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#21 |
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diyAudio Member
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In my version a current source shoulder is biased from triode's cathode so it always mimic an average current, though it does not save from transients (phase delay on averaging!) that anyway mimics a SE signature so may be not a big deal (let's breadboard and see). Also, I'm going to implement combined PFB by current and NFB by voltage. Bias for a tube will be stabilized by one transistor.
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If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#22 |
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diyAudio Member
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Ok Gentlemen;
I've started a new thread: http://www.diyaudio.com/forums/showt...93#post1446793 Questions/suggestions/objections welcome!
__________________
If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#23 | |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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Quote:
I thought the HE was a feedback scheme based on feeding the AC distortion signal from the B+ (depending on >0 dynamic impedance in the B+ supply) to the cathodes i.e. the f3 current signal tapped from the B+ will add to the grid-cathode signal and cancel some of the f3 voltage. I guess it's a sort of positive current feedback to voltage. (that sounds strangely familiar...) This scheme would act in reverse, sensing the distortion current from the cathode (I can add a common cathode resistor to my circuit) and AC couple it into the control loop (somehow) such that the MOSFET tracks the f3 current. I think I'm following you but still not sure how the circuit could be arranged in the servo case. In general, connecting resistance in parallel with the CCS will reduce the f3 but I don't have a feel for the ratios. Needs more thought but sounds promising. Michael |
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#24 | |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Quote:
Basically three fake tubes in parallel with one real one = 4. Bottom OP-FET fakes 4 SEPP anti-Tube mirrors, and servos out any long time constant DC. The plate of the reference tube should see 1/8 of the real load, and behave just as 8 perfectly matched parallel tubes might in a "normal" SE configuration. In theory that is.... I wish to avoid completely isolating the tube from the real load in any manner that dumbs it down to a tube pre-amp with a solid state final. |
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#25 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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Re: Kenpeter
"The plate of the reference tube should see 1/8 of the real load, and behave just as 8 perfectly matched parallel tubes might in a "normal" SE configuration." This lighten the load on the triode approach should allow the scheme to perform better than real SETs in terms of a more constant tube Mu. Some listening tests will be required though to determine whether this succeeds in terms of SET sound satisfaction or just makes a lower distortion amplifier. The same issue applies with Anatoliy's scheme. Re: Michael "I thought the HE was a feedback scheme based on feeding the AC distortion signal from the B+ (depending on >0 dynamic impedance in the B+ supply) to the cathodes i.e. the f3 current signal tapped from the B+ will add to the grid-cathode signal and cancel some of the f3 voltage." This Harmonic Equalizer scheme seems to show up in several forms and I haven't seen a really coherent explanation for them. The WE/Kreer patent (1,970,325) has the resistor in the B+, but the WE92A amplifier that references the patent has the resistor in the cathode circuit. Kiebert in "System Design Factors for Audio Amplifiers" has the resistor in the cathode circuit too. At least they are sensing the same current in both places, and both act to reduce gain with increased common mode current (well, for a triode anyway). The cathode position would seem to have greater feedback effect, so should waste less B+ power with a smaller resistor I guess. But the grid coupling cap for the cathode position (WE92A) seems to cause biasing problems for class B operation apparently. One thing that puzzles me is that this grid coupling cap (WE92A) appears to knock out most of the CM feedback effect at the grid, returning the scheme back to just the mere plate voltage reduction scheme the B+ resistor uses. When I look at the HE scheme in terms of time domain gain compensation, rather than frequency domain mixing, things look a bit different. Some improvements on the WE scheme seem likely. Don
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Ohms Law V = I R |
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#26 | |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Quote:
and a load that will use the extra power to good purpose. All the virtual tube drains react just as the real plate to the load. The virtual tubes are never intended to carry an unfair share that might relieve the reference tube of a reference burden. It should never be any more linear than 8 identical tubes in parallel. For any given Watt SE output, perhaps 8 tubes are more linear than a single tube, but thats not unreasonable. I went to a lot of trouble to keep the SE tube reality check intact. The only thing certain not to sound SE is the PP iron. As long as the OpAmps have sufficient rail headroom... FETs will be expected to duplicate and multiply any cathode current transient from Cutoff to A2 Saturation up to 20KHz. Thats a tall order for gate drive.... |
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#27 | |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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Quote:
I've been listening to my new amp all night and I must say subject to the 4 watt power output and my 93db/w speaker (mono JBL4312 as I just built one amp) it sounds good. I was worried about the MOSFET because the heatsink gets quite hot but I wanted to keep listening even if it blew up... The harmonic signature is definitely there; I played with different transformer taps to change the load line and like the 5ohm tap (I think my speaker is 6 ohms in some frequency range, even though it's 8 ohms nominal. I liked Diana Krall and Commander Cody the best (probably because they are the best quality recordings of the ones I tried) I'll need to dig up a Steely Dan for the next session. If I keep building these amps I'm going to need to replace my music collection with more hi fi recordings. I think it sounds good enough to be worth making another one or even a pair using a good linear triode like a 2a3 or a type 45. Michael |
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#28 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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"The load isn't "lightened" with the right matching Xformer,
and a load that will use the extra power to good purpose." Yes, for sure. I was just highlighting the option Michael, Ken, and to some extent Anatoliy each have available with your respective designs, with N times power multiplier capability. My CCS'd LTP design, the one I actually built, is constrained to only 2X power boost thus far, so is less flexible in this respect. Since lightening the tube load, via xfmr primary Z increase, reduces power output. I do have another "trick" up the sleeve here though for the triode side. See attached. (there is a resistor missing in the diagram across the zener by the way). This UL triode derived from a pentode is quite flexible, the N channel Mosfet follower can be replaced with an N and P channel totem pole, or a P channel follower alone. The internal "triode" operates at constant current, but can be loaded by a resistor instead of the CCS. Spectrum wise, I have checked some pentodes in this circuit and generally I get just 2nd harmonic dist. as the only significant order using the CCS load. A resistor load will bring up some higher orders. The Mosfet follower is enclosed in the local feedback loop and has next to nill effect on the spectrum as long as I keep 30V or more across it. So this (using a P channel Mosfet likely giving the best fit) could replace the triode in my CCS'd LTP approach. And power is only limited by how big the Mosfets are. "SET" distortion level can be dialed in by a pot across the top "triode" CCS. ------- "I think it sounds good enough to be worth making another one or even a pair using a good linear triode like a 2a3 or a type 45." Good to "hear" successful results from simulated "SET". Very promising. I should get back to working on my "SET" too, been too busy lately working on the switched capacitor impedance converter. Looks like it can readily 10X out-perform ordinary OTs. Don
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Ohms Law V = I R |
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#29 |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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Here are some more design variations on the current (mirror) theme.
1. Boost an SE amp (need an OPT gapped for more DC than the tube alone, however, the Iq on the MOSFET only needs to be high enough to keep it in class A (see real-life load lines Power is scalable to a point.2. Balanced SEPP gives exactly 2X power boost. This is the one I built and tested redrawn to show some parallel-ness. 3. SEPP with scalable power. like combining #1 and #2. This is the kenpeter circuit also. 4. Scalable push-pull. I suppose each side could be arranged to be connected like #1 also but this way might be more tolerant of tube variability if you get my drift... Other cleverness on DC balance... 5. There is a very simple way to use an enhancement mode FET like a 10M45/10M90 or the Supertex DN2540 to do #1. cheers, Michael |
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#30 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
I built an amplifier about 2 years ago using a 45 tube with one Fairchild FQP1N50 (G connected to D) in the cathode and 2 more as the other side of the current mirror. They were wired up like a typical mosfet current mirror (I work with a bunch of CMOS IC designers). The amplifier worked great until you pushed it into clipping, at which point one or both of the mirror fets shorted. After zapping a few mosfets I put the whole idea on hold. I considered using the 10M45's as a current mirror but thought they would blow up because of the 450 volt rating. IXYS has shown the 10M90 on their web page for years, but no one had any in stock until recently. Mouser now stocks them and I already have 50 of them for some science experiments. When I published the PowerDrive concept on my web page a few years ago, I got tons of very negative email condemning me for corrupting vacuum tube designs with "sand". One even suggested that I change my name to Transistorlab! After people actually tried using a mosfet follower to drive the grid of an output tube (very nice for A2 operation) they liked it and the idea is far more accepted than it used to be. Maybe it is time to sprinkle a bit more "sand" into the mix. Is it time for the "boosted triode SE"? I put a hybrid amp schematic on my web site several years ago. It is sort of a darlington configuration with a 45 tube and a BJT. The few emails that I got were negative and the page received very few hits. http://www.tubelab.com/SuperTubeSE.htm
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