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#1 |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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In my scarce spare time I have been researching circuitry for a SimpleP-P amp design. There will be more than one SimpleP-P amp, but I am working on the "little guy" first. This is a small low cost amp aimed at blowing some other low cost P-P amps out of the water. There are several compromises required for any low cost design.
Obviously reducing the number of tubes is a big one. As is a good low cost power supply. It would be possible to make an amplifier with 4 tubes (2 per channel) by using a pair of dual tubes. I built a few. After lots of testing, I came to the conclusion that I wanted to use a pair of "real audio" tubes in the output stage. This means that I would use a solid state power supply, and I needed to design an input stage with enough gain to drive the output stage (30 volts P-P) and allow for the use of negative feedback in pentode mode. I need to get a gain stage and a phase splitter in a single tube to avoid an 8 tube amplifier. No expensive tubes are allowed, and I would prefer a circuit that could use several different low cost tubes without readjustment. I have always been a fan of the LTP phase splitter, especially with a CCS in the tail. I built at least a dozen of them, and tweaked, tested, and tweaked some more. The only tube that had almost enough gain is the 12AX7 and I am not going there. I want the two outputs to be mirror images of each other out to 100KHz, and the 12AX7 won't do it. The 12AT7 does, but the gain is a little short. There were a few notable circuits, and a few cool ideas that will be looked at for future designs, but they don't fit in here. Look at the "choke tail pair" mentioned here, and try it with a CCS (or a PowerDrive circuit) instead of each plate load. The Hammond 156C choke that I used has 4.3 K ohms of DCR requiring a negative voltage, and there was some phase shift in the upper audio range, but it would be cool with a good choke. http://boozhoundlabs.com/bhl-15/ OK, I had to pass on the LTP. I tried several of the usual concertina based phase splitters driven by a common cathode gain stage using the other half of a dual triode. These work well, and are the standard choice for this type of amplifier. The typical dual triode that works well here is the 12AT7 or 12AY7. These tend to cost at least $7 USD from most tube sellers due to their "audio tube" status. Others that work well (2C51-5670) may not be easilly available worldwide. Next, I thought about the triode - pentode tubes used in TV sets. I tried using the pentode for the input stage, and the triode for the concertina splitter. Tons of gain, balance, I am on the right track, but the distortion is a little too high, and the DC voltages change a bunch when I change tubes. Time for some serious tweaking. The breadboarded circuit was sitting on the bench feeling ingored and neglected for about two months when I saw this thread: Gain stage with g2-feedback. The little wheel inside the brain started slowly turning. Yes, I tried connecting the screen grid to the cathode of the concertina. I had already guessed what would happen, and I was right. The current drawn by the screen just killed the balance of the concertina. Wheel turning slightly faster, digging through notes..... Then I found the notes that I had made during the experiments done related to this thread: Adjustable distributed load discussion The wheel spun fast enough to light the light bulb in the brain. I could use a mosfet for isolating the screen grid from the concertina cathode. I could also seperate the DC and AC feedback and use a different amount of each. I added the mosfet today and tweaked it out. This was the magic phase splitter circuit. The distortion was in the 0.2 to 0.35 range at 30 volts P-P. The frequency response was very good (-3db at 250 KHz) and the circuit remained balanced beyond the range of my measurement capability. I swapped in a bunch of different tubes, not just different tubes, but different types of tubes. The distortion remained low for all tubes except the 6U8. It would work with a different cathode resistor. Tubes tried: 6U8 - ECF82, 6EA8, 6BL8, 6JW8, 6GH8, 6HL8, 7687, 6KD8, ECF80, and ECF802. Multiple tubes of each type were tried, all worked. I plan to experiment further with this circuit, but for now I have to work on some TubelabSE issues (2SK2700 replacement evaluations).
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#2 |
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diyAudio Member
Join Date: Nov 2005
Location: SoCal
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George, this is intended in a purely constructive manner. There is no doubt that you are more knowledgeable than myself. This is purely a point of view.
30Vpk-pk doesn't seem hard to achieve unless your aiming for input sensitivity, or planning to use a large amount of feedback. Most sources will put out a good 2V. Some amps lack volume range from being overly sensitive and the amp will start clipping with the knob only 1/3 of the way up. It can be slightly frustrating from an end-user point of view. I have nothing against Pentodes as I use them often, but think 12AT7 may work well. They can be a little pricey if bought new from a supplier, but are widely available and can be scored cheap from ebay. If you do go with a pentode-triode tube, I'd stay away from the phase splitter-to-G2 feedback. Since you will probably be using Pentode output tubes, the feedback would be better used with the output stage in the feedback loop. And for a "simple PP" using 2 feedback loops wouldn't be so simple. A partially, or fully bypassed cathode resistor with feedback to the cathode of your gain stage would probably make the most sense. That would also avoid loading the plate and cathode of your phase splitter unequally (even tough the Zout is different, something just doesn't feel right about unequal loading), and leave the FET out of it, for the potential builders who want all-tube audio circuitry. |
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#3 |
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diyAudio Member
Join Date: Jun 2007
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I am always interested in trying some new idea to see what might be discovered. Perhaps something great, or maybe not. Who knows without experimentation? I am really curious, what do you have in mind for output valves?
Wade |
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#4 | |||
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
My usual design methodology will create a few different input stages, and an output stage or two, then I will put them together to see what works best as an amplifier using bench supplies and finally design a power supply for it all. Quote:
Quote:
Another P-P amp is planned using octal output tubes and a far less cost constrained design.
__________________
Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#5 | |
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diyAudio Member
Join Date: Nov 2005
Location: SoCal
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Quote:
The DC + AC g2 feedback scheme may do well in an application where the second stage is a cathode follower too. |
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#6 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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The screen feedback approach (or upper grid for cascodes) opens a whole new area for design. Pentodes can now be seen as triodes with separated output and feedback terminals. So much more flexible than triodes.
One does need to keep the plate V above the screen voltage to avoid screen current distortion and preferably both V tracking too. Any of the follower type feedbacks from the plate will do this fine and the resistive divider gives a nice gain boost as well as dropping the screen voltage from the plate V. Should work nice for a splitter as long as the Mosfet is low input capacitance. With a cascode instead of the pentode, could probably just use the Mosfet follower as the splitter itself, since the upper cascode grid would not be drawing any appreciable current. But this would eat up B+ headroom badly with the cascode unless a zener/cap gets popped in to lower the splitter drive. Supertex makes some low input capacitance, HV Mosfets, a bit pricey though. VN0550N3 VP0550N3 TN2540N3 TP2540N3 Don
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Ohms Law V = I R |
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#7 |
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diyAudio Member
Join Date: Dec 2006
Location: Maryland
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The 6aq5 I think would be fine choice, considering all the cheap stockpiles out there. 6005's, 6095's, etc. I've been thinking how nice it would be if I could swap 6aq5's and 6bq5's whenever. Perhaps a 7pin socket could be mounted on a small PCB adapter that could either plug into a 9 pin socket or solder onto the PCB?
It would be fun to put some lonely 6GH8, 6KT8, 6AN5, etc back to work. I'm all for odd tubes. It would also be nice to have the option to bias tubes individually. That way matching won't be an issue. The circuit may get a bit more expensive, but the tubes could be any mish-mash. Mish-mash tubes are cheaper too. |
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#8 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
__________________
Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#9 |
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diyAudio Member
Join Date: Aug 2003
Location: San Francisco, CA
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Maybe transformer phase splitting? Maybe you can use those cheap toroid power transformer. And those with a bigger budget can use proper input transformer. Here is a thread where cheap toroids are used successfully, as both input and output transformers.
Zero Feedback Impedance Amplifiers |
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#10 | |
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diyAudio Member
Join Date: Jun 2004
Location: Pittsburgh, crumbling wasteland
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Quote:
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