parafeed. " But SEPP has two active devices to drive a single winding in both directions. Are we looking at the same schematic here? I only see one active device driving a double winding, like in Circlotrons. (the parafeed cathode part is driving in the same phase as the tube plate part. Only the CCS drives steady DC operating current in the opposite polarity.) re: Kenpeter "2) Sum of positive and negative feedbacks = 0 at V1's cathode. What you have here is called "Hawksford Error Correction". (actually invented by Llewellyn in 1941 using tube circuitry. Llewellyn, 1941, patent # 2,245,598 ) You can search on Hawksford Error Correction in either the SS or Tube forums. Mostly in the SS forum. When the output stage gain is correct, no feedback occurs. When it is wrong, error correction is sent back. It's a positive feedback loop that can be adjusted for exactly unity gain (of error correction) around it. (it actually becomes infinite signal gain around the loop then. A breath away from oscillating.) This part of the circuit is actually quite interesting. Not normally seen in tube circuitry. Although the Wollcott amplifier comes very close. Somehow, I don't think Darius will buy into this high positive feedback scheme though. (rule # 2584432) Don
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