Go Back   Home > Forums > Amplifiers > Tubes / Valves
Home Forums Rules Articles Store Gallery Blogs Register Donations FAQ Calendar Search Today's Posts Mark Forums Read

Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum

diyAudio Sponsor

Search for a tube at thetubestore.com                            Product reviews and more

Audio tubes for any amplifier: from high end home audio to classic guitar amps.

Quick links by tube type: 12AX7, EL34, 6L6, KT66, 6550, KT88, EL84, 12AU7, 12AT7, 6922, 6H30, 300B, 6V6, 6SN7 

Reply
 
Thread Tools Search this Thread
Old 1st April 2008, 01:37 AM   #1
6f6 is offline 6f6  United States
diyAudio Member
 
Join Date: Oct 2006
Default What About Beam Deflection Tubes?

I have a caddy fully of old television tubes that I came into a couple of years ago. While I can not say that I have any interest in old televisions (I do old radios and homebrew hi-fi), I am contemplating some homebrew radio and transmitter projects. I have noticed that TV tubes come in many more different varieties than the usual triode, pentode, and converter types used in radio. I've already breadboarded an AM transmitter using a 6GH8 to screen modulate the signal- and it sounded good.
In my caddy there are some Beam Deflection Tubes, such as 6ME8 and 6JH8. My queries:
1. How do these things work? What are the variables? For example, we all know that a pentode can vary its output current by either G1, or to a lesser extent by G2.
2. Do you think that these tubes could be used create an audio- variable reactance- treat G1, G2 as a normal pentode and use the beams as the "capacitor" output to control the oscillator in a FM transmitter? Just tinkering.
  Reply With Quote
Old 1st April 2008, 02:44 AM   #2
diyAudio Member
 
smoking-amp's Avatar
 
Join Date: Dec 2001
Location: Hickory, NC
Some related posts:

http://www.diyaudio.com/forums/showt...360#post433360

http://basenjes.de/tubes/images/6ar8/6ar8.htm

http://db.audioasylum.com/cgi/m.mpl?...R8&r=&session=

http://www.diyaudio.com/forums/showt...09#post1141909

They are modulator tubes, ie, can multiply signals or a gain control level times a signal. If you put it into some type of gyrator circuit it could probably control reactance for frequency control.

Don
__________________
Ohms Law V = I R
  Reply With Quote
Old 1st April 2008, 05:34 AM   #3
diyAudio Member
 
Michael Koster's Avatar
 
Join Date: Jan 2008
Location: Bridgeville, CA
I thought about using these as the variable gain stage in a compressor/limiter, sort of like the so-called "variable mu" Fairchild 660/670, UA175, etc. One would need to limit the p-p voltage of the input signal. I haven't really thought it through. It might be easier for the sidechain to drive than a bunch of remote cutoff tube grids.

There might be a nice 10db of dynamic range available from looking at the curves, and some of them look quite linear.

Another project, another day...

Michael
  Reply With Quote
Old 1st April 2008, 08:01 AM   #4
diyAudio Member
 
Michael Koster's Avatar
 
Join Date: Jan 2008
Location: Bridgeville, CA
I see I have the 6ME8 page flagged in my RC-30.

The 6ME8 would allow a nice big input swing of maybe +- 40V or more; plenty for pro audio limiters where the signal might be coming in at 30dbu or more on the peaks.

At a reasonable starting quiescent point (7-8 mA/200-250Va) could get 5mA per anode current swing at 0db Gain Reduction. I'd use a pair of CCS or maybe a P-P interstage transformer and load it about 8K anode-anode for a 1:1. 8K sounds low... I'd try some different op points... find the sweet spot if there is one... Maybe I could get more than 10db gain reduction after all.

The sidechain would be driving a low capacitance grid from around -6 volts to -10 or -12?? should not be difficult to do.

OK, use a CCS in the cathode and a p-p transformer on the anodes, with a bipolar supply with the deflection electrodes at ground.
How to balance the anode currents? Series resistors in the anode circuits?

On second thought, the CV from the sidechain comes in between grid and cathode and CCS would not allow the gain to vary, DUH...

So the topology would need to be a little different at the audio and sidechain connections, with a grid/cathode scheme similar to the ones shown and probably an input transformer on the deflection plates. Obviously needing more thought...

Transformer output goes to line out and the input of a simple sidechain amp constructed from an opamp "perfect rectifier" and various filters and attenuators aligned like a Fairchild 660/670.

This sounds like a good thing to investigate further.

Michael

PS
Just bought a sleeve of 6ME8s for $10 on ebay
  Reply With Quote

Reply


Hide this!Advertise here!

Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
looking for pentodes for scope deflection cl84 Tubes / Valves 11 15th July 2009 04:02 AM
Vertical deflection tubes for audio output? jane Tubes / Valves 57 2nd April 2009 05:18 PM
Beam Deflection Tube Limiter Michael Koster Tubes / Valves 7 10th April 2008 09:55 PM
Vertical deflection chipamp? ThSpeakerDude88 Chip Amps 4 21st March 2006 08:42 PM


New To Site? Need Help?

All times are GMT. The time now is 04:39 AM.

Page generated in 0.09090 seconds (79.64% PHP - 20.36% MySQL) with 10 queries

Copyright ©1999-2012 diyAudio