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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#21 |
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diyAudio Moderator
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Used 10 ohm resistors with 5751 and AD 18 bit current output dacs about 17 yrs ago in a Sony CDP - this does work.. Friend now has the modified Sony which is still working.
Have used both grounded grid and common cathode voltage amplifier topologies. Last dac with tube output was an Assemblage Dac 1 with 6SL7 and 6189 in a cascade for about 50dB gain. 32 - 50dB is the required range depending on the specific dac and the value if the I/V resistor chosen which in some cases should be chosen to assure that the audio voltage on the output of the dac is not high enough to cause linearity problems in the dac. Some older AD and burr brown dacs were specified with a max voltage on the current output before linearity began to suffer. I started with conventional 1% mf and went to exotic Vishay bulk foil types, my impression was that if there was an improvement it was very subtle and probably not worth the money spent. Sowter makes a transformer as well for this chore, and sounds far better than the active circuitry it was compared to. Buffering was by 6922 (basically novel floating cf outputs) - see www.triodeguy.com for the details of his adcom mods. (Note that the Adcom information is not available, however a very similar circuit is used in the SACD player mod.) Any of these approaches are well worth the effort imho.
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#22 |
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diyAudio Member
Join Date: Dec 2004
Location: South Florida, USA
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Thanks for the tips Kevin. Of course, the link to the SACD design shows a transformer/floating CF output stage intended for a voltage output DAC. Filtering and buffering a voltage output DAC is a bit easier than doing the I/V conversion for a current output DAC.
FWIW, I posted this design for a voltage output DAC about 18 months ago. It works very well, although I'm not sure how it would compare to the transformer-coupled buffer. (It also makes a good line stage, less the LC filter). Output stage amplifier and filter for voltage output DAC
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Brian |
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#23 |
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diyAudio Moderator
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Hi Brian,
Unfortunately I didn't look too closely at the SACD version, the original version in the ADCOM IIRC actually had a current output dac and I think the difference was the addition of a resistor across the secondary of the transformer, the reflected (to primary) terminating resistance being equivalent to something like 10 ohms or so.. I have run across a few instances of transformers (Sowter or Llundahl) being used for I/V conversion without buffers into relatively high impedance line stage inputs with exceptionally good results. Your circuit is interesting, I particularly like the idea of the LRC based low pass filter. I was planning something similar for the DSD decoder in my sacd player using some gates to buffer the stream, which would then drive an LPF/integrator and buffer. It may never get built. I'm pretty disenchanted with sacd, particularly since I rediscovered vinyl recently..
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#24 |
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diyAudio Member
Join Date: Mar 2004
Location: Budapest, Hungary
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I just came across this thread. Check out my transformer/tube I/V stage that I finished recently:
Laszlo's Valve Output Stage with Lundahl transformer |
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#25 | |
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diyAudio Member
Join Date: Mar 2004
Location: Budapest, Hungary
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#26 |
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diyAudio Member
Join Date: Dec 2004
Location: South Florida, USA
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Oshifis,
You've got a clever circuit which I've never seen before. It's nice to see something new instead of rehashed old designs. I'm still trying to wrap my brain around the behavior of the two secondaries in the circuit, both as regards their effect on the SRPP behavior and also on each other, wired as they are. And I'm trying to understand the secondary load impedance that each half secondary "sees", given the mutual coupling through the tube. A narrative circuit description would be appreciated if you can talk us through it. A simulation would be valuable, but I prefer to understand the circuit first. I looked up the data sheet of the LL1678, and I note that the DCR for each primary is 4.5 ohms. How do you figure 2.8 ohms is possible given that DCR? I would be impressed by anything lower than 10 ohms.
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Brian |
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#27 | |
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diyAudio Member
Join Date: Dec 2004
Location: South Florida, USA
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I can sing along with that tune! But at least most SACDs sound better than most CDs. BTW, our local Best Buy's music department has maintained a "high-definition" section for DVD-A and SACD discs. Each time I pass by, the dedicated shelf space is squeezed smaller and smaller. I haven't checked in months, but it may have completely disappeared by now. I figured that this shelf-space metric was a telling indicator of the larger global problem.
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Brian |
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#28 | |
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diyAudio Member
Join Date: Mar 2004
Location: Budapest, Hungary
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A simulation would be great (anybody?), I have no tools for this. I can measure THD, IMD, S/N, spectrum, frequency response, transient response, etc. I am driving only the half primary from a single DAC for now, but I am very pleased with its sound. |
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#29 | ||
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diyAudio Member
Join Date: Dec 2004
Location: South Florida, USA
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BTW, you could drive 2mA DC though the unused primary via a simple CCS to balance the DC current, until you can implement the dual DAC scheme.
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Brian |
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#30 | |
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diyAudio Member
Join Date: Mar 2004
Location: Budapest, Hungary
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