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#11 |
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diyAudio Member
Join Date: Sep 2006
Location: Mar del Plata, a BIG seasonal getaway city, can see the Ocean from our residence.
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If I recall correctly, copper when it is exposed to an oxygen environment creates a layer on the surface (That green stuff) that changes the resistance value for the worse wheras silver changes to silver oxide...which is a conductor similar to the unaltered silver.
_____________________________________________Rick. ..... |
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#12 |
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diyAudio Member
Join Date: Oct 2004
Location: Maui, Hawai'i, USA
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I have for a long time used a DPDT (center off) toggle for input switching, since I and a lot of other guys only have two sources, and a good toggle is one sixth the cost of a good rotary. I use the E-Switch silver contact, Digi-Key part EG2417-ND. It's hermetically sealed (for wave soldering, presumably) so I don't worry about degradation of the contacts. I have had them in use in my own rig for years without any sonic degradation, and I confidently include them in the lifetime warranty on my stuff. I guess I must like 'em.
Aloha, Poinz |
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#13 | |
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diyAudio Member
Join Date: Nov 2008
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Quote:
With only two poles, doesn't that mean that you have to join all of the grounds? Isn't that bad? I keep reading conflicting things about input grounding. |
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#14 | |
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diyAudio Member
Join Date: Apr 2004
Location: Northern California
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Quote:
2. Silver is a better conductor than copper. Silver oxide is both conductive and thin so any wiping action of contacts is likely to clean the contact surface. 3. Copper will oxidize in a home environment, the switches are not hermetically sealed and normal humidity and atmospheric oxygen will initiate the corrosion process. Additional contact materials include palladium, rhodium and cadmium. Palladium and rhodium are probably good choices, cadmium is typically used in switches where high degree or arcing is expected (motors, etc). I would advise sticking with silver or gold contacts. |
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#15 | |
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diyAudio Member
Join Date: Nov 2008
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Quote:
Good info, thank you, that finally answers it for me. One question though -- why do so few RCA jacks or speaker binding posts use silver plating instead of gold? Seems like it would be ideal. And it's a lot cheaper. In fact, the only silver ones I can find are really expensive, and some gold ones are really cheap. Do the low-end ones merely use gold over silver for the "bling" factor? |
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#16 |
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diyAudio Member
Join Date: Sep 2006
Location: Mar del Plata, a BIG seasonal getaway city, can see the Ocean from our residence.
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Silver or gold plating for switch contacts is really a non-starter as either will scrape off the plating in short order.
The plating on binding posts, RCA connectors and tube sockets will scrape away after a handful "applications". Only a solid silver (Or gold) contact will perform in a superior fashion. Making a binding post, RCA et.al. out of solid silver/Gold would be very expensive. Note the use of the term "coin silver" which I would assume is an alloy of silver as pure silver and gold is too soft for this application. |
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#17 | |
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diyAudio Member
Join Date: Nov 2008
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Quote:
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#18 |
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diyAudio Member
Join Date: Oct 2004
Location: Maui, Hawai'i, USA
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It certainly is. The contacts of a switch are carefully designed and shaped, and if the PM plating is of good thickness, the switch will last for tens or hundreds of thousands of cycles operation. This specification is available in the datasheet under 'cycle lifetime'.
As far as the isolation of individual input grounds; from what? Each other? I ground all inputs and outputs to a single 14ga. bus going shortest distance across the back of the chassis, and take that ground to the circuit star point. I have never in me short life heard of switching audio hots and grounds for individual channels separately, but if that floats your boat, knock yourself out. Yes, bro, there's a very great deal of pseudoscience, folklore, and hearsay in ultra audio. Brilliant Pebbles, anybody? Aloha, Poinz |
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#19 |
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diyAudio Member
Join Date: Oct 2003
Location: Sydney
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Poindexter,
When I first started building amps (chip amps) I thought that keeping the signal grounds separate was a good idea. Found that my amps had ground loop problems. After much putzing around, discovered that my sources and my pre amp had the grounds for both signal channels tied together. I then used the exact method you describe and fixed completely my ground loop problem. I now tie all signal grounds at the RCA inputs at the back of the chassis exactly as you describe. Cheers, Chris |
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#20 |
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diyAudio Member
Join Date: Nov 2008
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I was confused about both 1) whether left/right ground should be separate, and 2) whether the grounds of different input sources should be separate.
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