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#1 |
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diyAudio Member
Join Date: Jun 2004
Location: Indiana
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Other than guitar amps where one wants a lot of gain and plenty of distortion (12AX7 properly biased e.g.) where would one want to use a high mu triode?
It would seem inappropriate for the input tube of a phono preamp because of the high Cmiller. Maybe second stage??? As a LTP PI maybe but the miller and high Zout would seem to be a problem. Would high mu be advantageous for driving some low mu output tubes? Just curious as to why one might intentionally choose high mu unless they wanted to use gobs of feedback for some reason. mike |
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#2 |
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diyAudio Member
Join Date: Mar 2007
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Don't get me wrong, I'm not a huge fan of them, but...
Phono cartridges usually have low output impedance, so Cga isn't a problem. Most popular vintage integrated amps use them. |
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#3 |
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diyAudio Member
Join Date: Mar 2005
Location: Paris
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Hi , I choose them for CF amps: for line driver stage or before output toobz : EF184, E282F , E186F are really nice for high swing / high current loads
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#4 |
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diyAudio Moderator Emeritus
Join Date: Jan 2004
Location: Jakarta
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It does depend on the tube itself. I wouldn't use a 12AX7 for any purpose (as you say, that's a guitar amp tube), but a 6SL7 is good. It's useful as the input LTP phase-splitter stage of an all-differential PP amp.
It can also serve well, in resistor-loaded (or SRPP or mu-follower or mu-stage or CCS-loaded) configuration, as the input (voltage amplifier) stage of a Mullard-style PP amp where you want to apply a large amount of NFB and so need plenty of open-loop gain, e.g. for a pentode-mode PP output stage. |
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#5 |
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Mike,
Your focus is too narrow. Other types, in addition to the high mu, low gm, and high RP 12AX7/6SL7/5751 family, that have high mu are available. The 12AT7's high mu, high gm, low RP, and distortion spectrum make it extremely well suited to LTP service. The nicely linear 6GK5 is another high mu, high gm, and low RP type that's useful both in phono preamps and in power amp voltage gain blocks. The low Miller capacitance of the 6GK5 does not adversely affect MM phono cart. performance. A large Miller capacitance (as in a 12AX7) can combine with cart. inductance to yield mediocre results. BTW, stage gain from a 12AT7 section and a 12AX7 section are usually quite close, in spite of the mu differential. The low RP of the 'T7 allows relatively large load resistors to be employed.
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Eli D. |
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#6 |
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diyAudio Member
Join Date: Jul 2002
Location: New Zealand
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The high gain, linearity and low noise of an EF86 or EF37A pentode makes them ideal in the input stage of many amplifiers. If there is too much gain you can wire them in triode...
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#7 |
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diyAudio Member
Join Date: Jun 2004
Location: big smoke
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Followed by a CF driving big, transmitter-type output tubes.
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Ears aren't microphones. |
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#8 | |||
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diyAudio Member
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Quote:
Quote:
Quote:
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#9 |
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diyAudio Member
Join Date: Jun 2004
Location: Indiana
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Thanks for the information guys. It is a complex topic isn't it.
mike |
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