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#1 |
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diyAudio Member
Join Date: Feb 2010
Location: England
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It is late so I may have got this a bit wrong but I am confident in this design. It is a bass reflex with a front loaded horn basically, here goes. Using the Peerless XLS-269 10" driver. 225W for full power of 115dB.
![]() ![]() ![]() ![]() ![]() Enclosure; middle section is the reflex with port at the top and then the horn on far left and bottom. Cross hatched section is for driver placement, I will get some measurement for this later on. ![]() My largest concern of this design is the size of the ports and horn with cross sections of only 60cm square, I will look into that further tomorrow. Until then please suggest ideas and the like. Thanks.
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I thought about it once, but then thought again. |
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#2 |
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diyAudio Member
Join Date: Jun 2009
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I'm not the smartest when it comes to horns, but afaik horns are supposed to net you some actual gain. You're only getting about a 3db gain which is equal to a standard ported enclosure. You can elminate all that "horn" stuff on the end, and you'd have the same output.
The problem i'm seeing is you don't have a gradual expansion, just a slot port that wraps around itself. It'll give you low tuning for a ported enclosure, but you won't be getting any additional output. Someone with more horn experience should chime in, But i beleive you're not getting any real gain with this enclosure, just a bit of extension. Your impedance plot should have two peaks in it if its a properly built horn. Edit: just noticed i was looking at group delay, not impedance, Check impedance for two peaks. Last edited by Binary110; 19th August 2011 at 01:48 PM. |
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#3 |
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diyAudio Member
Join Date: Jan 2006
Location: n/a
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Hi Boscoe,
Looks like you simulated a 6th order bandpass enclusure. Regards,
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Oliver |
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#4 |
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diyAudio Member
Join Date: Jan 2009
Location: Columbus, Ohio
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#5 | |
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diyAudio Member
Join Date: Feb 2010
Location: England
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Quote:
Thanks keep the advice coming I am tinkering with the design, with the ports as they are what would the sound be like? I can't imagine it being very good forcing 115dB out of two small ports?
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I thought about it once, but then thought again. Last edited by Boscoe; 19th August 2011 at 05:30 PM. |
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#6 |
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diyAudio Member
Join Date: Jan 2006
Location: n/a
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Hi Boscoe,
What you presented in Post #1 is a BP6, the one BP1Fanatic linked to in Post #4 is a BP6 with one port in form of a short horn. The Hornresp Input in the linked thread is the more correct way of setting up a simulation, but yours should work too. Part of the difference you found between simulating in WinISD and Hornresp may be that your Ang entry is 1.0 x Pi whereas WinISD defaults to 2.0 x Pi (I'm assuming you used the BP6 box mode in Win ISD). Also, a horn without a taper is a pipe or tube, I think? Regards,
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Oliver |
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#7 | |
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diyAudio Member
Join Date: Jan 2009
Location: Columbus, Ohio
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Quote:
I take that back. I thought you went from 120cm2 to 60cm2 over a distance. You just started your PORT at 0.10cm. Last edited by BP1Fanatic; 19th August 2011 at 08:49 PM. |
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#8 |
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diyAudio Member
Join Date: Jan 2009
Location: Columbus, Ohio
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Here is a partial stepped tapped horn. Free Speaker Plans - Free Speaker Plans ? View topic - Beware the one eyed monster!
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#9 |
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diyAudio Member
Join Date: Feb 2010
Location: England
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So is there anything wrong with my design? What will it likely to sound like? High distortion?
__________________
I thought about it once, but then thought again. |
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#10 |
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diyAudio Member
Join Date: Jan 2009
Location: Columbus, Ohio
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To be a horn, there has to be an expansion (tapered or stepped) towards the mouth like horn instruments. Your design has straight ports which makes it a BP6. As long as your ports have enough area to keep the vent air speed below Mach 0.10, then you should be good on the distortion.
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