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#1 |
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diyAudio Member
Join Date: Nov 2007
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I was reading a bit of Morgan Jones and his comments on stability and amplifier designs. He compares the Quad amplifier with the Williamson for stability and explains that the Quad with just two stages was easy to stabilize whereas the Williamson with its preamp, concertina splitter and drivers was a considerable challenge.
Let's just say I have decided to build an amplifier with a triode voltage amplifier, a longtailed pair phase splitter and follow that with cathode follower drivers-or even regular plate loaded ones-and that I propose to put feedback across the whole mess. First, is there any reason this is particularly bad and secondly, is there an iterative procedure i should follow to determine how much feedback I may use and how to figure out all the poles and zeroes to stabilize it? I do want to accomplish a couple of objectives, I want a capacitor between the front end and the first input tube grid for DC blocking, and I want of course a flat bandpass between 20 and 20 kHz but I would particularly like to roll off the lows below 20 Hz. |
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#2 |
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diyAudio Moderator Emeritus
Join Date: Jan 2004
Location: Jakarta
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You can improve the chances of stability considerably by using direct coupling between the first stage and the LTP and again between the cathode followers and the OP tube grids.
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#3 |
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diyAudio Member
Join Date: Jul 2004
Location: Ardeche
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You can also simply remove the first stage by using penthode LTP
http://www.dissident-audio.com/PP_6L6/Page.html Drastic ! Yves. |
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#4 |
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diyAudio Moderator
Join Date: Jan 2003
Location: Near London. UK
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As Ray and Yves have both said, reducing the number of LF time constants by DC coupling and minimizing the number of stages is a Good Thing. You will have to adjust/optimize HF stability on test because it will largely be determined by your particular output transformer. Don't forget that HT supplies can form unwanted LF feedback paths - sometimes a regulator is a good thing. Since you don't need much current for the LTP (because it has cathode followers to buffer it from the output stage), regulation to that stage could be as simple as a couple of 150V neons.
Yves: Those are impressive 20kHz square waves on your 6L6 amplifier.
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The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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#5 | ||
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diyAudio Member
Join Date: Apr 2004
Location: Plainsboro, NJ
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Don,
Quote:
Quote:
If you decide to use voltage followers that are DC coupled to the "finals", I suggest you consider IRFBC20 MOSFETs for the job. The FET sounds good, requires no heater power, and (obviously) there is no heater to cathode potential issue. MOSFET Follies illustrates the technique.
__________________
Eli D. |
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#6 | |
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diyAudio Member
Join Date: Nov 2007
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Quote:
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#7 | |
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diyAudio Member
Join Date: Nov 2007
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Quote:
Well, yes. |
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#8 | |
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diyAudio Member
Join Date: Jan 2003
Location: Now back in Sweden
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Quote:
The easiest method on how to see if there is a risk of oscillation and what effect you get when changing poles and zeros is by a Baude diagram where you graphically plot amplitude and phase for each pole. You can find how to do this in many basic text books on feedback systems. Another more modern method is to use a simulation tool like spice which can give you very quick results but it doesn't give you the same feel for what's going on. As an example the original Wlliamson amplifier has quite low stability margin at low frequencies but it is also easy to rectify by introducing a phase stabilisation network, see here http://www.tubetvr.com/Williamson.pdf and here http://www.tubetvr.com/Williamson_comp2.pdf Regards Hans |
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