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#1 |
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diyAudio Member
Join Date: Mar 2009
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I listen to anything from classic rock, 60's pop, some metal, some folk. Plan to listen to jazz. For the woofer and enclosure design, I'm not clear on where to design the F3 point for the speaker. I want to cover the bass, but not go too low to where the cabinets get crazy large.
I'm looking at low Qts, Vas 15", high eff. pro sound drivers in a ported cab of around 5 Cu ft. Is an F3 point of 43Hz and F10 of 33Hz reasonable? Thanks for any tips! |
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#2 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
To me, it is worth it, 43 Hz F3 is adequate for 60's pop, but not for jazz or metal. The low E on a four string bass is 41 Hz, the low B on a five string, 31 Hz. The low B is common now. After having heard it flat, having the low B 10 dB down (half as loud) just does not cut it for me anymore. Using a pair of Lab 12 in around a 6 cubic foot enclosure Fb36 will get you an F3 around 31 Hz. They will beat the LF extension and efficiency of most pro dual 18" for LF output for the size. Last edited by weltersys; 10th March 2011 at 03:56 PM. |
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#3 |
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diyAudio Member
Join Date: Mar 2009
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Are your graphs from a room? I'm not sure what WinISD software is telling me (a certain space type or anechoic). Wouldn't I gain quite a bit of LF in a room?
I have a set of DIY 1.5" cu ft speakers designed for f3 at 50 Hz, but when I play sine wave tones, they have strong output to 37 Hz and even a bit at 30Hz which I find remarkable. |
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#4 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
Speaker placement, room dimensions and size will all have large effects on the frequency response of a speaker system. A very small room will exhibit "cabin gain", progressive increase in low frequency, which may compensate for a speaker's falling response down low. Playing sine wave tones, move your dB meter (or ears) around, you will find large variations in the "strong" response. |
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