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#21 | |
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diyAudio Member
Join Date: Nov 2002
Location: NZ
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Quote:
start with what you know. its a 'tline' with sealed chamber on the end. Perhaps start with the sealed chamber resonating at say,50hz with the driver on it,as per normal. Then work out the port for the same sized box,tuned low,then see if it works :P Perhaps only low excursion woofers were available or, loading is not sufficient to provide decent spl with low cone movement (makes me think it is being used where it shouldnt be) |
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#22 |
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diyAudio Member
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Hi all you bass (infra) fanatics.
I have finished typing out all the plans...under huge pressure from you bunch!! Anyway, Ill post the plans, all typed out by me ;o) as well as all the diagrams, as well as my personal experiences and tips i can help you with that i had to figure out on my own, as well as include all the tips i wrote in here. I see so many people have downloaded the plans up to where i typed, so ill rather fishish it and post it in a day or two once and for all, then I just hope you all build and tell me your results and hints you come up with. Ill post on the 16 June latest. Its a public holiday here in South Africa, so ill complete it then. (Yes its winter here, and we sitting in 3 degrees centigrade morning temperatures. We not used that cold here. NOTE : Also as paradise-ice explains, infra bass can be dangerous to health and property. In fact listening to the same low bass piece for two hours for testing and positioning of my new box, i ended up with neck-ache, dizziness, nausia, and had to have a break for 3 days before i could listen again....all that on a tiny system....be careful!
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oiltanker@webmail.co.za |
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#23 |
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diyAudio Member
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Some questions
Q. why is it so room fussy tho? is it simply because of having to presurise the space enough to produce these frequencies? A: You will see in the plans why you need a SUITABLE listening environment. He explains, but not explicitly says that the box raises and lowers the overall pressure of the listening environment. It stands to reason then that if you leave the door open, how do you pressurise the room. If you have a hole in your car tyre, how will you pump the wheel up to its correct pressure? Q:why do you say that if you turn it up the worse it sounds? A: Good question. Remember i was on a tight students budget. I only had an 80W rms 10" speaker, and a 30Watt rms NAD amp. Of course if you turn it up too much, massive distortion is going to take place. I dont have a huge amp, and powerful speaker to test it to the limit. Besides i didnt want to kill thy neihbour. I would love someone to try this box with the more powerful equipment. Remember the distortion is also less the softer you play the speaker (within reason) and i found that the less the cone moved, the deeper, and purer the sound was. I dont believe my amp could drive it. Q: any ideas on how to work out the required chamber volume and port sizes for any given driver? A: Dont worry about that. The plans ill post on 16th june include 3 designs. All dimensions included to build a 10", 12", and 15" design. My 10" blew me away. 15" i think would stop your heart. When youve heard bass down to about 10Hz or so...its indescribable, and youll understand what i mean then. ryan
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oiltanker@webmail.co.za |
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#24 |
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diyAudio Member
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Hi Mikee12345,
it seems the patent you found, is different to the one i have. However the same rules would apply, except that the ports on the one I built have rectangular ports, not round.
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oiltanker@webmail.co.za |
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#25 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Whilst the principle might be capable of producing very low
frequency bass I'd suggest the caveat is that this is not accurate low frequency bass, transient response is poor. I think this can be observed by simple inspection, just consider trying to use the principle for say bass in the 30Hz to 50Hz region. I remember the whole debate about the principle well, and I was basically in the sensible camp, saying that considering the principles of vinyl reproduction the idea is at best a novelty, getting down to 20Hz with good quality is far more important. GH's suggested mods for tonearms were / are a non-starter. With digital its very different if your subsonically inclined, though I can't imagine a highish Q boom box sounding that pleasant. |
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#26 | |
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diyAudio Member
Join Date: Jun 2004
Location: cosmological consciousness
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Quote:
If you submit plans for this design, I promise to make a working prototype! I have access to as many infra woofers that I need so that’s not a problem for me. The only problem is people actually want to urinate after a short exposure, maybe making this device in a rest room is a better idea,LOL |
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#27 |
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diyAudio Member
Join Date: Aug 2003
Location: Australia
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heh, I quite like infrasound, had a setup in my car at one stage that would get ~120db at 10hz (possibly more depending on the accuracy of my mike at that frequency) and I found it to be quite relaxing (would feel sleepy after a while), that's with music containing infrasound though, not pure tones.
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#28 |
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diyAudio Member
Join Date: Aug 2003
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Infrabass down to 5Hz sounds dangerous in an unmonitored environment. Wonder if it would be possible to modify the design to give a safer cutoff of around, say, 15Hz?
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#29 |
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diyAudio Member
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Hi again,
I have to agree with Volenti. I have played around with a sinewave generator at university, playing around with a few home amps and speakers purely for fun and experimentation. The pure sine wave although producing a sound, lacks higher order harmonics, i.e. musicallity. Deep sounds from a pipe organ for instance played as quick as any other higher note really warms the soul. I personally would vomit if i tried to listen to a 10Hz signal for as long as i could bear. Thats torturerous endurance tests. My aim was to hear more in the music. In fact a particular song number 4 on Enya's watermark (ill double check that number) i can only listen to for about a minute or two before i have to fwd. It has a continuous low fr that exists throughout the song without letting up, but this is more the exception than the rule.
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oiltanker@webmail.co.za |
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#30 |
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diyAudio Member
Join Date: Sep 2003
Location: SouthEast
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I can understand the principle generating subsonic information, and even doing it with flatish frequency response. I don't understand how a small displacement driver is supposed to do so with any significant SPL... even using tremendous amounts of resonance.
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