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#81 | |
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diyAudio Member
Join Date: Feb 2004
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#82 | |
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diyAudio Member
Join Date: Oct 2012
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#83 | |
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diyAudio Member
Join Date: Oct 2012
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#84 | |
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diyAudio Member
Join Date: Jan 2008
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Built a tall isobaricly loaded tapped horn "Totem" sub for my shop, it rolls off below 20 Hz but corner loaded still puts out level clearly audible (around 80 dB) as low as 15 Hz without distorting. I mostly listen to the radio in the shop, very few songs make the Totem sub come alive, the other 3 higher tuned subs are what generally fill the bill. Much easier to hear clean low stuff using headphones, it takes a big cabinet or a lot of power to make much output below 20Hz. |
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#85 | |
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diyAudio Member
Join Date: Jan 2008
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The phase response of the top cabinets must be determined to match the subs phase response at the acoustic crossover point, a ported top will require a different delay compensation than a sealed top cabinet. With DSP, proper integration can be achieved with sealed, ported, or horn loaded subs. All types of subs can integrate well, though certain designs require more DSP to integrate properly. |
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#86 | |
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diyAudio Member
Join Date: Oct 2012
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#87 | |
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diyAudio Member
Join Date: Oct 2012
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#88 | |
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diyAudio Member
Join Date: Jan 2008
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Headphones are a "high end sealed sub", it takes far less than 100 dB for me to hear a 15 Hz tone on my Sony MD 7506, or GK Ultraphones, which also use the 7506 element in Peltor muffs. The revised curves of ISO 226:2003 indicate average persons can hear 16 Hz at 90 dB, I may be above that average, but even if not, 10 dB is an order of magnitude over what an average person needs to hear 15-16 Hz. I felt ill after listening to a pair of BC18SW115-4 open air playing sine waves at 12-20 Hz during break in, though quite audible, I doubt they were at 100 dB. Regarding your statement "The problem with ported subs is the driver and port each have their own phase, so its impossible to dial both in perfectly" it does not address the fact that the phase response of of (almost) any two cabinets can be combined, using time delay, to coincide at the crossover point. There are no real world transducers with flat phase response over their entire frequency range, no "phase perfect" speaker exists without DSP. To illustrate, the screen shot below has the magnitude and phase response of four tests: An Acoustic Research sealed 10" (presumably a Q of .707) A BC18SW115-4 in a bass reflex cabinet A BC18SW115-4 in a tapped horn A BC18SW115-4 in a tapped horn with top cabinets using sealed Eminence Alpha 8", crossed over and equalized for flat response. The last is a giveaway, as only one trace has a flat response, which also equates to a smoother phase response. Can you identify the crossover point between the TH 18" and the sealed 8"? Can you identify the other three phase traces? Have fun, good luck! Art |
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#89 | |
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diyAudio Member
Join Date: Jan 2008
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Pretty darn good LF for a pair of $5 drivers .Edit: The RTA 420 mic used for the measurement rolls off in response at least 2 dB at 16 Hz, 16Hz may be the 3 dB down point for the Totem sub. Art Last edited by weltersys; 15th November 2012 at 07:29 PM. |
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#90 | |||
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diyAudio Member
Join Date: Oct 2012
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As a guess, I'd guess at the yellow. Last edited by Moonfly; 15th November 2012 at 07:47 PM. |
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