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#1 |
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diyAudio Member
Join Date: Dec 2011
Location: Acton, Ontario, Canada
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Has anyone tried (or have any advice) regarding selection of R17/R27 for the cathode to ground resistors?
The parts listing and docs refer to using 560 ohm, 5W, 20% tolerance units. Is there any reason that something like a linear pot (e.g. Alpha part no. VW24F-10-19.5K-B2K 2kOhm full sweep) would be a bad choice? It is inexpensive, provides the 5 watt power rating, is also plus/minus 20% tolerance, would allow adjustment (while the amp is OFF, of course) to dial in the resistance to suit your specific B+, etc. At $5 per unit, this seems like a fair trade-off. I must be missing something here, yes? Brad |
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#2 |
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diyAudio Member
Join Date: Jan 2008
Location: So.Cal.
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Well, you'll need slightly different resistor values depending on what output tubes you are planning to run.
Several folks here have wired up a several values with a selector switch or jumpers to use when changing to different output tubes. A pot that goes to zero ohms may not be a good idea since you can potentially red plate (melt) your output tubes if you make a mistake. Perhaps a pot in series with the lowest value R you need......or in parallel; that'll require a little ohm's law. You'll also want to have both channels fairly well matched.... If you think about it, you probably only need say 3 values to cover most tubes commonly used in the amp. |
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#3 | |
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diyAudio Member
Join Date: Dec 2011
Location: Acton, Ontario, Canada
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Quote:
The idea of a series value to set a minimum is a good one, or some R1*R2/(R1+R2) math to achieve something similar. That would at least avoid the Flying Wallendas family pyramid without a net scenario and avoid a core meltdown. I would prefer to minimize the number of times I have to "get under the hood", so to speak, simply to change output tubes to something needing more/less current on the cathode. Boywonder, consider your "minimum resistance idea" adopted. Cheers, Brad |
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#4 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
The most reliable solution is a switch and a few resistors. Put a 1K or an 820 ohm in the board and use a switch to add resistors in parallel to get the desired value. Really want the adjustability of a pot? Here is how to do it. Put the 1K resistor in the board. Wire a 1K resistor and your 2K pot in series, then put the series pair in parallel with the 1K that is on the board. With the pot all the way down you have two 1K resistors in parallel for 500 ohms. This will work with stout (EH) KT88's and will over dissipate the smaller tubes but not subject them to instant death like a single pot set to 0 ohms. With the pot all the way up you have 3K ohms in parallel with the 1K on the board for 750 ohms.
__________________
Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#5 |
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All the best stuff comes from Chian
diyAudio Member
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Indeed, this has come up before. The other advantage of having a 1k static resistor is if the pot ever does go wide-open, it won't take out the cathode bypass capacitor in the process.
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#6 | ||
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diyAudio Member
Join Date: Dec 2011
Location: Acton, Ontario, Canada
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Quote:
Quote:
Since I am not too sure of what my power supply output voltage will be, I was hunting for a solution of the cathode resistance challenge so I could tweak the tube dissipation to suit my specific situation. So, effectively, my conclusion would be: 1) ENSURE you have a minimum resistance between the output tube cathodes and ground to prevent burning up a tube -- say 500 ohm or so (select to suit conditions...I understand from the "Tubes and Transformers" section of the TubeLabs page that one might select a lower initial value based on B+ voltage and desired tube dissipation. 2) If a Pot is used, it's handling capability is proportional to where in the Pot's sweep you are -- be aware of premature failure in considering such a device. 3) If a Pot is used, parallel it with a 5W resistor that establishes a minimum value (e.g. 1k ohms). 4) Place a minimum value on the board itself in the R17 and R27 positions. Thanks for the support...I am looking forward to starting the build when my board arrives...hopefully early next week. |
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#7 | |
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diyAudio Member
Join Date: Jan 2008
Location: So.Cal.
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Quote:
If you are implementing a CLC power supply, you can reduce the value of the first cap to fine tune the B+ voltage a bit. Play with this in your PSUD model. You usually have to get below 10uf or less to see the B+ voltage start to drop. |
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#8 | |
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diyAudio Member
Join Date: Dec 2011
Location: Acton, Ontario, Canada
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Quote:
Specs are 120VAC mains, 720 VCT @ 220mA, 6.3V @ 7A and 5V @4A. There's also a 60V bias tap 800mA capacity, but I won't use it. Selection was based on meeting TubeLab minimum specs, but also to have more 6.3V and 5V filament current, should I consider some later experiments with different rectifier, input stage and output stage tubes that have higher filament power requirements. At $57.33 cost, this transfo looks like a savings of $20+ and meets all minimum Tubelab Specs. The cost of the XPWR035 and 059 are much higher from what I'm seeing at Edcor online. The PSUDII model shows a B+ range from about 380-430 volts, depending on secondary winding resistance values, C1, C2, Cauxiliary and L1. Since these are just models and I don't know what the final B+ will be, I wanted to come up with a relatively simple R17/R27 adjustment scheme to get an optimal Pdiss for the output tubes to save their lives for music playback, rather than a very short fireworks show if I calc'd the B+ and Pdiss wrong. RKnize's scheme of a rotary switch to create a stepped resistance system looks like the way to go and incorporates your warning about avoid dangerously low R17/R27 conditions and those of the SimpleSE designer, TubeLab George. I think I'm settled on a scheme now for safety and flexibility that will incorporate the ideas and warnings mentioned in this thread. My build should start shortly (board arrival soon, followed by BOM purchases)...so stay tuned. Thanks to BoyWonder, RKnize and, or course, TubeLab George for the support. Brad (aka Squiffiness) |
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#9 |
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diyAudio Member
Join Date: Jan 2008
Location: So.Cal.
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Squiffi: Keep in mind that overspecing the transformer current rating for heaters (or any winding for that matter) means that you may be fighting excess voltage. For the heaters, you can use some series low R resistors to drop a little voltage if needed.
The Edcor units are a great value, and tend to be closer to Spec (and built a bit better) than Hammonds. Edcor has recently added chokes to it's lineup as well, now if they would just lose the blue color....... |
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#10 | |
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diyAudio Member
Join Date: Dec 2011
Location: Acton, Ontario, Canada
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Quote:
I'll certainly be mindful of that if I go with the XPWR002-120. BTW -- I did note that Edcor shows plain, unpainted end bell housings on their e-storefront. I have been back and forth with Brian Watson at Edcor in the last couple of weeks on questions related to the Edcor lineup. Maybe I will ask him that since Edcor states that all product is "custom built to order" as orders roll in, whether they can build a roster of equipment without painting them the electric blue. I will reply back via this thread with the Edcor reply. Brad |
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