John Curl's Blowtorch preamplifier part II

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Usually, I don't hear background noise in the electronics, but sometimes I hear the goove noise when playing a record. Guess what, Jack Bybee showed me a way to REMOVE VIRTUALLY ALL the groove noise with a simple quantum part in the input. I will try it at home, soon, but it really works! He did an A-B on his system where the electronics is comparable with mine.
 
I also cannot teach you to read.


C'mon Uncle Sy,

Free up some of that knowledge, noise floor at 44 db, 3M listening distance 89db/W/m speakers, digital noise advantage...?


I am not saying "bad". But definitely audible, especially for pianissimo music. Smoothing :) Masking :)

I do agree with you on Piano, speed drift is an issue, on sprung turntables, it's mostly from the suspension, in need of new springs or adjustment ( motor aside) on really good TT's with good speed stability( read: heavy , big, ) it is not an issue.

Piano will eliminate the TT pretenders quickly ... :)
 
Usually, I don't hear background noise in the electronics, but sometimes I hear the goove noise when playing a record. Guess what, Jack Bybee showed me a way to REMOVE VIRTUALLY ALL the groove noise with a simple quantum part in the input. I will try it at home, soon, but it really works! He did an A-B on his system where the electronics is comparable with mine.

Groove noise is dependent on LP pressings and TT tracking on better pressings/arm/cartridge setups noise is usually in the noise floor.
Huber's new FMA phono stage has a circuit to cure pops and clicks, it works without audible degradation...


PS: Thanks Uncle Sy ....
 
There are plenty of the 8 legs hidden very highly acclaimed phono pre's. You place the SOTA qualifier on it so what am I to say, who determines that? I've had at least two of JC's highly respected buddies do it.

Would you participate in a real no peeking A/B?

I would.
Though no switching box, no switch between sources and I have enough time to listen, on my own audio setup.
 
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that video demo of the 223 removing snaps, crackles and pops is pretty cool.
any ideas how they do it?

mlloyd1

Traditionally this is done with slew-rate dependent filtering. Crackles and pops generally have higher slew rates than the music and that triggers the filtering.
Such units come and go seemingly once every decade ;)

Jan
 
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