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#11 |
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diyAudio Member
Join Date: Feb 2004
Location: Chicago area
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Yes the trafo is key in this type of phase inverter. That's why in the end I had a couple made by Jack at Electra-Print. He has a couple specifically designed for phase splitting. They are autoformers rather than transformers. On the downside they are a more expensive solution at about $55 each.
In the tests I did the best results didn't come from the interstages I tried but from PP output trafos! The inexpensive Edcor PP trafos at $20 did a great job. I connected them without using the secondaries. I took the signal from the input tube into one of the primaries, connected the center tap (normally used for B+) to ground and then connected each primary to the grid of an output tube. Pretty easy and very good sound. The trafos are a bit big though so mounting can be an issue.
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--Sherman |
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#12 |
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diyAudio Member
Join Date: Feb 2004
Location: Gainesville, FL
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Sounds interesting. What model of Edcor? What are the specs? I'm sure I've got some orphaned OTs around.
Will this work for PP using other output tubes, specifically 6B4Gs? Thanks . . . Charlie |
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#13 |
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diyAudio Member
Join Date: Feb 2004
Location: Chicago area
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The Edcors I tried were XPP15-8-8K. I also tried the TF110-48-UL from Triode Electronics which also worked well. Finally I tried a potted toroidal power transformer 120v:120:12V:12V. With the primary connected it worked great with the secondary connected, not so well. Finally I tried an Edcor SE trafo with UL taps but it didn't sound very good either. (It sounds great as a regular OPT though, especially for $20.)
I suspect any PP OPT might work. Keep in mind that I was only going on sound and don't pretend to have 'golden ears'. My scope went south on me just before I started testing these trafos so I couldn't do a real frequency response test. I did compare the sound against a couple other amps I have both SS and valve. I also tried a standard concertina type phase splitter with the same output stages. I tried these experiments with both EL84 and KT88 output stages. With the EL84 setup I used a 6N1P as the voltage amp and with the KT88s I used a 6SL7 as the voltage amp. B+ in the EL84 setup ranged from 325V to 360V and with the KT88 I tried from 350V to 400V.
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--Sherman |
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#14 | |
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diyAudio Member
Join Date: Mar 2002
Location: Dallas, Tx, USA
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Quote:
1. Are you saying that, for phase splitting applications, the edcor OPTs (used as autoformers) worked better than the Electra-Print PSA-2 autoformer-splitters ? 2. Which interstage did you compare with? 3. What difference did you hear comparing the "iron" splitters to the tube-based splitters. Thanks
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"Any fool can know. The point is to understand" - Albert Einstein |
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#15 | |
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diyAudio Member
Join Date: Feb 2004
Location: Chicago area
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Quote:
1- No, I'm not saying that at all. I tested the OPTs then ordered the purpose built Electra-Print splitters. I just haven't built the amp with the Electra-Prints yet. I tore down my bread-boarded amps before I received the PSA-2N autoformers so I haven't even tested them yet. I'll actually start building the amp next week and I'll report back when it is done (I work pretty slowly though so it could be a while.) 2- I tried three different interstages, one from Edcor- XSM10K-10K, one with no identifiable markings I got on eBay and an old Triad pulled from a console (though I don't think it was original to the amp) 3- For the EL84 setup I tried both 12AU7 and 6922 concertina splitters. They both worked fine though I might give a small edge to the 12AU7. It seemed that the bass was more defined but it was definitely not a big difference. For the KT88 setup I only used a 6SN7 for the splitter. Again it worked fine. Bottom line, to my ears the iron splitter with the Edcor OPT was a match for the tubes. I just with I could have done some FR tests for more objective info.
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--Sherman |
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#16 | |
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diyAudio Member
Join Date: Mar 2002
Location: Dallas, Tx, USA
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Quote:
FWIW, I have a pair each of PSA-2N and conventional electra-print interstages sitting around, I hope to get started on my PP 2A3 when I can find some time.
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"Any fool can know. The point is to understand" - Albert Einstein |
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#17 |
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diyAudio Member
Join Date: Jan 2005
Location: Manila
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Hi,
Looking at the electraprint schemas, it seems that Jack prefers to put a R across the PSA-2N to damp LF Resonance and 'get away' with using a low value coupling cap. I'm just don't know how one calculates for the resonance point (~5-8Hz?) using a damping R across the choke especially if one would also use a plate choke for the driver tube. Or maybe it entails one of those spice programs to get ballpark values for an initial breadboard amp. |
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#18 | |
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diyAudio Member
Join Date: Mar 2002
Location: Dallas, Tx, USA
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Quote:
__________________
"Any fool can know. The point is to understand" - Albert Einstein |
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#19 |
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diyAudio Member
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So is there really anything wrong with just plain using the cathodyne in the ST35? I understand its obviously not the BEST amplifier in the world, but still darned good sounding, and I am dieing to have a decent sounding tube rig running again that will at least sound better than my solid state amp.
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always preach the gospel- and when necessary use words. |
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#20 |
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diyAudio Moderator
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No, nothing wrong with it at all. You could drop in the input stage from Morgan Jones's Bevois Valley design or my Red Light District and you'll have a very fine-sounding amp.
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"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
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