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#101 |
diyAudio Member
Join Date: Jan 2006
Location: Texas
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Hi Djim,
Would this be enough of a cone correction: Regards,
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Oliver |
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#102 |
diyAudio Member
Join Date: Aug 2010
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I just wanted to say that I really appreciate the additional discussion of these 12" designs in this thread. Without some of the advice here, I would have focused on the wrong things. I would have under emphasized the importance of bracing and I would have been overly concerned that the horn taper had to be just so. Now with the additional information of the last few pages, I feel that I can put my own simulation attempts on firmer footing.
So, thanks, gs |
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#103 |
diyAudio Member
Join Date: Dec 2009
Location: Les Pays-Bas
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#104 |
diyAudio Member
Join Date: Jan 2006
Location: Texas
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Hi Djim,
The B&C 12PS100 has a listed BL of 22.5 Tm. Depending on the cone's shape I think you could be a little more aggressive, as long as the remaining cross-section does not fall below the S2 value from Hornresp, don't you think? Regards,
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Oliver |
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#105 | |
diyAudio Member
Join Date: Dec 2009
Location: Les Pays-Bas
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Quote:
Agreed, for the B&C 12PS100 you could go for a higher stub. My quick analyse your stub ended with the same top of the stub (where it hits the driver baffle) but with a slightly smaller base, probably the result of a different cone-shape. Don't you think the S1 area needs to be enlarged to keep the pressure on that side a little lower (compensation for the increased pressure)? Also I agree with Brian's remark, the S4-S5 section could benefit from some compensation. Also, the end-widening in the last 5 to 10cm (mouth area) will not be seen by relative large wavelengths. It will only affect relative high frequencies. That's is why I believe the mouth area in Xoc1 model is too large in relation to low frequency behaviour. Last edited by Djim; 30th January 2013 at 06:22 PM. |
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#106 |
diyAudio Member
Join Date: Jan 2006
Location: Texas
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Hi Djim,
Post #105: "...Don't you think the S1 area needs to be enlarged to keep the pressure on that side a little lower (compensation for the increased pressure)?" There are about 2-1/2" between the edge of the woofer and the right angle bend of the horn, setting the woofer back into the horn (e.g.: 1.5"[4cm]) might be a good thing, but it will reduce L23. As to the mouth size, I'd just go with whatever Hornresp says works. The mouth section should probably be simulated as Exp, or maybe this whole thing is so tweaked that it needs to be put into AkAbak. Regards,
__________________
Oliver |
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#107 | |
diyAudio Member
Join Date: Dec 2009
Location: Les Pays-Bas
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Quote:
I agree, the reality is 'so tweakes' that taking the S1 points no longer actually represents the true path. By re-modeling after measurments of freq and phase responses, you can compensate for the minimum amount of S-points HornResp is currently offering. Indeed, the other way is going with Akabak... ![]() |
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#108 | |
diyAudio Member
Join Date: Nov 2008
Location: Devon UK
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Quote:
I agree with DJim that the mouth area in my sim is could be too large as the expansion is over a relatively short area, but S4 is also considerably smaller due to the driver cone and chassis, so the final expansion is probably more linear over a larger area than suggested by the shape of the final flare utilising the reflector. Has anyone got a typical cross sectional area figure for a 12" driver that might be deducted from S4 to get a better idea of what the final expansion is? Gentle cone correction does seem to improve the bandwidth and fill in the dip at 180 hz. Its easy to see the effect by zeroing Ap1 and Lpt in the sim. Any more than that and we are moving into Akabak territory. EDIT DJim you beat me to it by a couple of minutes ![]() Regards Xoc1 Last edited by Xoc1; 30th January 2013 at 09:13 PM. |
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#109 |
diyAudio Member
Join Date: Dec 2009
Location: Les Pays-Bas
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Hi Martin,
I am not sure if the Atc/Vtc function within HornResp is the best method to emulate the cone-volume at S2. I think it is meant to simulate true 'chamber' function (an impedance transformer) since it simulates a true air column. I think that the cone volume is just added to the S2 horn section because of the very shallow cone-shape instead of a true column/chamber. Well, maybe it doesn't matter much... (Btw thanks for your great drawings again) Last edited by Djim; 30th January 2013 at 09:28 PM. |
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#110 |
diyAudio Member
Join Date: Jan 2005
Location: Rotterdam, NL
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@ Xoc1: I think 200 cm^2 does about cut it. I like to make L34 quite small in this case, leaving a single segment for the rest, standing on the verge of AkAbak.
Best regards Johan
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