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#21 |
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diyAudio Member
Join Date: Nov 2010
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I liked your Keystone tapped horn running dual 12's
You say it puts out 6dB more than a ported sub provides? I figured it would be a little higher but every little bit helps. By the time I figure out tapped horns, horn response, keystone mouths and have it all designed--they will probably obsolete the drivers. ![]() First the single 10", I can screw around with it and really like the keystone mouth. +6dB boost from the alignment will give me 94dB... close enough for garage duty. |
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#22 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
Keystone Sub Using 18,15,&12 Inch Speakers Post #1 has the chart comparing it, post #12 goes over the distortion, which is about the same as the ported cabinet on average. It would be fairly easy to make a "donut" adapter that would allow the dual 12 Keystone to be run in PP, if it didn't work as well as normal, it could be switched back. I wish I would have done that experiment, but the BC18115-4 sounded better than the Lab 12s, and could take way more power and still sound clean, so I was not inclined to pursue it too much. |
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#23 |
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diyAudio Member
Join Date: Oct 2006
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I've had some good luck with push pull speakers.
The pictures and graph above are from a push-pull project I did. One enclosure is a front-loaded horn, one enclosure is a tapped horn. We see the following:
![]() ![]() Here's a B&C 8NDL51 for comparison's sake. I'd say the push-pull Auras do pretty well, particularly since they're under $80 a pair. |
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#24 |
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diyAudio Member
Join Date: Dec 2009
Location: Md
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Random thought. I always considered Isobaric to be a cheat for a too small motor, but would you get the same advantage in distortion with cone-to-cone facing Isobaric?
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#25 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
I used a pair of $5 Sammi 10" in a cone-to-cone facing isobaric tqwp: $10 (plus wood) 18Hz ISOT-TQWP Sub Art Welter |
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#26 |
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diyAudio Member
Join Date: Nov 2007
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Seems like a good match for an acoustic bandpass alignment - the isobaric loading will take care of the even order frequencies and the acoustic bandpass could reduce the audibility of the odd-order ones above the system's passband.
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