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Old 23rd March 2005, 09:49 PM   #1
Piper is offline Piper  England
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Angry Exponetial horn gone very wrong

Hi guys i posted this horn i made a while back and have just tested to to fine almost no again at all

Click the image to open in full size.

I used this equaion to work out the throat of the horn

Area throat = (2pie*Fs*Qts*Vas)/c

was this wrong should i have just had made the troat area the same size as the speaker cone area ?

These where the speaker parameters

Click the image to open in full size.


Can any one tell me why this went so wrong ?
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Old 23rd March 2005, 09:59 PM   #2
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You haven't got it connected to your amp! I learned a long time ago to check the obvious stuff first.
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Old 23rd March 2005, 10:20 PM   #3
Piper is offline Piper  England
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Of coures i had it connected when i tested it, this was just a good picture to show off the design. Its not the finised article. When i said i had no gains i ment i had no increase in SPL responce compared to the speakers in free air.
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Old 23rd March 2005, 10:38 PM   #4
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How about that isobarik wiring? Are you positive the drivers are wired out of phase? Also, are you sure you don't have any air leakage between your front and rear chambers. The setup looks tough to put the cap on and make sure everything is properly sealed. Also, how did you account for the isobarik loading with regard to the throat size?
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Old 23rd March 2005, 10:49 PM   #5
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The "gain" in SPL from a horn, or any other passive acoustical transformer or device occurs only because it can concentrate isotropically radiated power, the power illuminating a sphere, to a smaller area. If all of the sound hitting a sphere is concentrated to hit just half a sphere then the sound pressure will double, or you will have seen 3 dB gain. The effect of a horn will not be seen in the vicinity of the mouth as being louder than at the transducer. It is in the farfield where the horn is aimed where an increase in level can be measured by comparison to the same distance from the free air driver. Some clever wag comes along periodically and figures out a way to extrapolate near field measurements to predict the expected performance in the far field.
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Old 24th March 2005, 12:01 AM   #6
Piper is offline Piper  England
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I doubled checked my wiring but, if i had wired them in phase then surly my responce would be almost nothing. I took the parameters for the isobaric config to deisgn the horn, ie plugged the second set of numbers in the table into the throat eq (etc). I must admit due to the small size of the coil i cant confirm that the top base fitted on correclty. I might try and get it x-rayed to see if it was properly alined.

Still tho was i right to use that throat equation ?

Also for testing how do i make sure i only supply 1 watt to the speaker ?
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Old 24th March 2005, 12:07 AM   #7
Piper is offline Piper  England
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rcavictim you seem to have good knlodge on this subject, i used Hornresp to orginally model the system but i wonder if you could tell me what equations are used to model horn SPL, as i would like to do the calculations my self.

Thanks for all your quick replies keep them coming
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Old 24th March 2005, 01:18 AM   #8
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I think the problem may be in an inadequate throat size. You're talking only about 10% of Sd. I thought it looked too small in your original post. Some of the old horn theory work suggests a throat/Sd ratio of 30-100%.

Re wiring: In phase wouldn't be no sound like if a W baffle dipole was wired wrong and result in total cancellation. There would be sound, just bad sound due to the tiny rear chamber (airspace between the 2 drivers).

I have a feeling though that the problem is leakage. The way I would have done the top cap would be to route out a grove for the horn and baffle. Fill the groove with a non-silicone caulk. Then fit the horn and baffle assembly into the groove. Not having the baffle flush with the metal edge in your pic is what concerns me about a proper seal right at the baffle.

I wouldn't give up quite yet, even if the seal appears good. I'd take the cap off and bend the top edge of the metal forming the throat up to where the horn and the baffle first meet, just enough so it looks like that first segment (up to the baffle) looks like there is no flare rate. The bottom will still be flared and you'll just have a first net first segment at a lower expansion rate frequency. That is commonly used to decrease the size of a horn and will have less of a negative impact than your very high height to width ratio of your horn pathway. That would be an easy way to get more throat size with minimal effort. To test it, before reassembly, lay a thin sheet of foam rubber covering all of the edges to form a seal. Put a piece of plywood on. Add a bunch of weight or have someone sit on it and give it a listen.

Good Luck!!!
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Old 24th March 2005, 01:27 AM   #9
Variac is offline Variac  United States
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VERY clever though. Routing the slots would be too much work IMHO, considering how easy this is to make.

I have to agree- the horn doesn't get big enough at the opening. I think your taper is wrong...
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Old 24th March 2005, 03:50 AM   #10
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Quote:
Originally posted by Piper
rcavictim you seem to have good knlodge on this subject, i used Hornresp to orginally model the system but i wonder if you could tell me what equations are used to model horn SPL, as i would like to do the calculations my self.

Thanks for all your quick replies keep them coming
Piper,

Unfortunately I am not the fellow to assist you when it comes to mathematical analysis. I've learned to get by very well by faking it. My hands do most of the thinking and for me at least it seems to work as I cannot fault the very high quality and success rate of my projects. This is not a formula for success that one can write down and post.

My feelings are also that the throat area is too small and also that the mouth should be way larger. Your mouth should be a wavelength in circumference to the wavelength reproduced on a true horn.

Take a look at this image. I think you are on to a clever design but suspect that it is the same that goes on inside this commercial offering from AvanteGarde. In this case they take what you have (apparently) and at the mouth they form an opposite roll to produce a good diffraction free mouth opening which is what I was about to suggest to you as well for your design.
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