More 18" SUB's? or a more expensive model?

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"Punch" is about how the subwoofers match up to the main speakers (aka tops).

So, which tops do you have?
How are you running the crossover?

IMO, a system should be flat so the artist/DJ/whatever comes through cleanly. If they want to make it "punchy" or "deep", they can mix that way.

Chris
 
Okay, and what else are you using?
Amplifiers, crossover, etc?
How is it all set up? Have you bridged any amplifiers, or are they running stereo?

The system works as a whole, so we need to know everything about it before we can even guess at what might be wrong.
When it comes to troubleshooting someone else's setup, there's no such thing as too much information.

Chris
 
Ok, I have three amps. One 6000w 4 channel Nu4-6000. and two nu3000DSP which have two channels which run in bridge mode as the subwoofers run in mono. They're crossover is set just above 100hz. they can be customised fully. the Nu4-6000 has a set 100Hz crossover, but I run the tops at full range as it seems to produce a better quality sound that way? the tops are stereo, and the subwoofers feed of a XLR split to one of the nu3000DSp's which run the subs.
 
what are the crossover settings of the sub and tops.

See... what you define as 'punch' is al in the range 100hz <> 250hz . the so called chest pump.

Try this setting for the sub:
set a 24db/LR HighPass at 45hz.
set a 24db/LR LowPass at 140hz on the subs.

Leave the tops full range and/or try a 12db/LR Highpass at 100hz (or anywhere between 80 and 120hz)
 
it could be acoustic phase between tops and subs is not happy (as in summing correctly)
if the sum is causing an acoustic notch he would be loosing alot in the 100hz region.

the OP said: they sound great on their own with a little bit of punchy bass if they are on full range. but when the subs are in. their isn't any Punch and its more BOOM.
 
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or he could flip the wiring on a sub and have a listen.
high passing the tops will help but if the drivers are not acoustically summed correctly there may still be enough band overlap (depending on x-over filter slopes) to kill a "kick" feel at distance.
other avenue to explore is input pinning, as in no flipped XLR's or miswired adapters.
troubleshooting blind is hard and we are not there...
 
i was re-reading the thread and it was mentioned that he was running the "subs"(plural) mono. but
if he has one under each stack/top and they are separated by 25 feet (typical stage width) there's also gonna be a problem there as well,no?
 
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