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#1 | |
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diyAudio Member
Join Date: Sep 2003
Location: Melbourne, Australia
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I'm referring to the Rhino acoustics Bassmax horn subs:
FLH without RCC? Contradiction in terms? This is what they have to say about it: Quote:
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AUDIO BLOG | Bass integration guide My work: www.redspade.com.au web design studio |
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#2 | |
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diyAudio Member
Join Date: Jan 2005
Location: Rotterdam, NL
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Quote:
Skramstadt has some interesting thoughts on the sound of the RLH in his topic about the 6090 horn IIRC he created. A drawback of a RLH is that there is an acoustic shortcut, depending on the horns length and driver position. For this reason scoops (a populair RLH design) show a gap in the frequency response around 70 -80 Hz, this also applies to for instance a transmision line. So long paths are favored. If the path is very short and the VRC quite large than it's behauvior tends to be hybride between horn and basreflex which would deny some of the preferable horn general properties. There are some drawbacks created by a FLH in contrast to a RLH, what exactly seems to have slipped my mind for the moment but perhaps Skramstadt explains.Wkr Johan |
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#3 |
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diyAudio Member
Join Date: Jun 2003
Location: Chamblee, Ga.
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Greets!
Duh! FLH sans RCC = BLH, ergo an optimized one can have the greatest CR, BW and it's the only horn alignment I know of that yields a ~'perfect' impulse response and flattest phase/impedance (excluding inductance rise). The trade-offs are they're very long due to needing a hyperbolic 'T' (aka 'M') factor, don't make nearly as much gain as a FLH is capable of or have the benefit of the rear chamber's driver protection, and suitable midbass/LF drivers available to the DIYer are made of unobtanium AFAIK.Not knowing any design details of the BASSMAXX, I can't comment on how close to ideal it is, but I assume it's not even close unless a number of them are stacked together to approximate an ideal termination. FYI, the original RCA folded cinema basshorn prototype design that dominated until Altec Lansing debuted their 'A' series reflex FLH basshorns after WWII were close to an ideal BLH (as best I could tell with limited info) with the exception that the final termination was flat: http://www.audioheritage.org/html/pr...co/shearer.htm If they'd had digital time delay back then, there probably wouldn't have been an Altec 'A' series......... GM
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Loud is Beautiful if it's Clean! As always though, the usual disclaimers apply to this post's contents. |
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#4 |
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diyAudio Member
Join Date: Apr 2003
Location: Holland
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GM, why do they need a hyperbolic 'T' ?
Regards, Co |
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#5 |
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diyAudio Member
Join Date: Jun 2003
Location: Chamblee, Ga.
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Greets!
Because they can't be reactance annulled with a compression chamber. GM
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Loud is Beautiful if it's Clean! As always though, the usual disclaimers apply to this post's contents. |
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#6 |
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diyAudio Member
Join Date: Apr 2003
Location: Holland
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Ah i see...
Looking at hornresponse it also looks like the reactance is very high. This seems to be bad as well although a very narrow bandwidth at cutoff... And what if you had a very high Q driver to compensate for this? They probably arent available that high... Co |
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#7 |
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diyAudio Member
Join Date: Jun 2003
Location: Chamblee, Ga.
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Greets!
To compensate enough to keep peaking to a minimum like an annulled FLH, the horn has to expand very slowly from a small throat over a long distance for a low Qes driver; so yeah, the higher the Qes, the larger the throat, the faster the flare rate, the shorter its pathlength, but the larger its mouth. GM
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Loud is Beautiful if it's Clean! As always though, the usual disclaimers apply to this post's contents. |
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#8 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi Gm,
I would like to believe your conclusion but I find trouble understanding it. Is it possible to restate it in shorter sentences and simpler language to give me a chance to follow your argument?
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regards Andrew T. |
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#9 |
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diyAudio Member
Join Date: Aug 2002
Location: Gaithersburg, MD
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Is there a FAQ? I need to see it ASAP.
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Would a woodchuck bother to chuck MDF? |
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#10 |
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diyAudio Member
Join Date: Sep 2003
Location: Melbourne, Australia
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I'm working on a bass horn faq section in the wiki ... so stay tuned, have a look and feel free to add to it, either questions and or answers found from searching
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AUDIO BLOG | Bass integration guide My work: www.redspade.com.au web design studio |
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