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#21 | ||
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diyAudio Member
Join Date: May 2005
Location: NC
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Quote:
Quote:
daddy likes I can live with electronically flattening it out .... |
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#22 | |
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diyAudio Member
Join Date: May 2005
Location: NC
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Quote:
4th order bandpass correct??? JI can't seem to make this actually fuction very well |
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#23 |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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I'm thinking a Linkwitz Transform filter for a crapload of high-power, high-excursion subs would do it. Don't feel like doing any calculations, though.
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#24 |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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130 dB at very low frequencies are not that dangerous for hearing. It could be dangerous for health I don't know. I should bring my SPL meter in a club someday. I'm quite sure the SPL is stupidly high in the 120s...
I will use these Titanics since you seem to want to use them.
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DIYaudio for President ! |
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#25 | |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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Quote:
mwmkravchenko, according to Adire, room gain is more like 2 dB per octave for the usual room. I built a subwoofer using that rule of thumb and it was flat in room down to 16 Hz as designed when measured with a RadioShack SPL meter.
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DIYaudio for President ! |
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#26 | |
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diyAudio Member
Join Date: May 2005
Location: NC
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Quote:
I just can't think of a woofer to buy that can do this.... the tumult isn't out nor is the maelstorm... I can get RE to build me a "special" MT
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#27 |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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Checked with the Titanic.
2 Titanic each in their 15 cu.ft boxes with 900W would do around 127 dB in room at 10 Hz. The rolloff is a bit higher than wanted, because you get 131 dB at 40 Hz. I'll use the Acoustic Elegance AV15 in the next simulation, it's the same price for better performance.
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DIYaudio for President ! |
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#28 | |
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diyAudio Member
Join Date: Dec 2001
Location: Melbourne, Australia
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Quote:
From a quick scan, the following are the 'health' regulations: Continuous dB Permissible Exposure Time 85 db 8 hours 88 dB 4 hours 91 db 2 hours 94 db 1 hour 97 db 30 minutes 100 db 15 minutes 103 db 7.5 minutes 106 dB 3.75 min (< 4min) 109 dB 1.875 min (< 2min) 112 dB .9375 min (~1 min) 115 dB .46875 min (~30 sec) I remember the "Mythbusters" doing a show on low frequencies - surrounding one of them with a stack of subbies and pumping sounds from 8-80 Hz at volumes from 100dB to 160dB. They got the dude to wear ear proctection after the first test at 100dB.
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Jont. "It is impossible to build a fool proof system; because fools are so ingenious." |
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#29 |
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diyAudio Member
Join Date: Jan 2005
Location: boston
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I did a quick calculation using a lt and the ascendant atlas 12" since thats what paramaters i had on hand. in 2 20cuft boxes with 5 12"s each and 2400 watts you can get 126db flat down to about 5hz in room... I would assume you could get something similar with other readily available drivers such as the av12 or the tc2+
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#30 |
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diyAudio Member
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This thread is reducilis...
you dont want 130db@10hz... 110db@10hz gets scary. You will probably break something(although it may have nothing to do with your stereo). Perhaps your eardrums.... Although I dont believe infrasound is as damaging to the ears as some suggest. Dont say the REXXX18 wont do 10hz because it has a high Fs... Believe me... it will do 10hz just as well(if not better) than an old school adire tumult 15 which has a much lower Fs. Excursion, displacement, and cone area are all that matters below 20hz. Throw the rest out the window. On the issue of room gain... Just like SPL competetion cars there is a point where the bass you blast into the walls stops coming back and starts getting transfered into other things... 130db Is above that point I do believe
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The golden rule of DIY: Build nice, or build twice! |
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| Thread | Thread Starter | Forum | Replies | Last Post |
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